Nietzsche consistently valorizes artistic falsehoods. On standard interpretations, this is because art provides deceptive yet salutary fictions that help us affirm life. This reading conflicts, however, with Nietzsche’s insistence that life-affirmation requires untrammeled honesty. I present an alternative interpretation which navigates the interpretive impasse. With special attention to the influence of Friedrich Schiller, the paper argues for three claims: (1) Nietzsche does not hold that art is false because it “beautifies,” but because it produces mere semblances of, its objects; (2) (...) these semblances are essentially non-deceptive; (3) he values artistic illusions because they dispose us positively to illusion more generally. Such ‘evaluative reorientation,’ I argue, is not merely consistent with, but integral to, achieving Nietzsche’s ideal of honesty. (shrink)

Bernard Williams thought that philosophy should address real human concerns felt beyond academic philosophy. But what wider concerns are addressed by Ethics and the Limits of Philosophy, a book he introduces as being ‘principally about how things are in moral philosophy’? In this article, we argue that Williams responded to the concerns of his day indirectly, refraining from explicitly claiming wider cultural relevance, but hinting at it in the pair of epigraphs that opens the main text. This was Williams’s solution (...) to what he perceived as the stylistic problem of how to pursue philosophy as cultural critique. Taking the epigraphs as interpretative keys to the wider resonances of the book, we show how they reveal Williams’s philosophical concerns – with the primacy of character over method, the obligation to follow orders, and the possibility of combining truth, truthfulness, and a meaningful life in a disillusioned world – to be recognisably rooted in the cultural concerns of post-war Britain. In the light of its epigraphs, the book emerges as the critique of a philosophical tradition’s inadequacies to the special difficulties of its cultural moment. (shrink)