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  1. Using instruments in the study of animate beings: Della Porta's and Bacon's experiments with plants.Doina-Cristina Rusu - 2020 - Centaurus 62 (3):393-405.
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  • Giovan B attista D ella P orta and F rancis B acon on the creative power of experimentation.Doina-Cristina Rusu & Dana Jalobeanu - 2020 - Centaurus 62 (3):381-392.
    This special issue brings to the attention of the scholarly community some of the common features and some of the subtle, but important, differences between Francis Bacon's and Giovan Battista Della Porta's ways of dealing with the reading, selecting, enacting, and recording of recipes. Focusing on questions of genre, intellectual and material context, strategies of research, and strategies of performing recipes, the four papers of this special issue address two major issues. First, they shed new light on the relationship between (...)
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  • Translating Renaissance Neoplatonic panpsychism into seventeenth-century corpuscularism: the case of Sir Kenelm Digby (1603–1665). [REVIEW]Sergius Kodera - 2024 - Intellectual History Review 34 (1):145-163.
    Kenelm Digby was among the first authors in England to embrace Cartesianism. Yet Digby’s approach to the mind–body problem was irenic: in his massive Two treatises (Paris, 1644), the author advocates a corpuscular philosophy that is applied to physical bodies, whereas the intellectual capacities of human beings remain inexplicable through the powers of matter. The aim of the present article is to highlight the (rather reticent) relationship of Digby’s corpuscularism with doctrines of spirits in connection with the Renaissance Neoplatonic tradition. (...)
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