What sort of property did Locke take colors to be? He is sometimes portrayed as holding that colors are wholly subjective. More often he is thought to identify colors with dispositions—powers that bodies have to produce certain ideas in us. Many interpreters find two or more incompatible strands in his account of color, and so are led to distinguish an “official,” prevailing view from the conflicting remarks into which he occasionally lapses. Many who see him as officially holding that colors (...) are dispositions concede that some of his remarks imply that colors are in us rather than in objects. After raising some difficulties for these readings, I offer an alternative. I will argue that Locke takes colors to be relational, but not dispositional, properties of the objects around us. On his view, an object is red if and only if it is actually causing a certain sensation in some observer. (shrink)

Locke seems to hold that we have knowledge of the existence of external objects through sensation. Two problems face Locke's account. The first problem concerns the logical form of knowledge of real existence. Locke defines knowledge as the perception of the agreement or disagreement between ideas. However, perceiving agreements between ideas seems to yield knowledge only of analytic truths, not propositions about existence. The second problem concerns the epistemic status of sensitive knowledge: How could the senses yield certain knowledge? This (...) essay argues that the key to solving both problems is Locke's claim that simple ideas are all real, adequate, and true. This explains why, on Locke's view, we have certain knowledge through the senses. It also explains how sensitive knowledge can consist in perceiving an agreement between ideas: perceived agreements among simple ideas of sensation are guaranteed to track relations that obtain among really existing things. (shrink)

Ideas play at least two roles in Locke's theory of the understanding. They are constituents of ‘propositions,’ and some of them ‘represent’ the qualities and sorts of surrounding bodies. I argue that each role involves a distinct kind of intentional directedness. The same idea will in general be an ‘idea of’ two different objects, in different senses of the expression. Identifying Locke's scheme of twofold ‘ofness’ reveals a common structure to his accounts of simple ideas and complex ideas of substances. (...) A consequence is a distinction among substance sorts parallel to one of his distinctions between primary and secondary qualities. (shrink)

Drawing on remarks scattered through his writings, I argue that Leibniz has a highly distinctive and interesting theory of color. The central feature of the theory is the way in which it combines a nuanced subjectivism about color with a reductive approach of a sort usually associated with objectivist theories of color. After reconstructing Leibniz's theory and calling attention to some of its most notable attractions, I turn to the apparent incompatibility of its subjective and reductive components. I argue that (...) this apparent tension vanishes in light of his rejection of a widely accepted doctrine concerning the nature of bodies and their geometrical qualities. (shrink)

In this paper I propose and defend an account of color that I call color functionalism. I argue that functionalism is a non-traditional species of primary quality theory, and that it accommodates our intuitions about color and the facts of color science better than more widely discussed alternatives.

Philosophical Review, revised April 16, 2007.

Locke’s porphyry argument at 2.8.19 of the Essay has not been properly appreciated. On my reconstruction, Locke argues from the premise that porphyry undergoes a mere Cambridge change of color in different lighting conditions to the conclusion that porphyry’s colors do not belong to it as it is in itself. I argue that his argument is not quite sound, but it would be if Locke chose a different stone, alexandrite. Examining his argument teaches us something about the relation between explanatory (...) qualities and real alterations and something about the ways that colors inhere in bodies. (shrink)

Are colors relational or non-relational properties of their bearers? Is red a property that is instantiated by all and only the objects with a certain intrinsic (/non-relational) nature? Or does an object with a particular intrinsic (/non-relational) nature count as red only in virtue of standing in certain relations - for example, only when it looks a certain way to a certain perceiver, or only in certain circumstances of observation? In this paper I shall argue for the view that color (...) properties are relational (henceforth, relationalism), and against the view that colors are not relational (henceforth, anti- or non-relationalism). (shrink)

How, if at all, does the internal structure of human phenomenological color space map onto the internal structure of objective reflectance‐profile space, in such a fashion as to provide a useful and accurate representation of that objective feature space? A prominent argument (due to Hardin, among others) proposes to eliminate colors as real, objective properties of objects, on grounds that nothing in the external world (and especially not surface‐reflectance‐profiles) answers to the well‐known and quite determinate internal structure of human phenomenological (...) color space. The present paper proposes a novel way to construe the objective space of possible reflectance profiles so that (1) its internal structure becomes evident, and (2) that structure’s homomorphism with the internal structure of human phenomenological color space becomes obvious. The path is thus reopened to salvage the objective reality of colors, in the same way that we preserved the objective reality of such features as temperature, pitch, and sourness—by identifying them with some objective feature recognized in modern physical theory. (shrink)

The thirty chapters work through various fundamental metaphysical issues, sometimes focusing more on scholastic thought, sometimes on the seventeenth century.

in The Cambridge Companion to Locke’s Essay, edited by Lex Newman. Cambridge: Cambridge University Press, 2007.

