In lieu of an abstract, here is a brief excerpt of the content:Appropriate Indecorum Rhetoric and Aesthetics in the Political Theory of Jacques RancièreEthan StonemanJacques Rancière is one of France's leading intellectuals and a recent addition to the who's who of Continental philosophy. Since his time as a student at the Ecole normale supérieure, Rancière has generated a body of work that is at once wide-ranging, interdisciplinary, and consistent. His arguments for a postfoundational and postliberal democratic understanding of politics have (...) influenced, echoed, or demanded critical response from such other Continental luminaries as Slavoj Žižek (1999, 2004) and Alain Badiou (2005). Much of this cachet is no doubt due to Rancière's central thesis regarding the sources, uses, and ends of politics. According to this argument, politics does not derive from putative a priori truths about knowledge, human nature, or social interaction; it is not a function of particular forms of government, and it neither establishes nor ensures socioeconomic order. Rather, for Rancière politics is a dissensual activity consisting solely in the demonstration of equality. But rather than designating something to be attained, preserved, or balanced against competing factors, Rancière's equality names an assumption that political subjects must presuppose on their own account and exhibit through their own actions. Insofar as a given social arrangement is hierarchical, the egalitarian presupposition will be necessarily agonistic and symbolically disruptive of that order. [End Page 129] In a word, Rancière champions a politics from the ground up, one that defends without patronizing the down-and-out, the disenfranchised, the unseen, and the unheard.During the last quarter of the twentieth century, while Rancière was formulating his theory of politics, American rhetoricians began to assert the continued relevance of decorum to the analysis of contemporary social phenomena (see, e.g., Fantham 1984; Leff 1987, 1990; Rosteck and Leff 1990; Hariman 1992, 1995; Smith 1992; Deem 1995). These efforts were concurrent with other attempts to foreground the aesthetic capacity of rhetoric to create, sustain, and transform perception via the symbolic manipulation of appearances (see, e.g., Farrell 1993; Whitson and Poulakos 1993; Vitanza 1997; Greene 1998). It is surprising, however, that these efforts to revitalize decorum and aesthetics have largely fail to reference recent Continental theories of aesthetics, many of which have tacit but unexplored bearing on decorum and rhetoric in general. Equally surprising is the tendency, within rhetorical studies, to discuss aesthetics without so much as broaching the subject of decorum. One exception to this trend is Robert Hariman (1992, 1995), who makes a convincing case for the conceptual intimacy between decorum and aesthetics. The classical theory of decorum, he argues, "blended significant aspects of rhetorical practice, social awareness, and political structure into an aesthetic sensibility that directed the selection of diction appropriate to one's subject or situation" (1992, 152). According to this account, decorum in the classical era engendered an aesthetic orientation toward one's sociopolitical environment and the rhetorical practices therein.I contend that Rancière's political theory makes significant strides toward bridging the gap between decorum, aesthetics, and politics while at the same time focusing attention on the role of equality and the empowering potential of indecorum. Although rhetoricians have tended not to address the inventional possibilities of indecorum per se, there has been a recurring effort among those writing on decorum to explicate the conditions of rhetorical performances of confrontation, nonadjustment, and resistance—performances that would eschew a logic of influence and assent for a tactics of opposition and disturbance. This trend has been accompanied by periodic attempts to account for rhetoric's potential to interrupt dominant modes of discourse and rationality and to identify its countervailing forces and formal constraints (Scott and Smith 1969; Windt 1972; Campbell 1973; Phillips 1996; Doxtader 2000). It is my contention that Rancière's political vocabulary can extend this line of inquiry by [End Page 130] expanding the possibility for indecorum to subvert the symbolic structures of oppression and domination while avoiding the pitfalls of adaptation and co-optation, that is, the reconstitution of decorum via dialectical syntheses of competing codes of conduct. Specifically, rhetoricians may interpret Rancière's political theory as answering Melissa Deem's... (shrink)

ABSTRACT I consider Bromell’s critique of Rancière in the context of a discussion of the Black Lives Matter movement, focusing on taking a knee. I argue that Rancière’s analysis can shed light on the Black Lives Matter movement, while also agreeing with Bromell’s general argument that race blindness is characteristic of Ranciere’s work. In this spirit, I suggest that taking race seriously implies Rancière’s conception of humans as poetic beings requires revision.

