In this paper I argue that Socrates' speech in Plato’s Symposium cannot by itself express Plato’s view of love. All the non-philosophical speeches, each standing for a different contemporary view of love, should be taken into serious consideration, for they are not mere pastiches of empty theories. In fact, they seem to have been placed there to have their intellectual strength tested by philosophy, for not only their contents reveal commonsensical accepted wisdom, but their discursive beauty powerfully impresses the audience, (...) making them true challenges to the cold, though persuasive logos of philosophy. Furthermore, placing Alcibiades' speech right after Diotima’s austere account of love, when the program of speeches as proposed seemed to have arrived at an end, would be unnecessary, if Plato’s aim were simply to disapprove Alcibiades’ behavior to excuse Socrates political attitudes, as it is assumed by Leon Robin in his Notice to his famous translation to the Belles Lettres edition. On the contrary, Alcibiades’ speech sounds more like a criticism of Socratic love made by Plato himself. (shrink)

In the so-called “erotic dialogues”, especially the Symposium and the Phaedrus, Plato explained why erotic desire can play an epistemic function, establishing a strong connection between erotic desire and beauty, “the most clearly visible and the most loved” among the Ideas. Taking the erotic dialogues as a background, in this paper I elucidate Plato’s explanation in another context, the one of the Phaedo, for discussing the epistemic function of erotic desire in relation to the deficiency argument and the affinity argument. (...) My claim is that the erotic desire of the philosopher is activated by the recognition of traces of the Ideas as something that the material world lacks and that, nevertheless, his soul is familiar with. This desire for the Ideas triggers the process of recollection, and thus erotic desire acquires a decisive role in the acquisition of knowledge in the Phaedo. In the final section of the paper, I highlight the contemporary relevance of Plato’s epistemology of erotic desire. (shrink)

In this chapter, I offer an overview of current scholarly debates on Plato's Lysis. I also argue for my own interpretation of the dialogue. In the Lysis, Socrates argues that all love is motivated by the desire for one’s own good. This conclusion has struck many interpreters as unattractive, so much so that some attempt to reinterpret the dialogue, such that it either does not offer an account of interpersonal love, or that it offers an account on which love is, (...) in fact, an other-regarding state. Others, notably Vlastos, criticize Socrates’ theory as implausibly and repellently egoistic. I maintain, against the first group, that Socrates is indeed offering an egoistic theory of love. I argue, against the second, that, while Socrates’ theory may be repellent, it possesses considerable explanatory power and avoids certain weaknesses which infect contemporary approaches to love. (shrink)

Resumen: Mientras que en Banquete Platón presenta a Éros como un daímon metaxý, i.e. como una divinidad intermedia e intermediaria entre dioses y hombres, en Fedro lo caracteriza, en cambio, como un theós -un dios. Procuraremos mostrar aquí que esto no implica, sin embargo, un cambio doctrinal substancial sino que se trata de dos aproximaciones distintas pero complementarias respecto a la verdadera naturaleza de Éros. Según el Fedro, si bien éros puede permanecer en una expresión puramente física, sin desarrollar su (...) aspecto divino, es posible también que, debido al intenso deseo sexual por el bello muchachito, el amante recuerde la Forma de la belleza y crezcan en él las alas del Éros divino. Pero únicamente los dioses nunca pierden las alas de sus almas y están regularmente en pleno contacto con las Formas. Las almas humanas deben adquirirlas, y aun así, con riesgo a perderlas, quedando entonces en un lugar “intermedio” -metaxý- como el Éros de Banquete.: Although in the Symposium Plato describes Erôs as a daimôn-metaxy, i.e. as an intermediate and intermediary divinity between gods and men, in the Phaedrus it is said that Erôs is a theos -a god. I will try to show that these different descriptions do not imply a substantial change of mind but work as two complementary views about the true nature of Erôs. According to the Phaedrus, although erôs can remain just at a physical level and not develop its divine power, it is also possible that, thanks to the same intense, sexual desire for the beautiful boy, the lover recollects the Form of beauty and so grows divine Erôs`s wings. However, only the gods never lose their wings and so are in regular, full contact with the Forms. The human souls need to acquire the wings and even so take the risk of losing them; they are then in an intermediate state -metaxy- like Erôs in the Symposium. (shrink)

Le texte du Banquet de Platon constitue l’un des témoignages les plus importants de ce que fut l’institution pédérastique en Grèce antique. Le dialogue sur l’amour, qui prend la forme d’une réunion au cours de laquelle les différents protagonistes feront successivement l’éloge d’Éros, pose toutefois problème dans la mesure où la position de l’auteur est éminemment ambigüe. Bien que la position de Diotime semble plus cohérente avec le reste de la doctrine platonicienne, il serait malgré tout réducteur de considérer celle (...) de Pausanias comme un simple détour rhétorique opéré par Platon. Ainsi, il s’agira de montrer dans quelle mesure la position de Pausanias mérite une attention particulière. Il semble en effet que la thèse platonicienne, bien que réticente à encourager les relations homosexuelles charnelles, ne consiste pas en une réfutation complète des conclusions de Pausanias. (shrink)

La figura de Alcibíades atraviesa la historia de Atenas del siglo V y la narrativa del Banquete con su fuerza política dramática y su representación de género desviado. El “affaire” Alcibíades asume así un lugar central en las preocupaciones platónicas dirigidas generalmente a la revisión histórica de los años de plomo de las disensiones civiles y más específicamente como una unión peligrosa de éste con Sócrates y su grupo. El sentido de la incursión dramática de Alcibíades en el Banquete, así (...) como su elogio a Sócrates, será leído a la luz de los testimonios de Jenofonte, Tucídides, Androcles y Andócides, entre otros, en busca de la comprensión de la lectio platónica de la trayectoria de uno de los personajes más destacados de la Atenas clásica. (shrink)