This article is an interpretation of Alejandro Vallega’s “decolonial aesthetics,” focusing on his book Latin American Philosophy: From Identity to Radical Exteriority. This interpretation situates decolonial aesthetics in relation to figures in the history of Latin American Philosophy, and the work of Aníbal Quijano, Enrique Dussel, Linda Martín Alcoff, and Gloria Anzaldúa. It also explores the determination of decolonial aesthetics as an aesthetics of liberation.

This text corresponds to Lectio Inauguralis of our Faculty in the first academic semester of 1988. Its aim is to show, from theoretical consciously assumed suppositions and through concrete achievements, some lines of research that can make intelligible the process followed in Latin America by the philosophy of explicitly Christian inspiration. It seeks, first of all, to bring to light what is theoretical and vitally at stake in each of the most significant moments of this process. Some philosophical figures are (...) also highlighted as illustrative examples. After some brief reflections that try to define the meaning of the terms “Christian Philosophy in Latin America”, the development of this philosophy is exposed from the 18th century up to the present time. The text preserves its original form, with no references and subtitles. Only a summary bibliography has been added. (shrink)

Volvemos sobre la tesis salazariana según la cual la cultura peruana y latinoamericana puede ser caracterizada como "cultura de la dominación", con el propósito de ponerla en relación con desarrollos, que el mismo autor realiza en textos posteriores a la publicación del polémico libro titulado ¿Existe una filosofía de nuestra América?. Desarrollos a través de los cuales será posible despejar la pregunta por la función social de la filosofía, seguir de cerca su caracterización de la "cultura de la dominación" y (...) comprender las categorías dicotómicas "dominación / liberación" en el marco de una peculiar tensión dialéctica. Todos estos elementos convergen en su formulación de un humanismo emergente. We turn back on the salazarian thesis according to which the Peruvian and Latin-American culture can be characterized as "culture of domination", for the purpose of positioning it in relation with developments, which the same author carries out in texts after the publication of the controversial book entitled ¿Existe una filosofía de nuestra América?. Developments across which it will be possible to clear the question for the social function of philosophy, to closely follow his characterization of the "culture of domination" and to understand the dichotomous categories "domination/liberation" in the context of a peculiar dialectic tension. All these elements converge on his formulation of an emerging humanism. (shrink)