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  1. Cognitive and Physiological Measures in Well-Being Science: Limitations and Lessons.Benjamin D. Yetton, Julia Revord, Seth Margolis, Sonja Lyubomirsky & Aaron R. Seitz - 2019 - Frontiers in Psychology 10.
    Social and personality psychology have been criticized for overreliance on potentially biased self-report variables. In well-being science, researchers have called for more “objective” physiological and cognitive measures to evaluate the efficacy of well-being-increasing interventions. This may now be possible with the recent rise of cost-effective, commercially-available wireless physiological recording devices and smartphone-based cognitive testing. We sought to determine whether cognitive and physiological measures, coupled with machine learning methods, could quantify the effects of positive interventions. The current 2-part study used a (...)
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  • Approach-avoidance activation without anterior asymmetry.Andero Uusberg, Helen Uibo, Riti Tiimus, Helena Sarapuu, Kairi Kreegipuu & Jüri Allik - 2014 - Frontiers in Psychology 5.
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  • Challenge for Affective Brain-Computer Interfaces: Non-stationary Spatio-spectral EEG Oscillations of Emotional Responses.Yi-Wei Shen & Yuan-Pin Lin - 2019 - Frontiers in Human Neuroscience 13.
  • EEG-Based Analysis of the Emotional Effect of Music Therapy on Palliative Care Cancer Patients.Rafael Ramirez, Josep Planas, Nuria Escude, Jordi Mercade & Cristina Farriols - 2018 - Frontiers in Psychology 9.
  • Mystery in experimental psychology, how to measure aesthetic emotions?Leonid Perlovsky - 2014 - Frontiers in Psychology 5.
  • EEG Oscillation Evidences of Enhanced Susceptibility to Emotional Stimuli during Adolescence.Xianxin Meng, Wenwen Liu, Ling Zhang, Xiang Li, Bo Yao, Xinsheng Ding, JiaJin Yuan & Jiemin Yang - 2016 - Frontiers in Psychology 7.
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  • The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention.Benjamin Meltzer, Chagit S. Reichenbach, Chananel Braiman, Nicholas D. Schiff, A. J. Hudspeth & Tobias Reichenbach - 2015 - Frontiers in Human Neuroscience 9.
  • The Influence of Background Music on Learning in the Light of Different Theoretical Perspectives and the Role of Working Memory Capacity.Janina A. M. Lehmann & Tina Seufert - 2017 - Frontiers in Psychology 8.
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  • Arousal Rules: An Empirical Investigation into the Aesthetic Experience of Cross-Modal Perception with Emotional Visual Music.Irene Eunyoung Lee, Charles-Francois V. Latchoumane & Jaeseung Jeong - 2017 - Frontiers in Psychology 8.
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  • Time course of EEG oscillations during repeated listening of a well-known aria.Lutz Jäncke, Jürg Kühnis, Lars Rogenmoser & Stefan Elmer - 2015 - Frontiers in Human Neuroscience 9.
  • Analysis and Classification of Music-Induced States of Sadness.Oliver Herdson, Tuomas Eerola & Amir-Homayoun Javadi - 2023 - Emotion Review 15 (2):99-117.
    The enjoyment and pleasure derived from sad music has sparked fascination among researchers due to its seemingly paradoxical nature in producing positive affect. Research is yet to develop a comprehensive understanding of this “paradox.” Contradictory findings have resulted in a great variability within the literature, meaning results and interpretations can be difficult to derive. Consequently, this review collated the current literature, seeking to utilize the variability in the findings to propose a model of differential sad states, providing a means for (...)
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  • “Telling me not to worry…” Hyperscanning and Neural Dynamics of Emotion Processing During Guided Imagery and Music.Jörg C. Fachner, Clemens Maidhof, Denise Grocke, Inge Nygaard Pedersen, Gro Trondalen, Gerhard Tucek & Lars O. Bonde - 2019 - Frontiers in Psychology 10.
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  • Experiencing affective music in eyes-closed and eyes-open states: an electroencephalography study.Yun-Hsuan Chang, You-Yun Lee, Keng-Chen Liang, I.-Ping Chen, Chen-Gia Tsai & Shulan Hsieh - 2015 - Frontiers in Psychology 6.
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  • Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts.E. Bigand, S. Vieillard, F. Madurell, J. Marozeau & A. Dacquet - 2005 - Cognition and Emotion 19 (8):1113-1139.
  • Individual differences in granularity of the affective responses to music.Emmanuel Bigand & Joanna Kantor-Martynuska - 2013 - Polish Psychological Bulletin 44 (4):399-408.
    The main focus of the paper is the role of listeners’ emotion-relevant characteristics and musical expertise in the granularity of affective responses to music. Another objective of the study is to test the consistency of the granularity of affect that is perceived in music and/or experienced in response to it. In Experiment 1, 91 musicians and nonmusicians listened to musical excerpts and grouped them according to the similarity of the affects they experienced while listening. Finer grouping granularity was found in (...)
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  • Emotional Responses to Music: Shifts in Frontal Brain Asymmetry Mark Periods of Musical Change.Hussain-Abdulah Arjmand, Jesper Hohagen, Bryan Paton & Nikki S. Rickard - 2017 - Frontiers in Psychology 8.
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