The ontological status of theories themselves has recently re-emerged as a live topic in the philosophy of science. We consider whether a recent approach within the philosophy of art can shed some light on this issue. For many years philosophers of aesthetics have debated a paradox in the (meta)ontology of musical works (e.g. Levinson [1980]). Taken individually, there are good reasons to accept each of the following three propositions: (i) musical works are created; (ii) musical works are abstract objects; (iii) (...) abstract objects cannot be created. However it seems clear that, if one wants to avoid inconsistency, one cannot commit to all three. Following up recent developments courtesy of Cameron ([2008a]), we consider how one might respond to the corresponding set of propositions in the (meta)ontology of scientific theories. 1 Introduction2 Setting up the Problem3 What to Reject? 3.1 Scientific theories are not created? 3.2 Scientific theories are not abstract objects? 3.3 Abstract objects can be created?4 A Fourth Way: Truth-maker Theory5 Objections and Replies 5.1 What are the truth-makers? 5.2 Objections from World 3 5.3 Fictionalism 5.4 Concrete/abstract6 Conclusion. (shrink)

Primarily between 1833 and 1840, William Whewell attempted to accomplish what natural philosophers and scientists since at least Galileo had failed to do: to provide a systematic and broad-ranged study of the tides and to attempt to establish a general scientific theory of tidal phenomena. I document the close interaction between Whewell’s philosophy of science and his scientific practice as a tidologist. I claim that the intertwinement between Whewell’s methodology and his tidology is more fundamental than has hitherto been documented.Keywords: (...) William Whewell; Tidology; History of HPS; Scientific methodology; Whewell papers. (shrink)

Despite having put the concept of HPS on the institutional map, N.R. Hanson’s distinctive account of the interdependence between history of science and philosophy of science has been mostly forgotten, and misinterpreted where it is remembered. It is argued that Hanson’s account is worthy of renewed attention and extension since, through its special emphasis on a variety of different normative criteria, it provides the framework for a fruitful and transformative interaction between the two disciplines. This essay also examines two separate (...) threads of Hanson’s account of philosophy of science: his analysis of the conceptual dynamics of science and of the interrelation of the history and philosophy of science. While the two strands appear incongruent, and were perhaps inconsistent, a new interpretation of them is offered which is both consistent with Hanson’s fundamental intuitions and defensible in its own right. It is demonstrated that Hanson’s account compares favorably with those of Kuhn and Lakatos, and that it may provide a constructive means of scaling the barriers erected by fears of the genetic fallacy and ‘whiggish’ history. (shrink)

This paper addresses the question as to whether the methodology followed in building/assessing string theory can be considered scientific in the same sense, say, that the methodology followed in building/assessing the Standard Model of particle physics is scientific, by focussing on the "founding" period of the theory. More precisely, its aim is to argue for a positive answer to the above question – there is no real change of scientific status in the way of proceeding and reasoning in fundamental physical (...) research – in the light of a historical analysis of the early developments of the string theoretical framework. (shrink)