From Jean-Luc Marion’s examination of Gustave Courbet and his painting, it is shown how grief can operate as a model for the hermeneutics of love. This hermeneutics of grief, in turn, makes possible a consideration of all phenomena, and not only the human, as saturated phenomena.

The main goal of this paper is to analyze Nicholas of Cusa’s reading on the dispute of Mystical Theology through Jean-Luc Marion’s phenomenology of givenness. To do this, first of all, we will address the analyses offered by Jean-Luc Marion on the problem of affectivity. Secondly, we examine Nicholas’ interpretation of Mystical Theology through the aenigma of the eicona dei in De visione dei. Thirdly, we present Jean-Luc Marion’s interpretation of Cusanus eicona dei as an antecedent of his phenomenological conception (...) of Icone as “saturated phenomenon.” Finally, we suggest that Cusanus eicona dei appears in Jean-Luc Marion’s phenomenology as a precedent of his strategy when approaching the field of affectivity. Both authors try to show an instance preceding the distinction between affectivity and rationality. (shrink)