In a first part, the contribution goes through different competing and/or complementary concepts of ontography as they appear in phenomenology, object-oriented ontology, science and technology studies, and semiotics. From this comparative examination, the text develops a notion of ontography in contrast to that of ontology. It highlights the ontography of temporal objects and adds a specific media-philosophical approach to it by concentrating on the operations and tools of ontographical writing, registering or drawing being in time. In a second part, ontography (...) is analysed as a techno-aesthetic operation on television, namely as the core of the slow motion replay. Four spectacular examples of instant replay are taken from the history of television that make the writing of an extended and malleable presence through television visible. From that, the contribution develops a hypothesis about the ontographical functioning of the medium of television and of its approach to the world. (shrink)