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  1. The Playful Role of the Girl in Empedocles’ B100.Nathasja van Luijn - 2021 - Rhizomata 9 (1):27-49.
    Empedocles’ B100 contains an analogy between a girl handling a clepsydra and respiration. This article argues that proposals to establish Love or Persephone as the girl’s respiratory equivalent are rendered unlikely by differences between their respective causal roles. Rather than her gender, this article emphasises the importance of the girl’s age: Empedocles required a playful child to handle the clepsydra. This child’s play results in the extra phase of submerging the clepsydra while the upper vent is open, which Empedocles needed (...)
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  • Empedocles the Wandering Daimōn and Trusting in Mad Strife.Shaul Tor - 2022 - Phronesis 68 (1):1-30.
    This article argues that Empedocles’ trust in Strife (DK31 B115.14 = LM22 D10.14) is not, as the prevailing interpretation has it, only a past misjudgement and failure. Rather, trust in Strife still, and to his own lament, infects Empedocles’ mind and informs his life. This detail then offers a fresh perspective on Empedocles’ self-conception and on how, through the daimōn’s cosmic peregrinations, Empedocles raises and pursues questions of agency and responsibility. Furthermore, it sheds light on Empedocles’ understanding of his own (...)
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  • Héphaïstos dans les forges de Cypris.Anne-Laure Therme - 2021 - Philosophie Antique 21:87-118.
    Quand l’Amour d’Empédocle façonne, dans les profondeurs de la terre, les tissus organiques puis les membres des vivants, il prend le nom de Cypris, et sous ses paumes expertes le feu, ailleurs nommé Zeus, devient Héphaïstos. En s’interrogeant sur les raisons de ces glissements, on s’aperçoit qu’un modèle métallurgique est à l’œuvre, qui se réapproprie en la détournant la figure du dieu-forgeron d’Hésiode et d’Homère. L’Héphaïstos d’Empédocle est le feu dont le pouvoir potentiellement destructeur est subjugué par Aphrodite-Cypris qui enserre (...)
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  • Analytic Philosophy, the Ancient Philosopher Poets and the Poetics of Analytic Philosophy.Catherine Rowett - 2021 - Rhizomata 8 (2):158-182.
    The paper starts with reflections on Plato’s critique of the poets and the preference many express for Aristotle’s view of poetry. The second part of the paper takes a case study of analytic treatments of ancient philosophy, including the ancient philosopher poets, to examine the poetics of analytic philosophy, diagnosing a preference in Analytic philosophy for a clean non-poetic style of presentation, and then develops this in considering how well historians of philosophy in the Analytic tradition can accommodate the contributions (...)
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  • Empedocles on Sensation, Perception, and Thought.Patricia Curd - 2016 - History of Philosophy & Logical Analysis 19 (1):38-57.
    Aristotle claims that Empedocles took perception and knowledge to be the same; Theophrastus follows Aristotle. The paper begins by examining why Aristotle and Theophrastus identify thought/knowing with perception in Empedocles. I maintain that the extant fragments do not support the assertion that Empedocles identifies or conflates sensation with thought or cognition. Indeed, the evidence of the texts shows that Empedocles is careful to distinguish them, and argues that to have genuine understanding one must not be misled into supposing that sense (...)
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  • Escatologia e conoscenza salvifica in Empedocle: una rilettura della metempsicosi alla luce delle teorie fisiologiche sulla mente.Federico Casella - 2019 - Elenchos: Rivista di Studi Sul Pensiero Antico 40 (2):265-296.
    The presence of a theory of the transmigration of the soul or, according to Empedocles’ words, of the δαίμων is a controversial issue among scholars. A major difficulty arises when one tries to read the fragments of the Purifications – where this theme is particularly recurrent – in conjunction with those usually attributed to the poem On nature. The aim of this paper is to suggest a ‘method’ to analyse the extant fragments, and to offer a possible interpretation of the (...)
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  • Empedocles.Richard Parry - 2008 - Stanford Encyclopedia of Philosophy.
  • Para uma primeira história da Harmonía: das musas à música.Jonathan Almeida de Souza - 2018 - Dissertation, Uff, Brazil