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  1. The Iconic-Symbolic Spectrum.Gabriel Greenberg - 2023 - Philosophical Review 132 (4):579-627.
    It is common to distinguish two great families of representation. Symbolic representations include logical and mathematical symbols, words, and complex linguistic expressions. Iconic representations include dials, diagrams, maps, pictures, 3-dimensional models, and depictive gestures. This essay describes and motivates a new way of distinguishing iconic from symbolic representation. It locates the difference not in the signs themselves, nor in the contents they express, but in the semantic rules by which signs are associated with contents. The two kinds of rule have (...)
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  • Rapid dissonant grunting, or, but why does music sound the way it does?Beau R. Sievers & Thalia Wheatley - 2021 - Behavioral and Brain Sciences 44.
    Each target article contributes important proto-musical building blocks that constrain music as-we-know-it. However, neither the credible signaling nor social bonding accounts elucidate the central mystery of why music sounds the way it does. Getting there requires working out how proto-musical building blocks combine and interact to create the complex, rich, and affecting music humans create and enjoy.
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  • What is Super Semantics?Philippe Schlenker - 2018 - Philosophical Perspectives 32 (1):365-453.
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  • Musical meaning within Super Semantics.Philippe Schlenker - 2022 - Linguistics and Philosophy 45 (4):795-872.
    As part of a recent attempt to extend the methods of formal semantics beyond language, it has been claimed that music has an abstract truth-conditional semantics, albeit one that has more in common with iconic semantics than with standard compositional semantics. After summarizing this approach and addressing a common objection, we argue that music semantics should be enriched in three directions by incorporating insights of other areas of Super Semantics. First, it has been claimed by Abusch 2013 that visual narratives (...)
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  • Super Linguistics: an introduction.Pritty Patel-Grosz, Salvador Mascarenhas, Emmanuel Chemla & Philippe Schlenker - 2023 - Linguistics and Philosophy Super Linguistics Special Issue.
    We argue that formal linguistic theory, properly extended, can provide a unifying framework for diverse phenomena beyond traditional linguistic objects. We display applications to pictorial meanings, visual narratives, music, dance, animal communication, and, more abstractly, to logical and non-logical concepts in the ‘language of thought’ and reasoning. In many of these cases, a careful analysis reveals that classic linguistic notions are pervasive across these domains, such as for instance the constituency (or grouping) core principle of syntax, the use of logical (...)
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  • Super Linguistics: an introduction.Pritty Patel-Grosz, Salvador Mascarenhas, Emmanuel Chemla & Philippe Schlenker - 2023 - Linguistics and Philosophy 46 (4):627-692.
    We argue that formal linguistic theory, properly extended, can provide a unifying framework for diverse phenomena beyond traditional linguistic objects. We display applications to pictorial meanings, visual narratives, music, dance, animal communication, and, more abstractly, to logical and non-logical concepts in the ‘language of thought’ and reasoning. In many of these cases, a careful analysis reveals that classic linguistic notions are pervasive across these domains, such as for instance the constituency (or grouping) core principle of syntax, the use of logical (...)
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  • Linguistic inferences from pro-speech music.Léo Migotti & Janek Guerrini - 2023 - Linguistics and Philosophy 46 (4):989-1026.
    Language has a rich typology of inferential types. It was recently shown that subjects are able to divide the informational content of new visual stimuli among the various slots of the inferential typology: when gestures or visual animations are used in lieu of specific words in a sentence, they can trigger the very same inferential types as language alone (Tieu et al., 2019 ). How general are the relevant triggering algorithms? We show that they extend to the auditory modality and (...)
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  • Unreliability and Point of View in Filmic Narration.Emar Maier - 2022 - Epistemology and Philosophy of Science 59 (2):23-37.
    Novels like Fight Club or American Psycho are said to be instances of unreliable narration: the first person narrator presents an evidently distorted picture of the fictional world. The film adaptations of these novels are likewise said to involve unreliable narration. I resist this extension of the term ‘unreliable narration’ to film. My argument for this rests on the observation that unreliable narration requires a personal narrator while film typically involves an impersonal narrator. The kind of ambiguous story-telling that we (...)
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  • Reps and representations: a warm-up to a grammar of lifting.Maria Esipova - 2023 - Linguistics and Philosophy 46 (4):871-904.
    In this paper, I outline a grammar of lifting (i.e., resistance training) and compare it to that of language. I approach lifting as a system of generating complex meaning–form correspondences from regularized elements and describe the levels of mental representations and relationships between them that are involved in full command of this system. To be able to do so, I adopt a goal-based conception of meaning, which allows us to talk about mappings from complex goals to complex surface outputs in (...)
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  • Efficient Communication in Written and Performed Music.Laurent Bonnasse-Gahot - 2020 - Cognitive Science 44 (4):e12826.
    Since its inception, Shannon's information theory has attracted interest for the study of language and music. Recently, a wide range of converging studies have shown how efficient communication pervades language, from phonetics to syntax. Efficient principles imply that more resources should be assigned to highly informative items. For instance, average information content was shown to be a better predictor of word length than frequency, revisiting the famous Zipf's law. However, in spite of the success of the efficient communication framework in (...)
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  • Experimental Ontology of Music.Elzė Sigutė Mikalonytė - manuscript
    This chapter focuses on the methodological challenges and practical implications of the experimental ontology of music. It offers an overview of the existing research, primarily focusing on how people judge whether two musical performances are of one and the same or two distinct musical works, followed by a discussion of the current methodological debates in this field and, finally, an exploration of its potential legal implications.
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  • Steps towards a semantics of dance.Pritty Patel Grosz, Patrick Georg Grosz, Tejaswinee Kelkar & Alexander Refsum Jensenius - 2022 - Journal of Semantics 39 (4).
    As formal theoretical linguistic methodology has matured, recent years have seen the advent of applying it to objects of study that transcend language, e.g., to the syntax and semantics of music (Lerdahl & Jackendoff 1983, Schlenker 2017a; see also Rebuschat et al. 2011). One of the aims of such extensions is to shed new light on how meaning is construed in a range of communicative systems. In this paper, we approach this goal by looking at narrative dance in the form (...)
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