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  1. Phaedra's Defixio: Scripting Sophrosune in Euripides' Hippolytus.Melissa Mueller - 2011 - Classical Antiquity 30 (1):148-177.
    While readers of Euripides' Hippolytus have long regarded Phaedra's deltos as a mechanism of punitive revenge, I argue here that the tablet models itself on a judicial curse (defixio) and that its main function is to ensure victory for Phaedra in the upcoming “trial” over her reputation. In support of my thesis I examine three interrelated phenomena: first, Hippolytus' infamous assertion that his tongue swore an oath while his mind remains unsworn (612); second, Phaedra's status as a biaiothanatos; and third, (...)
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  • S.V.B.; E.V.Erik Gunderson - 2007 - Classical Antiquity 26 (1):1-48.
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  • S.V.B.; E.V.Erik Gunderson - 2007 - Classical Antiquity 26 (1):1-48.
  • Textual Jealousies in Chariton’s Callirhoe.David F. Elmer - 2022 - Classical Antiquity 41 (1):180-220.
    Chariton’s novel, Chaereas and Callirhoe, is intensely interested not only in the emotional experience of the protagonists but also in the emotional effect the narrative has on readers. Among the many emotions depicted within the text, one stands out for its architectonic function: jealousy. Jealousy articulates the plot and propels it forward. Jealousy is also represented as a fundamentally “readerly” emotion: scenes of reading focus on the potential of written texts to stir jealous emotions. Similarly, scenes of embedded narration focus (...)
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