The text attempts to rethink the concept of emancipation and how it is structured as political action, while describing its historical origins and how it is further understood by the three important political philosophers: Karl Marx, Hannah Arendt, and Jacques Rancière. All three of them – specifically and with substantial differences – understand politics as a space for political action that leads to emancipation in the name of equality. In order to determine the historical origin of the concept in more (...) detail, the argumentation of the text rely upon its elaboration within the school of “conceptual history”, which deals with the historical semantics of terms and sees the etymology of and the change in the meaning of terms as forming a crucial basis for a contemporary cultural, conceptual, and linguistic understanding, and afterwards it links this “pre-history” with Marx’s, Arendt’s, and Rancière’s understanding of the concept of emancipation, and see how they differ and are related to each other, considering what theoretical conclusions about the concept of emancipation we can take from these relations. Particular interest is aimed at how the concept of emancipation is perceived today, who the subject of emancipation is, what the method and final goal of emancipation is, and, finally, how these understandings can help us in the present time when it seems that we need emancipation more than ever. (shrink)

The title of my comments on Samuel Chambers’s The Lessons of Rancière borrows from a cartoon by Gary Larson. It’s composed of two panels. The first illustrates “What we say to dogs,” and its text—words spoken by a man scolding a dog—reads: “Okay, Ginger, I’ve had it! You stay out of the garbage! Understand, Ginger? Stay out of the garbage or else!” The second panel illustrates “What dogs hear,” and its text reads: “blah blah GINGER blah blah blah blah blah (...) blah blah blah GINGER blah blah blah blah blah”. The cartoon came to mind while reading Chambers’s incisive account of Rancière’s neologistic “literarity,” which likewise works on and in the gap between what is said and what is heard. If... (shrink)

This article locates Ernesto Laclau’s populist reason as a point of departure to understand the contemporary democratic logic and its so-called ‘excesses’. It argues that, even if resourceful, Laclau’s findings can be supplemented with a theory of the imaginary as developed by Cornelius Castoriadis, as well as with key remarks from a discussion of the theologico-political as this was characterized by Claude Lefort. The aim is to construct an understanding on the political as it is structured by language and the (...) symbolic, presenting thus democracy and populism as two opposing sides of a foundational political myth. (shrink)

This article interrogates the relationship between two apparently disjointed themes: the consensual presentation and mainstreaming of the global problem of climate change on the one hand and the debate in political theory/philosophy that centers around the emergence and consolidation of a post-political and post-democratic condition on the other. The argument advanced in this article attempts to tease out this apparently paradoxical condition. On the one hand, the climate is seemingly politicized as never before and has been propelled high on the (...) policy agenda. On the other hand, a number of increasingly influential political philosophers insist on how the post-politicization of the public sphere have been key markers of the political process over the past few decades. We proceed in four steps. First, we briefly outline the basic contours of the argument and its premises. Second, we explore the ways in which the present climate conundrum is predominantly staged through the mobilization of particular apocalyptic imaginaries. Third, we argue that this specific presentation of climate change and its associated policies is sustained by decidedly populist gestures. Finally, we discuss how this particular choreographing of climate change is one of the arenas through which a post-political frame and post-democratic political configuration have been mediated. (shrink)

Jacques Rancière is one of France's leading intellectuals and a recent addition to the who's who of Continental philosophy. Since his time as a student at the Ecole normale supérieure, Rancière has generated a body of work that is at once wide-ranging, interdisciplinary, and consistent. His arguments for a postfoundational and postliberal democratic understanding of politics have influenced, echoed, or demanded critical response from such other Continental luminaries as Slavoj Žižek (1999, 2004) and Alain Badiou (2005). Much of this cachet (...) is no doubt due to Rancière's central thesis regarding the sources, uses, and ends of politics. According to this argument, politics does not derive from putative a priori .. (shrink)

