This paper deals with the question of historical facticity in the phenomenological tradition. I argue that taking historicity into consideration in its factical constitution means transgressing the realm of the primordial or existential temporality. Following Ricoeur’s discussion of the idea of the “referential status of the past,” the question of the material foundation of historical meaning-formation, i.e., relation between temporality and materiality will be brought into the forefront of phenomenological investigations. It is with this context in mind that I argue (...) that exploring the conditions of historicity with regard to its factical and material determinations should assume a realist position in phenomenology. (shrink)

Magda B. Arnold's theory of emotion is examined from three historical viewpoints. First, I look backward from Arnold to precursors of her theory of emotion in 19th century introspectionist psychology and in classical evolutionary psychology. I try to show that Arnold can be regarded as belonging intellectually to the cognitive tradition of emotion theorising that originated in Brentano and his students, and that she was also significantly influenced by McDougall's evolutionary view of emotion. Second, I look forward from Arnold to (...) the influence she had on Richard S. Lazarus, the theorist who deserves the most credit for popularising the appraisal approach to emotion. Here, I try to document that Lazarus’ theory of the stress emotions preserved most assumptions of Arnold's theory. Finally, I look back at Arnold from today's perspective and address points of success of the appraisal paradigm in emotion psychology, as well as some remaining problems. (shrink)

Max Scheler and Mencius both take feeling to be the origin of value and could therefore be considered to be proponents of axiological sentimentalism. Despite the great spatial and temporal distance between them, there are striking similarities between the theories of value they developed. It should be noted, however, that there are also some differences between them that are mainly derived from some difficulties with their theories of value. These difficulties should be removed so that a better theory of value (...) could be developed. It is accordingly the aim of this paper to promote a phenomenological dialogue between Scheler and Mencius that could lead to such a better theory. In Sects. 1, 2, I will first delineate Scheler’s theory of value and feeling, then that of Mencius. In Sect. 3, I will point out some difficulties with the two theories and promote a dialogue between them that would improve each theory. In Sect. 4, I will conclude with some remarks concerning the future task of the phenomenological dialogue between Scheler and Mencius. (shrink)

This book is a rounded well-informed study of violence, especially from a hermeneutical and social-studies perspective. It is relevant to peace studies. It raises key issues about the phenomenology of the person, of violence, of the foundations of ethics. Although it tends to skirt normative phenomenological, eidetic as well as moral issues they are always insistently on the edge of the rich discussions philosophical-hermeneutical issues and contemporary writings on these matters.

This paper corrects a historical injustice that has been perpetrated against Kant for some time now. Mostly on good grounds, Kantian ethics have been accused of neglecting the role played by the emotions in moral deliberation and in morally informed action. However, the contemporary moral philosophers who have put forth such a claim tend to bypass textual sources, on the one hand, and to downplay the role played by the anthropological writings on Kant’s practical philosophy as a whole, on the (...) other. Relying on highly relevant pre-critical texts in which Kant sketches future argumentative patterns and discusses the role of negative emotions like shame on the improvement of the human species, I address a mistaken conclusion about Kantian ethics as a whole that is common in contemporary Anglo-American philosophy. Finally, I raise some paradoxical conclusions that follow from Kant’s argument, once its implicit premises have been brought to light. (shrink)

In this paper, drawing on phenomenological and clinical literature, we will describe shame as a resonant emotion where the subjects involved are intertwined with one another thanks to two pre-reflective features of selfhood: embodiment and common sense. Furthermore, we will pay particular attention to the notion of intercorporeality, as it reflects the fact that our self, since birth, is essentially relational and embodied. In doing so, we will use the case of autism spectrum disorder as a paradigmatic situation and we (...) will claim that the difficulties experienced by autistic subjects in feeling shame (and other complex emotions) are primarily due to the lack or the impairments in the domains of intercorporeality and common sense. In this view, shame reveals its complex nature and it is synonymous with a bodily and essentially relational emotion. (shrink)

On many standard readings, shame is an emotion that in an accentuated manner targets and involves the self in its totality. In shame, the self is affected by a global devaluation: it feels defective, objectionable, condemned. The basic question I wish to raise and discuss is the following: What does the fact that we feel shame tell us about the nature of self? What kind of self is it that is affected in shame?

Meaning, for example Sam's meaning that it rains by saying "es regnet", forms of life and the senses of propositions or thoughts are three categories that loom large in Wittgenstein's writings on language and mind. How do they stand to one another, how are they connected? The question was addressed before Wittgenstein by the realist phenomenologists, Scheler, Hartmann and Ortega as well as by the Viennese philosopher and psychologist, Karl Bühler. Like Wittgenstein, these philosophers were quite clear that the category (...) to which meaning belongs and the category to which belong the senses of individual propositions cover a great variety of cases and that a form of life has many dimensions. Language is only one of the phenomena which go to make up human life or culture. The acts and activities of a person are one thing, the acts and activities of interacting persons another thing and the contents of both yet another thing. (shrink)

Towards a Philosophy of Photography presents all aspects of Flusser’s theory of technical images as well as the images’ ambivalence and paradoxes: the relation of writing and image from a historical and a post-historical perspective, the definition of technical images as images of concepts and as products of the apparatus. The starting point of this approach to the photographic image is meta-theoretical: Flusser’s philosophical method oscillates between ‘telling stories’, a philosophical argumentation in the tradition of phenomenology, language philosophy and structuralism, (...) a specific use of metaphors – and often together with Flusser’s own reflections of his ‘stories’, of ‘method’ and ‘metaphors’. This article explores Flusser’s philosophy as a field of intertwined ‘layers’ of argumentation that overlap in Flusser’s search for a new philosophy, corresponding with the new kind of images he proposes: a new philosophy in or through images. From this perspective, the shift from writing to image is accomplished by a shift from meta-theory to a ‘dia’ philosophy , referring to the ‘metaphorological’ dimension of Flusser’s texts and his ‘gestures’. (shrink)