The record shows that Poseidon was once worshipped in every part of Greece as a god of general importance to the community. In the glimpse of Mycenaean ritual afforded by the Pylos tablets Poseidon is the chief deity, and the offerings and perhaps also the custom of ‘spreading the bed’ point to agrarian concerns. In each of the main districts of historical Greece he is rooted in tradition: Arcadia, that ancient landscape, is full of ancient cults of Poseidon; Ionia gathers (...) to honour Poseidon Helikônios; ‘all Boeotia is sacred to Poseidon’, according to Aristarchus , and here and in Thessaly he dominates mythical genealogy; the Dorian Peloponnesus is likewise ‘sacred to Poseidon’ , and at his shrine on Calaureia, the seat of an early amphictyony, Mycenaean antecedents come into question – as at few other shrines in Greece. Yet much of the testimony is antiquarian and retrospective; Poseidon's pre-eminence is more of a memory than a reality. In such a well-documented city as Athens Poseidon has a very small place indeed in public festivities. In Greek literature his authority is slight and his powers are narrow, being virtually confined to earthquakes and storms at sea; he is chivvied by Zeus and flouted by Odysseus, and the reparation which Odysseus is required to make, of establishing Poseidon's worship among landsmen who take an oar for a winnowing fan, is a mocking and belated tribute to his former domain. (shrink)

The record shows that Poseidon was once worshipped in every part of Greece as a god of general importance to the community. In the glimpse of Mycenaean ritual afforded by the Pylos tablets Poseidon is the chief deity, and the offerings and perhaps also the custom of ‘spreading the bed’ point to agrarian concerns. In each of the main districts of historical Greece he is rooted in tradition: Arcadia, that ancient landscape, is full of ancient cults of Poseidon; Ionia gathers (...) to honour Poseidon Helikônios; ‘all Boeotia is sacred to Poseidon’, according to Aristarchus, and here and in Thessaly he dominates mythical genealogy; the Dorian Peloponnesus is likewise ‘sacred to Poseidon’, and at his shrine on Calaureia, the seat of an early amphictyony, Mycenaean antecedents come into question – as at few other shrines in Greece. Yet much of the testimony is antiquarian and retrospective; Poseidon's pre-eminence is more of a memory than a reality. In such a well-documented city as Athens Poseidon has a very small place indeed in public festivities. In Greek literature his authority is slight and his powers are narrow, being virtually confined to earthquakes and storms at sea; he is chivvied by Zeus and flouted by Odysseus, and the reparation which Odysseus is required to make, of establishing Poseidon's worship among landsmen who take an oar for a winnowing fan, is a mocking and belated tribute to his former domain. (shrink)

In his lengthy survey of the cosmic devastation wrought by Phaethon's disastrous chariot ride, Ovid includes two catalogues detailing the scorching of the world's mountains and rivers. Ovid enlivens these lists through his usual play with sound patterns and revels in the opportunity to adapt so many Greek names to Latin prosody; for instance the opening line of the catalogue of mountains masterfully illustrates both of these features. The lists are also brimming with playful erudition. To take but a few (...) examples: a dried-up Ida belies its standard epithet πολυπῖδαξ, ‘many-fountained’ ; the sun's heat doubles the flames of volcanic Etna ; burning Xanthus is destined to burn again ; and the famous gold-bearing sands of the Tagus are melting. These features not only ‘relieve monotony’; they warrant the catalogues’ inclusion in the category of Ovid's most entertaining. (shrink)

Much has been written on the genesis of the pseudo-hesiodic Shield of Heracles — so much, that true progress is difficult to discern among the welter of theories. But some has been made, although the conclusions that have been reached must be regarded as likely hypotheses rather than proven facts. In this article I propose to proceed from some of these conclusions, ensuring that they are as firmly grounded as possible, to an assessment of how this poem's version of the (...) combat of Heracles and Cycnus relates to the likely circumstances and occasion of its original performance. This will involve considering the legend's variants , and a new look at the first half of the Homeric Hymn to Pythian Apollo. (shrink)

This study examines the death of Achilles in ancient myth, focusing on the hero's imperfect invulnerability. It is concluded that this concept is of late origin, perhaps of the Hellenistic period. Early evidence about Achilles' infancy does not suggest that he was made invulnerable, and early evidence concerning his death apparently indicates that Achilles was wounded more than once. The story of Achilles' heel as we know it is therefore late, though it is demonstrable that certain themes and motifs of (...) earlier traditions about Achilles were preserved in later traditions. What caused the concept of Achilles' imperfect invulnerability to emerge, it is proposed, was the late story in which the hero is ambushed in the temple of Thymbraean Apollo. Certainly Achilles was wounded in the lower leg in early Greek myth. An explanation is needed if this does not reflect the story of his imperfect invulnerability, and the arguments of several scholars are surveyed. The theory that the "swift-footed" hero was first immobilized by a lower wound before being slain is ultimately favored, though it is suggested that invulnerable armor and poison may have played a role. A comparative approach to myth and ritual is employed, with attention given to evidence from various areas and ages in an effort to illuminate stories about the infancy and death of Achilles. The study also assesses two alleged reflections in the Iliad of Achilles' death, the death of Patroclus in Book 16 and the wounding of Diomedes in Book 11. The evidence in ancient art and literature about the death of Achilles is often obscure, but this exploration of continuity and innovation in myth about Achilles should assist our understanding of it. (shrink)