In this paper I will defend the view that, according to Locke, secondary qualities are dispositions to produce sensations in us. Although this view is widely attributed to Locke, this interpretation needs defending for two reasons. First, commentators often assume that secondary qualities are dispositional properties because Locke calls them “powers” to produce sensations. However, primary qualities are also powers, so the powers locution is insufficient grounds for justifying the dispositionalist interpretation. Second, if secondary qualities are dispositional properties then objects (...) would retain secondary qualities while not being observed, but Locke says that colors “vanish” in the dark. Some commentators use this as evidence that Locke rejects the dispositionalist view of secondary qualities, and even those that are sympathetic to the traditional interpretation find these comments to be problematic. By contrast, I argue that even in these supposedly damning passages Locke shows an unwavering commitment to the view that the powers to produce sensations in us, i.e., the secondary qualities, remain in objects even when they are not being perceived. Thus the arguments against the traditional interpretation are unpersuasive, and we should conclude that Locke does indeed hold that secondary qualities are dispositions to cause sensations in us. (shrink)

Discutindo acerca das centenas de detecções de planetas extrassolares, que supostamente aconteceram desde 1989 e que ele considera (incorretamente) como instâncias de observações, Peter Kosso disse, justamente, que segundo os parâmetros de Bas van Fraassen esses objetos celestes seriam observáveis. Ora, tais astros poderiam sem dúvida ser observados diretamente (sem a necessidade de instrumentos), nas condições apropriadas. Mas, acrescenta Kosso, “esse tipo de epistemologia externalista, que permite que a justificação se baseie em informação que não temos a disposição (nós não (...) estamos em condição de ver planetas extrassolares a olho nu [atualmente]), não ajuda a decidir quais particulares afirmações científicas garantem a crença” (Kosso 2006, 225, nota 1). Van Fraassen provavelmente incorre em uma petição de princípio não muito diferente daquelas que ele muitas vezes desmascarou em textos de autores realistas, quando apela para o fato de o objeto detectado ser observável, para atribuir o estatuto de ‘observação’ a uma certa detecção. O ponto é, mais uma vez, entender o que vale como observação, particularmente quando isso envolve o uso de algum instrumento. Endossar aquilo que Otávio Bueno chama de ‘padrão internalista’ parece garantir solidez à qualificação de determinadas ações como observações. Uma das principais consequências dessa adoção é que tal critério, não operando nenhuma distinção relevante entre detecções ‘diretas’ e detecções mediadas por instrumentos, permite que a linha que separa observáveis e inobserváveis seja traçada de maneira diferente de como van Fraassen acredita que deveria ser, abarcando, entre os observáveis, mais (tipos de) entidades do que esse parece estar disposto a admitir. (shrink)

This dissertation is a defense of a deflationary interpretation of Lockean ideas. The orthodox view is that Locke uses the term ‘idea’ to designate a collection of things that share some philosophically significant characteristic in common. While there is much debate over what this unifying characteristic might be, it is largely agreed upon that there is one, and only one, such characteristic. This is the assumption that I deny. I argue that Locke uses ‘idea’ as an umbrella term to cover (...) several different types of mental items. In Chapter 1, I look at six non-deflationary interpretations of Locke’s theory of ideas and show that while a few of these readings can account for some Lockean ideas, none of these readings can account for all of them. In Chapters 2 and 3, I argue for my deflationist view. I proceed by outlining the various parameters Locke uses to distinguish ideas into several distinct categories. The source, means of acquisition, content and the way in which ideas are related to their targets are all factors that create these divisions. The most basic division I draw is between actual sensations and stored ideas. I argue that reading sensations as appearances, i.e external objects as they appear to an observer, not only better accords with the text, but also circumvents notorious veil of perception worries. This reading is controversial insofar as I read Locke as subscribing to a form of direct realism rather than the strong form of indirect realism that is usually attributed to him. I then divide stored ideas into ectypes, , archetypes, and fantastical ideas. Simple ideas and real ideas of substances are ectypes, ideas of modes and relations are archetypes and fantastical ideas are ideas of substances that we create that have no conformity to the real existence of things. Ectypes and fantastical ideas are images, whereas ideas of modes and relations are definitions or signs. While my reading of Locke is more complex than the standard non-deflationary views, it is preferable for several reasons. First, it accounts for all categories of Lockean ideas. Secondly, it is consistent with the text, whereas traditional readings are forced to explain away text that doesn’t support their non-deflationary views. And lastly, it avoids skeptical concerns concerning the veil of perception. The more simplistic readings that have pervaded the Lockean literature simply do not do justice to the complexities of Locke’s theory of ideas. Adviser: Albert Casullo. (shrink)