How can citizens construct the political authority under which they will live? I argue that Thomas Hobbes’s Leviathan (1651) answers this question concerning the constitutive power of political and normative agency by employing four dimensions of mimesis from the Greek and Roman traditions. And I argue that mimesis accounts for the know-how, or power/knowledge, the general ‘man’ draws upon in constructing the commonwealth. Hobbes revalues poetic mimesis through his stylistic decisions, including the invitation to the reader to read ‘himself’ in (...) the portrait of the general man depicted in the text. Hobbes aims for Leviathan to change the ethical dispositions of its readers, turning them from bad to good men as they witness the general man undergoing this ethical transformation in the transition from the state of nature to the civil state. He emphasizes the anthropological dimension of mimesis to explain political disorder since he argues that men assess the honor others attribute them by observing signs and gestures in others’ behavior. Hobbes employs the linguistic dimension of mimesis to describe how men acting as agents can build a normative consensus out of the state of nature. This article positions mimesis as a key term for understanding the intersection between aesthetics and politics before the term ‘aesthetics’ came into parlance. (shrink)

Aristotelian ideas have in the past been applied with mixed fortunes to quantum mechanics. One of the most persistent criticisms is that Aristotle’s notions of potentiality and actuality are burdened with a teleological character long ago abandoned in the natural sciences. Recently this criticism has been met with a model of the actualization of quantum potentialities in light of Aristotle’s doctrine of ‘spontaneous events’. This presumably restores the nowadays acceptable idea of efficient causation in place of Aristotle’s original doctrine of (...) the ‘four causes’. In this article I challenge the model by arguing that when properly scrutinized Aristotle’s final cause poses no problems for an Aristotelian reading of quantum mechanics. Final causes in fact provide a better ontology for quantum mechanics than spontaneous causation. The idea of ‘spontaneity’ is unanalyzable and therefore of little use in quantum mechanics. In addition, it is ontologically sterile in the context of quantum measurement, as shown by a historical and conceptual review of the role of efficient causation in experimental physics. (shrink)

List of Illustrations Introduction 1 The Didactic and the Elegant: Some Thoughts on Scientific and Technological Illustrations in the Middle Ages and Renaissance 3 2 Temples of the Body and Temples of the Cosmos: Vision and Visualization in the Vesalian and Copernican Revolutions 40 3 Descartes’s Scientific Illustrations and ’la grande mecanique de la nature’ 86 4 Illustrating Chemistry 135 5 Representations of the Natural System in the Nineteenth Century 164 6 Visual Representation in Archaeology: Depicting the Missing-Link in Human (...) Origins 184 7 Towards an Epistemology of Scientific Illustration 215 8 Illustration and Inference 250 9 Visual Models and Scientific Judgment 269 10 Are Pictures Really Necessary? The Case of Sewall Wright’s ’Adaptive Landscapes’ 303 Bibliography 339 Notes on Contributors 373 Index 377. (shrink)