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Schopenhauer: On the Fourfold Root of the Principle of Sufficient Reason and Other Writings

Cambridge: Cambridge University Press. Edited by David E. Cartwright, Edward E. Erdmann, Christopher Janaway & Arthur Schopenhauer (2012)

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  1. Homer and Ancient Narrative Time.Ahuvia Kahane - 2022 - Classical Antiquity 41 (1):1-50.
    This paper considers the nature of time and temporality in Homer. It argues that any exploration of narrative and time must, as its central tenet, take into account the irreducible plurality and interconnectedness of memory, the event, and experienced time. Drawing on notions of complexity, emergence, and stochastic behavior in science as well as phenomenological traditions in the discussion and analysis of time, temporality, and change, and offering extensive readings of Homer, of Homeric epithets and formulae, and of key passages (...)
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  • Schopenhauerian Musical Formalism: Meaningfulness without Meaning.Chenyu Bu - 2023 - Journal of Comparative Literature and Aesthetics 46 (4):70-79.
    I develop Schopenhauerian musical formalism. First, I present a Schopenhauerian account of music with a background of his metaphysical framework. Then, I define meaningfulness as an analog to a Kantian notion of purposiveness and argue that, in light of Schopenhauer, music is meaningful as a direct manifestation of the universal will. Given the ineffable nature of what music points to, its form lacks any representation of meaning. Music is therefore the mere form of meaningfulness, and it is precisely this mere (...)
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