Despite the increasing attention devoted to the theme of political judgment, the question of how to theorize judgment as specifically democratic remains elusive. This article shows the promise of Spinoza for approaching such a vexing issue. Through a combined reading of his major political and metaphysical texts, I develop a new concept of political judgment that I call ‘citizen jurisprudence’. Citizen jurisprudence is at once a right and a power that is internally related to the ‘power of the people’. Put (...) another way, citizen jurisprudence is the figure and effect of democracy understood in an expansive sense: not solely as a state form but as an activity of equally free individuals determining the sense and the scope of common affairs. An account of this concept simultaneously nuances Spinoza’s current profile as a political thinker and contributes to efforts within contemporary political theory to recuperate the radical potential of judgment as a mode of democratic agency. (shrink)

This essay takes the performance artworks of Tehching Hsieh as instructive allegories for a global ethics as theorized by a variety of left academics who ground universalism in a singularity that escapes the predicates of identity. Hsieh's projects, I argue, also place universal estrangement in the service of liberation for particular marginalized groups whose lives confound our fantasies of recognition. At the same time, they illustrate some of the challenges facing attempts to treat particular struggles as embodiments of universal conflicts.

In her influential discussion of the plight of stateless people, Hannah Arendt invokes the ‘right to have rights’ as the one true human right. In doing so she establishes an aporia. If statelessness corresponds not only to a situation of rightlessness but also to a life deprived of public appearance, how could those excluded from politics possibly claim the right to have rights? In this article I examine Jacques Rancière’s response to Arendt’s aporetic account of human rights, situating this in (...) relation to his wider criticism of Arendt’s conception of the political. According to Rancière, Arendt depoliticizes human rights in identifying the human with mere life (zoë) and the citizen with the good life (bios politikos). For, in doing so, she takes the distinction between zoë and the bios politikos to be ontologically given whereas politics is typically about contesting how that distinction is drawn. For Rancière ‘the human’ in human rights does not refer to a life deprived of politics. Rather, the human is a litigious name that politicizes the distinction between those who are qualified to participate in politics and those who are not. In contrast to Arendt, Rancière’s approach enables us to recognize contests over human rights, such as that of the sans papiers, as part and parcel of social struggles that are the core of political life. (shrink)

Amartya Sen’s theory of enhancement of justice bears an insurmountable blind side that impairs and makes it incomplete, if not parochial. It dismisses coloniality as the veiled face of modernity without which any understanding of a theory of justice in a globalized world is impossible. Constructing a theory outside the complex frame of coloniality makes the theory vulnerable to severe hindrances. The duality produces a twofold but interdependent reality: for the western world it means the achievement of values such as (...) liberty and prosperity; for the non-western world, racism, extraction and exclusion. Since colonialism has been rearticulated into coloniality, these two categories cannot be isolated for they presuppose one another. Democracy remains a fallacy as long as real power depends on capitalism, which is the inextricable way of coloniality itself. Henceforth, free public discussion and free social choice remain chimerical, obtainable only when democracy as a true, unresolved conflict is a reality through the destruction of coloniality. Finally we propose a third principle of justice that would correct both Rawls’ and Sen’s conceptions of justice. Such corrections pinpoint the void in their approaches thus inverting the panoptic. (shrink)

The concept of the republic is a complex meta-principle that facilitates and conceals global relations of domination. Specifically, it enables the invisibility of racism as the core of political power. From its very origins the concept of republic serves to seize constituent power or politeia. In modernity, as it merges with private property, it will serve as the launchpad of a vast colonization project that then evolves in a new form of power in coloniality. The article applies the theory of (...) the ‘encryption of power’—to decrypt the historical concept of the republic. In doing so, we will demonstrate the key antidemocratic role it has played at the heart of global coloniality. We will bear witness as to how, from within the concept of republic, a refined mechanism of domination raises and expands, conforming the most magnificent and lethal form of power of our times. We exemplify our theory showing that the concept of ‘republic’ is the common thread between the law that abolished slavery in Brazil and the 1988 constitution. Within this scope, we propose a vital space of reconsideration of political ontology through radical democracy as the only means to build the world from immanent difference. (shrink)

