As a political thinker nurtured in early 20th-century German, Hannah Arendt is most often identified with the Greek philosophical tradition. This article argues that the crisis in reality that threw her into politics also, though unacknowledgedly, threw her into ‘Jewish modes of thinking’ as an alternative source where she found the Greek tradition lacking. This claim is controversial, given Arendt’s vehement criticisms of any recourse to the absolute, or metaphysical truths in the realm of politics. Nevertheless, and consistent with a (...) number of early 20th-century Jewish thinkers (Rosenzweig, Levinas, Buber, Shestov) who explicitly identified the Hebrew God not as the metaphysical but as the condition of possibility for authentic freedom under conditions of finitude, one finds in Arendt a move towards an understanding of the seat of human freedom that sits far more comfortably in the Jerusalem than in the Athens tradition. Specifically, in her emphasis on natality and genuine futurity, one senses a strong resonance with the notion of pure creation in the Hebrew Bible, as one does, notably, in her insistence that forgiveness and promises (covenants) form the two pillars for human sociality. Throughout the history of Jewish thought, one consistently finds precisely this Arendtian struggle to represent a model of law that holds the tension between binding fidelity to promises, memory and the past, and an openness to futurity, to the infinity of interpretation that gives meaning to those promises. Closely resembling the midrashic tradition, Arendt’s political community of speech is one in which meaning is open ended and plural, allowing for the binding together that sustains a polity, while also opening up to the radically new of each new birth. (shrink)

The idea that educational research should be 'scientific', and ideally based on randomised control trials, is in danger of becoming hegemonic. In the face of this it seems important to ask what other kinds of educational research can be respectable in their own different terms. We might also note that the demand for research to be 'scientific' is characteristically modernist, and thus arguably local and temporary. It is then tempting to consider what non-modernist approaches might look like. The purpose of (...) this article is to sketch a case for one particular reaction against modernist thinking: romanticism. How might our understanding (apprehension, sense) of education be changed by readmitting the insights and perspectives of romanticism? And, crucially, what confidence could we have in educational research that was thus inspired and that took the 'romantic turn'? (shrink)

It is sometimes said that we are strangers to ourselves, bearers of internal alterity, as well as to each other. The profounder this strangeness then the greater the difficulty of giving any systematic account of it without paradox: of supposing that our obscurity to ourselves can readily be illuminated. To attempt such an account, in defiance of the paradox, is to risk knowingness: a condition which, appearing to challenge our alterity but in fact often confirming it, holds an ambiguous place (...) in the ?ethics of belief? and has largely escaped philosophical attention. Like alterity, knowingness can only be approached indirectly. Charles Dickens, in David Copperfield, is exemplary in the way he handles these themes. (shrink)

Recent thinking on human rights, at least among the left, has divided along lines that have become familiar from other contemporary political debates. There are those who ground the discourse of rights in an ethical responsibility to fellow human beings in situations of suffering and oppression; for others, suspicion with respect to just such an ethical stance is their point of departure. They see in the ethical perspective at best a radical depoliticization of the struggle for human rights—its biopolitical reduction (...) to humanitarian aid to suffering others who are thereby accorded the status of ‘bare life’—and at worst a cover for a quasi-imperialist imposition of neo-liberal values according to which what ultimately deserves political protection and preservation is the right to entrepreneurial initiative and aspiration. Yet another form of leftist critique of the ostensibly post-political, ethical inflection of rights discourse takes aim at a line of thought most often linked to a series of mostly French philosophers—above all Emmanuel Levinas, but also Jean-Francois Lyotard, Jacques Derrida, and more recently Judith Butler—who in various ways have sought to ground philosophy in an ‘ethics of the Other’. The essay explores these positions and proposes a new thinking about human rights oriented by what Hannah Arendt referred to as the ‘dark background’ of human life. (shrink)

(2002). Global Nihilism and Local Meanings? Dreyfus on Kierkegaard and Heidegger Today. Educational Philosophy and Theory: Vol. 34, No. 4, pp. 395-401.

ABSTRACTHow can we deal with the apparent contradiction between the normative ideals of critical theory and the practice of the current university system? To answer this question, I consult three classical criticisms of the university system: At the beginning of the nineteenth century, the French educator Joseph Jacotot formulated a pedagogical critique of the disciplinary effects of the educational system; at the beginning of the twentieth century, German historian Franz Rosenzweig articulated an ethical critique of the hegemonic educational system’s distance (...) from life; and at the beginning of the twentyfirst century, British feminist Sara Ahmed proposed a political critique of the oppressing functions of academic institutions. Taken together, these critiques can serve as an orientation for critical intellectual practice even within the academic system. Finally, I try to describe the relation between critical theory and the university thus evolving by utilising Stefano Harney’s and Fred Moten’s concept o... (shrink)

Renewed interest in the relationship between music education and cultural identity draws its vigor from strongly divergent sources. Globalized education and globalized musical culture supply new paradigms for understanding the central tasks of music education and their responsibility to a multicultural ethic of diversity, hybridity and difference. Yet recent anthropological studies of musical cognition and development emphasise both the centrality of ethnic and cultural particularism to the formation of musical awareness and the transcultural, factors in which such particularism is embedded. (...) These seemingly contrasting perspectives on the relationship of music to culture and identity offer a fertile context for redefining the place of music education in the curriculum. (shrink)

Renewed interest in the relationship between music education and cultural identity draws its vigor from strongly divergent sources. Globalized education and globalized musical culture supply new paradigms for understanding the central tasks of music education and their responsibility to a multicultural ethic of diversity, hybridity and difference. Yet recent anthropological studies of musical cognition and development emphasise both the centrality of ethnic and cultural particularism to the formation of musical awareness and the transcultural, factors in which such particularism is embedded. (...) These seemingly contrasting perspectives on the relationship of music to culture and identity offer a fertile context for redefining the place of music education in the curriculum. (shrink)

This article looks into the workings of educational authority. While scholarly debate in education usually promotes authority as either good or bad, the same debate seldom asks questions about how authority works. This article is, then, an answer to the question ‘How?’ How does educational authority operate? It operates, it is suggested, in much the same way that literary authority operates. To make the case for educational authority as literary authority, the paper uses the philosophical work of Jacques Derrida and (...) the literary work of Franz Kafka. (shrink)