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  1. Why socrates and thrasymachus become friends.Catherine Zuckert - 2010 - Philosophy and Rhetoric 43 (2):pp. 163-185.
    In lieu of an abstract, here is a brief excerpt of the content:Why Socrates and Thrasymachus Become FriendsCatherine ZuckertIn the Platonic dialogues Socrates is shown talking to two, and only two, famous teachers of rhetoric, Thrasymachus of Chalcedon and Gorgias of Leontini.1 At first glance relations between Socrates and Gorgias appear to be much more courteous—they might even be described as cordial—than relations between Socrates and Thrasymachus. In the Gorgias Socrates explicitly and intentionally seeks an opportunity to talk to Gorgias (...)
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  • Why Socrates and Thrasymachus Become Friends.Catherine Zuckert - 2010 - Philosophy and Rhetoric 43 (2):163-185.
    In lieu of an abstract, here is a brief excerpt of the content:Why Socrates and Thrasymachus Become FriendsCatherine ZuckertIn the Platonic dialogues Socrates is shown talking to two, and only two, famous teachers of rhetoric, Thrasymachus of Chalcedon and Gorgias of Leontini.1 At first glance relations between Socrates and Gorgias appear to be much more courteous—they might even be described as cordial—than relations between Socrates and Thrasymachus. In the Gorgias Socrates explicitly and intentionally seeks an opportunity to talk to Gorgias (...)
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  • Seeming and Being in the "Cosmetics" of Sophistry: The Infamous Analogy of Plato's Gorgias.Robin Reames - 2016 - Philosophy and Rhetoric 49 (1):74-97.
    Only all the effete latecomers, with their overly clever wit, believe that they can be done with the historical power of seeming by explaining it as “subjective,” where the essence of this “subjectivity” is something extremely dubious.The Gorgias dialogue is widely recognized as the source of Plato’s harshest condemnation of rhetoric. In it, he ultimately concludes that rhetoric is not “a technē but a knack, because it can give no rational explanation of the thing it is catering for, nor of (...)
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  • Colloquium 5: Attempting the Political Art.Christopher Long - 2012 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 27 (1):153-182.
    The main thesis of this essay is that the practice of Socratic political speaking and the practice of Platonic political writing are intimately interconnected but distinct. The essay focuses on the famous passage from the Gorgias in which Socrates claims to be one of the few Athenians who attempt the political art truly and goes on to articulate the nature of his political practice as a way of speaking toward the best (521d6-e2). It then traces the ways Socrates attempts to (...)
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  • Socratic Rhetoric in the Gorgias.Gabriela Roxana Carone - 2005 - Canadian Journal of Philosophy 35 (2):221-241.
    Given that it seems uncontroversial that Socrates displays considerable contempt towards rhetoric in theGorgias,the title of this paper might strike one as an oxymoron. Indeed, a reading of the text has more than once encouraged scholars to posit an Opposition between the elenctic procedures championed by Socrates and the rhetorical procedures of his interlocutors. At least three features have been highlighted that seem to indicate this contrast:1.the Socratic interest in short questions and answers versus his interlocutors’ use of long speeches;2.the (...)
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  • Shame and Ambiguity in Plato’s Gorgias.R. Bensen Cain - 2008 - Philosophy and Rhetoric 41 (3):pp. 212-237.
    The paper concerns the refutation of Polus (474c-475e). My approach to the refutation is to give a logical analysis of the argument and the fallacy in it. I argue that the verbal nature of the refutation is a valuable key to understanding the special emphasis that Plato places on the sophistic misuse of language.
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