The perceptibility and intelligibility of queer students and teachers have been a central theme in queer politics in education. Can queer teachers be ‘out’ to their colleagues and students? Can queer relationships be seen at the school prom? Can queerness be seen and heard? At the same time, perceptibility and intelligibility are by no means uncontested political goals. This paper analyzes different school initiatives by and/or for queer students and asks how political these initiatives are from the perspective of Jacques (...) Rancière's conception of politics. In particular, it employs Rancière's work on the ‘distribution of the sensible’ (partage du sensible) to analyze conditions of visibility and sayability and the political risks and benefits that gaining visibility and sayability carries for queer students and teachers. The paper brings Rancière's distinction between identification and subjectification into conversation with Judith Butler's work on the governing of intelligibility by social norms, and the promise of ‘insurrectionary speech’. Finally, Rancière's work on the role of allies in political interventions that shift the distribution of the sensible provides a fresh reading of Gay‐Straight Alliances in schools and the work of queer allies more generally. (shrink)

In this introductory essay, we outline the relationship between political dissensus and radical democracy, focusing especially on how such a politics might inform the study of business ethics. This politics is located historically in the failure of liberal democracy to live up to its promise, as well as the deleterious response to that from reactionary populism, strong-man authoritarianism, and exploitative capitalism. In the context of these political vicissitudes, we turn to radical democracy as a form of contestation that offers hope (...) in an affirmative, inclusive and sustainable alternative. On this basis we introduce the papers in the special issue as a collective exploration of the ethics and politics of radical democracy as manifesting in dissensus and the subversion of corporate and elite power by alternative democratic practices and realities. (shrink)

This article considers how mourning is configured as a site of political and aesthetic conflict in Aeschylus’ Persae. Aeschylus represents the Persian defeat at Salamis as a catastrophe that unsettles the Persians’ habitual modes of visualizing and quantifying the empire’s population as an ordered whole. Drawing on the work of Jacques Rancière and Alain Badiou, I show how characters in Persae construct novel representations of the war dead as social collectivities that do not fit into the hierarchical structures of dynastic (...) rule. I focus on two passages that stage this work in granular detail: the Messenger’s list of dead commanders recited soon after he reports the defeat and a second list of the dead sung by the Chorus in dialogue with Xerxes. Each passage advances a polemical recount of the dead, at once reevaluating the scale of the disaster and reframing how individuals and collectivities destroyed in the war should be mourned and memorialized. The Messenger and Chorus thereby contest the efforts of the royal family to count the losses at Salamis according to the circumscribed terms of imperial administration. By tracing how the memorialization of the dead galvanizes conflicting efforts to count the community as a whole, Persae raises larger questions about the political affordances of aesthetic form. (shrink)

Jacques Rancière’s theorisation of the political has been particularly influential in investigating political struggles and social movements. By distinguishing between the police order – tasked with maintaining the dominant (hierarchical) system – and politics – aiming at breaking that system – Rancière suggests reading the political as a disruptive event. However, he does not specifically engage with the question of how politics affects and changes the police order. This is what this article aims at exploring. Building upon Kuhn’s The Structure (...) of Scientific Revolutions, I suggest approaching the police order in the same way Kuhn approaches ‘normal science’ and reading the political in the same way Kuhn reads revolutionary science. I ultimately suggest that Rancière’s theorisation of the political is limited because he does not (sufficiently) account for the interplay between police/politics nor for the emergence of an after-politics, that is, a new (ordinary) police order that emerges out of (extraordinary) political events. (shrink)

We propose a theatrical Aesthetics of liberation understood as one that articulates imaginary, visual, or textual bridges between the opening to the context-world and its impact on subjectivity and that gives rise to a scenic production favorable to the conservation and improvement of life that raises opposition or rejection of those contexts that are not conducive to it. We will observe the productions of the theatrical scene in three moments of the recent Argentine past to visualize both the resistance and (...) denunciation of the decrease or disappearance of rights and the rejection of the necessary control of bodies and actions to impose the liberal/neoliberal model. We will look into scenes produced during the Argentine Revolution, stagings of the end of the 20th century responding to the exacerbation of neoliberalism, and finally, those produced during the last neoliberal restoration. (shrink)

