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  1. Undercover Education: Mice, Mimesis, and Parasites in the Teaching Machine.Helena Pedersen - 2011 - Studies in Philosophy and Education 31 (4):365-386.
    What happens to education when the potential it helps realizing in the individual works against the formal purposes of the curriculum? What happens when education becomes a vehicle for its own subversion? As a subject-forming state apparatus working on ideological speciesism, formal education is engaged in both human and animal stratification in service of the capitalist knowledge economy. This seemingly stable condition is however insecured by the animal rights activist as undercover learner and—worker, who enters education and research laboratories under (...)
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  • Introduction: Félix Guattari in the Age of Semiocapitalism.Gary Genosko - 2012 - Deleuze and Guatarri Studies 6 (2):149-169.
  • Assembling local, assembling food security.Angga Dwiartama & Cinzia Piatti - 2016 - Agriculture and Human Values 33 (1):153-164.
    The term ‘food security’ has been used in multiple ways and addresses not only issues around availability and accessibility of foods, but also, among others, the sustainability of livelihoods at the local community level—an issue often seen as a basis for the proliferation of local and alternative food networks. Accordingly, in this paper we attempt to develop a theoretical re-framing that is able to link food security with AFNs in arguing that the understanding of the two notions is dynamics and (...)
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  • Un’Utopia del godimento? Deleuze, Lacan e Accelerazionismo.Di Liberto Yuri - 2016 - la Deleuziana 3:149-162.
    This article attempts to outline some critical aspects of the accelerationist movement. More specifically, it argues that light can be shed on key aspects of the political proposals of Williams and Srnicek by considering them from the perspective of the socio-political reflections of both Lacan and Deleuze and Guattari. Anti-Oedipus is one crucial starting point for accelerationist thinking, in terms of the concept of the ‘machinic’ and the explicit reference to ‘acceleration’, but it is equally obvious that Lacan has been (...)
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  • Five object-based sound compositions.Nicolas Bernier - unknown
    This text is a commentary on the nature of my principle artistic preoccupations over a period of research-creation spanning 2011 and 2013. The works discussed cover, each in their own way, various approaches to sound composition linked to physical objects. In effect, the object proves to be a fundamental element at the heart of discourse, which, though anchored in sound, is often multi-disciplinary. The object here is thus taken apart in its affective, conceptual, performative, visual, as well as sonic properties. (...)
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