Merleau-Ponty suggests that to perceive is to be “geared into” the world. In perceiving, we are related to a temporally structured modal space of bodily possibilities that is co-constituted by the body and the world. When we perceive, we are “geared into” this structure and responsive to it; when we misperceive, we are not. In misperceiving, we are unaware of our failure to be geared into the world, and in this respect, we lack awareness of what we are doing. In (...) explaining misperception via this lack of self-awareness, Merleau-Ponty anticipates a key feature of M. G. F. Martin's epistemic disjunctivism: the idea that perceptions and misperceptions can be indiscriminable because of a self-awareness we lack, rather than a set of positive phenomenal features that two experiences share. However, because Merleau-Ponty's account of self-awareness imposes relatively few cognitive demands, he is able to explain how adults, infants, and dogs can be self-aware in the same sense, and how they can fail to discriminate between their experiences in the same way. This provides Merleau-Ponty with the resources to answer Susanna Siegel's objection to epistemic disjunctivism on the basis of “cognitively unsophisticated hallucinators.”. (shrink)

ABSTRACTMany philosophers say that the nature of personal identity has to do with narratives: the stories we tell about ourselves. While different narrativists address different questions of personal identity, some propose narrativist accounts of personal identity over time. The paper argues that such accounts have troubling consequences about the beginning and end of our lives, lead to inconsistencies, and involve backwards causation. The problems can be solved, but only by modifying the accounts in ways that deprive them of their appeal.

In this paper, I wish to explore whether and how emotions build on a state of being motivated that is linked to character and requires the positive contribution of habit. Drawing on phenomenological accounts of motivation, I argue that the relation between emotions and character depends on the institution of an emotional space, which is responsible for our sensitivity to the values of the felt situation and yet it is open to changes and revisions.

In this paper, I wish to explore the contribution of the phenomenological reduction to a distinct form of empathy, which has been identified and called by Ratcliffe :473–495, 2012) radical empathy. This form of empathy brings to light the sense of reality experienced by the subject rather than a mere mental state. However, I shall consider whether and how the phenomenological reduction allows different interpretations of the same experience, thereby impacting on our understanding of another’s sense of reality. Far from (...) dismissing the role of the reduction, I propose a reconsideration of its relevance for radical empathy. In order to spell out my argument, I propose a case ex negativo that looks at Sartre’s and Merleau-Ponty’s different analyses of the sense of reality experienced by obsessive patients. I argue that this interpretative difference ultimately depends on two opposite uses of the reduction itself, and that Merleau-Ponty’s account offers a promising perspective to reintegrate and contextualize the phenomenological reduction into radical empathy. (shrink)

On the face of it, Maurice Merleau-Ponty’s views bear a strong resemblance to contemporary disjunctivist theories of perception, especially John McDowell’s epistemological disjunctivism. Like McDowell (and other disjunctivists), Merleau-Ponty seems to be a direct realist about perception and holds that veridical and illusory perceptions are distinct. This paper furthers this comparison. Furthermore, it is argued that elements of Merleau-Ponty’s thought provide a stronger case for McDowell’s kind of epistemological view than McDowell himself provides. Merleau-Ponty’s early thought can be used to (...) develop a unique version of epistemological disjunctivism that is worth consideration alongside contemporary views on perceptual knowledge. (shrink)

European Journal of Philosophy, EarlyView.

ABSTRACTCan Heidegger account for hallucination? I argue that while Heidegger does not develop an account of hallucination, he gives us all the resources we need to develop such an account. I first discuss a prominent argument against the very possibility of such an account. I argue that this argument is mistaken. I then discuss Heidegger's brief remarks on hallucination. In analysing a particular case study, Heidegger claims that the subject hallucinates for two reasons. First, he fails to realize the distinction (...) between the different ways entities are present to him. For this reason, he cannot encounter a particular entity as it is present. Second, he is unable to do anything about the fact and manner of the presence of that entity. He is ‘unable to move in his world freely’, as Heidegger puts it. I show how these remarks, when taken in combination with Heidegger's broader ontology, allow us to explain the possibility of hallucination in a distinctively Heideggerian way. (shrink)

Commentators have argued that disjunctivism, from a phenomenological perspective, is the most coherent response to certain skeptical concerns. They find two phenomenological beliefs in tension: that intentionality is transcendent and that perceptions and hallucinations have a similar intentional content. While not ruling out a disjunctivist phenomenology, I show that phenomenologists are not forced into disjunctivism in order to avoid skeptical problems posed by hallucination. Instead, Merleau-Ponty's approach to the horizonal structure of experience supports a novel nondisjunctivist solution: first, by distinguishing (...) proximate from ultimate objects of experience; second, by showing how every experience “belongs” to the world. (shrink)

Despite the recent proliferation of scientific, clinical, and narrative accounts of auditory verbal hallucinations, the phenomenology of voice hearing remains opaque and undertheorized. In this article, we outline an interdisciplinary approach to understanding hallucinatory experiences which seeks to demonstrate the value of the humanities and social sciences to advancing knowledge in clinical research and practice. We argue that an interdisciplinary approach to the phenomenology of AVH utilizes rigorous and context-appropriate methodologies to analyze a wider range of first-person accounts of AVH (...) at 3 contextual levels: cultural, social, and historical; experiential; and biographical. We go on to show that there are significant potential benefits for voice hearers, clinicians, and researchers. These include informing the development and refinement of subtypes of hallucinations within and across diagnostic categories; “front-loading” research in cognitive neuroscience; and suggesting new possibilities for therapeutic intervention. In conclusion, we argue that an interdisciplinary approach to the phenomenology of AVH can nourish the ethical core of scientific enquiry by challenging its interpretive paradigms, and offer voice hearers richer, potentially more empowering ways to make sense of their experiences. (shrink)