Let me assert the following, in order to explore a question that, if the assertion is correct, will center the political theory of late liberalism in the coming decades: for a long time, and perhaps still now, many have believed that Western Europe spawned and then spread globally a regime of power best described as biopolitics—we all know what that entails, governance through life rather than over death. But is this the formation of power that we face today? Does the (...) concept of biopower give us the most productive analytical/political concepts to make sense of what is now all around us but outside our field of vision? The meteorological age of climate change, the geological age of the Anthropocene: have we been.. (shrink)

This article argues that Rancière’s paradoxical account of identity formation through political conflicts can highlight dilemmas facing indigenous political movements across the globe. The article first locates Rancière’s theory within the broader political theory of recognition and briefly describes some of Rancière’s key political concepts. The article then moves on to a description of several indigenous political movements with a particular emphasis on indigenous people from New Zealand, Chile and Mexico and highlights some key conceptual differences in the political strategies (...) and ideologies of these movements. I conclude by relating the differences between these indigenous political movements to Rancière’s key theoretical concepts and argue that Rancière’s theory allows political theorists to shed some light on the internal contradictions and struggles of indigenous people when these try to use indigenous identity with the goal to radically challenge the social order of colonial societies. (shrink)

Despite the fact that US presidential candidates commonly position themselves as Washington outsiders, this broadly populist positioning has thus far been significantly undertheorized. On the one hand, scholars of political representation have explored how politicians connect with political audiences; on the other, populism research has focused on the construction, mainstreaming and appeal of populist performances. A detailed theorization of the paradoxical performative operation by which self-styled political outsiders come to be more effective in connecting with political audiences than accomplished politicians (...) has yet to be undertaken. This article explores the performativity of outsider positioning, paying particular attention to its effect on perceptions of legitimacy. The article investigates legitimacy as a complex and paradoxical performative phenomenon that involves multiple competing sources of agency. The case is made that, by discouraging the perception of the political system as a unified whole, populist-style performances by mainstream politicians undermine institutional legitimacy. In a way that is at odds at odds with the cooperative demands inherent in the US federal government, these performances encourage the perception that the self-styled outsider is engaged in a strictly competitive zero-sum game with the institutional structure and its representatives. (shrink)

In this article, I claim that film matters to political theory not because of the stories films recount, but because the medium of film offers political theorists an image of political thinking that emphasizes the stochastic serialization of actions. I thus argue that the stochastic serialization of moving images that films project makes available for democratic theory an experience of resistance and change as a felt discontinuity of succession, rather than as an inversion of hierarchical power. In my treatment of (...) these issues, I rely on Hume's ontology of ‘broken appearances’ and ‘interrupted perceptions’, as well as Stanley Cavell's ontology of film as treated in The World Viewed. I elaborate the following four aspects of the relation between film and political theory: the action-image; discontinuity and the fact of series; actors, artificial persons and human somethings; and political resistance and an aesthetics of politics. The manner in which I proceed is to show the aspectual overlay between film and political thinking. Such a method of exposition suggests a further, methodological site where film matters to political theory: the stochastic serialization of moving images in film provides political theory with a genre for elaborating ideas that is not reducible to the analytics of causal argument. (shrink)

This article examines the processes of investigation and gathering evidence about victims of the September 11 attacks to better understand the inability of state and nonstate institutions to effectively deal with the invisibility of undocumented migrants in terms of providing assistance and recognition at a moment of tragedy. The failure to make the invisible visible or to address the very question of visibility publicly is explained by three major reasons: 1) A general fear of coming forward on the part of (...) undocumented migrants or their families, partly as a result of their legal status and their lack of trust in government agencies, which was compounded by ineffective communication about available relief services; 2) different procedural requirements and logics of evidence used by government and nongovernmental relief agencies, which, in some cases, made it impossible for undocumented migrants or their families to provide proof of their presence at the site or employment in the businesses affected; 3) the context of 9/11 as a disruptive event that influenced the overall climate in which issues of victimhood and immigration status could be addressed. (shrink)

This paper examines Jacques Derrida's deconstruction of Giorgio Agamben's account of the history of bio-politics in the Beast and the Sovereign. In this account, the ‘threshold of bio-political modernity’ is identified with the collapse of an allegedly immemorial distinction between life and the law. According to Derrida, however, this in-distinction between life and the law, which supposedly marks the historical emergence of the bio-political, is in fact an originary event. Agamben, therefore, announces a bio-political modernity that has always already existed. (...) In this essay, I argue that Derrida, in the Beast and the Sovereign, fails to grasp the significance of one of the principal figures employed in Agamben's theory of the bio-political, the ‘threshold’. This figure, which Agamben opposes, elsewhere in his writings, to the Derridean notion of difference/deferral, does not refer to either an historical beginning or something that has always already existed. Rather, the threshold is defined as a particular moment in which an originary phenomenon becomes a decisive historical norm. In his ‘history’ of the bio-political, therefore, Agamben identifies the modernity of the latter in terms of the historical normalization of an in-distinction between law and life that has always already occurred. (shrink)

In this essay, I question the philosophical appropriation of the “street”; much recent critical theory fixes on the “events” of the street as portending ruptural becomings—into being—of the new in the world. I argue that such readings of the “extraordinary” are founded upon a heroic ontologic–epistemology of “abandonment–resurrection” that defines colonial–modern Eurocentric philosophy. Against this preoccupation with the extraordinary, I present a view that reads in the events of the street the ordinariness of the perceived extraordinary and the extraordinariness of (...) the ordinary decoloniality of the everyday as the site of already being otherwise. (shrink)

Rancière’s political thought is the object of growing fascination, particularly as a lens through which to interpret contemporary political protests, yet his conception of axiomatic equality remains unexamined. This article investigates Rancière’s account of equality as a ‘presupposition’, showing that an axiom of equality guides momentary acts of resistance, but also serves as a ‘necessary and sufficient condition’ of all societies, however hierarchical. Although this account holds some appeal, I argue that it restricts equality to two, not especially satisfying possibilities: (...) a temporary revelation or a hidden secret. This rendering of axiomatic equality is symptomatic of Rancière’s general hostility toward institutional politics. Because Rancière tends to depict ‘institutions’ per se as oppressive, equality is positioned ‘outside’ the socio-political order – as its fleeting interruption or disavowed condition of possibility. I argue, on the contrary, that a radically egalitarian politics today should affirm a practice-centered project of institution-building. (shrink)

ABSTRACT In this article, we address the aporia(s) of the Olympic discourse produced by the troubled split between sport and politics. To start our argument, we will show that sporting governing bodies continuously insist that they are still on the other side of any kind of politics. Guided by Aristotle, who presented the reciprocity of ethics and politics, we will unveil the fallacy of this discourse. In a short genealogy of the relationship between sport, ethics, and politics, we will highlight (...) the Munich Olympics 1936 and Mexico Olympics 1968, where political engagement of sport was exposed clearly. At the same time, the supposed political neutrality of sport manifested an aristocratic preference for radical right regimes. After that, we will analyse the contemporary relation between sport, ethics, and politics in the light of recent developments, including sport’s ambiguous reaction on the Ukraine war. Further argument will be that sport’s in- and external politics, supported by sport ethics and the inherited mantra of the split between sport and politics, is more than just a hypocrisy. At the start, modern sport claims autonomy of governance to keep away from state domination, yet this very autonomy also freezes sport’s ethical core, forbidding athletes, coaches and others active in sport, to express any political engagement, other than passive acceptance of the regulation by governing sport bodies, as the only politics to be respected without deliberation. In the final part an alternative understanding of the dynamics between politics, the political and sport’s ethical core, will be presented to be included in the philosophy of sport and fully developed in following articles. (shrink)

ABSTRACT In this article, we address the aporia(s) of the Olympic discourse produced by the troubled split between sport and politics. To start our argument, we will show that sporting governing bodies continuously insist that they are still on the other side of any kind of politics. Guided by Aristotle, who presented the reciprocity of ethics and politics, we will unveil the fallacy of this discourse. In a short genealogy of the relationship between sport, ethics, and politics, we will highlight (...) the Munich Olympics 1936 and Mexico Olympics 1968, where political engagement of sport was exposed clearly. At the same time, the supposed political neutrality of sport manifested an aristocratic preference for radical right regimes. After that, we will analyse the contemporary relation between sport, ethics, and politics in the light of recent developments, including sport’s ambiguous reaction on the Ukraine war. Further argument will be that sport’s in- and external politics, supported by sport ethics and the inherited mantra of the split between sport and politics, is more than just a hypocrisy. At the start, modern sport claims autonomy of governance to keep away from state domination, yet this very autonomy also freezes sport’s ethical core, forbidding athletes, coaches and others active in sport, to express any political engagement, other than passive acceptance of the regulation by governing sport bodies, as the only politics to be respected without deliberation. In the final part an alternative understanding of the dynamics between politics, the political and sport’s ethical core, will be presented to be included in the philosophy of sport and fully developed in following articles. (shrink)

Recent histories of human rights have shown that the turn to human rights as a form of politics occurred as a placeholder for utopian energies at the end of history, coinciding with a retreat of the organised left, the abandonment of the theme of revolution, and the pluralisation of political struggles. This essay examines the way that radical continental theory has responded to the political hegemony of human rights by focusing on ‘post-Marxist’ thought. Examining the work of four influential critics (...) of human rights—Claude Lefort, Alain Badiou, Giorgio Agamben, and Jacques Rancière—I argue that post-Marxist thought provides two very different approaches to the political possibilities offered by human rights. The first retains a fidelity to the revolutionary critique of rights by rejecting the language and conceptuality of human rights as too deeply implicated in the liberal political order that needs to be resisted. The second acknowledges the limitations of human rights while arguing that they also offer important tools for democratic political struggle. The essay draws upon these analyses to consider the contemporary political meaning of human rights. It argues that the latter of these strategies is problematic because we now face a radically different political conjuncture to the one in which the politics of human rights first emerged: human rights have played an important role in the project of post-historical reaction; the political space in which the politics of rights once made sense has collapsed; and we have seen substantial political upheavals in the wake of the crisis of capitalism. (shrink)

This article establishes itself first in a kind of slough, a lack of inspiration, and transvalues this via Fred Wah’s poem “Ikebana” and Roland Barthes’s celebration of haiku as a form that “lacks inspiration.” Following Barthes on “the minimal act of writing that is Notation,” this article explores and theorizes the status of the notational in and for poetics. The article registers and sustains the ambiguity in notatio, notationis and suggests that the notational points to a conceptual dialectic between condensation (...) and dilation. Poets Tonya Foster and W. S. Graham offer key cases, as do the author’s own poems. The article moves from haikus and other short forms (including the imagist poem) to haibuns (a mixed form of verse and prose) to questions of accent as a mode of differentiation from the surround. Drawing on Claudia Rankine and Jacques Rancière (as well as on classical rhetoric), the article also shows how the notational as censure might register antagonisms and not only accents or gestures (as notational forms are typically glossed). Alert to the enmeshment of notational forms with other media—such as the novel and photography—the article suggests in its final turn that a notational poetics can also vivify the (sometimes latent) diegetic aspect of short, minimal, “uninspired,” supposedly “immediate” notational forms and practices, as we see in the dance of notation and annotation, or in the unfolding of haiku within mixed forms such as the haibun. (shrink)

Although Jacques Rancière and Jürgen Habermas share several important commitments, they interpret various core concepts differently, viewing politics, democracy, communication, and disagreement in conflicting ways. Rancière articulates his democratic vision in opposition to important elements of Habermas’s approach. Critics contend that Habermas cannot account for the dynamics of command, exclusion, resistance, and aesthetic transformation involved in Rancière’s understanding of politics. In particular, the prominent roles Habermas affords to communicative rationality and consensus have led people to think that he cannot grasp (...) the radical forms of political disagreement Rancière describes. While some have viewed Rancière as offering a trenchant challenge to Habermas, I will contend that Rancière’s critique is less compelling than some have thought. Habermasian understandings of third personal speech and aesthetic expression are nuanced and adaptable enough to evade Rancière’s criticisms. I conclude by suggesting that Habermasian theorists have also developed crucial forms of social and political critique that Rancière’s theory systematically excludes. (shrink)

Theorists, who broadly subscribe to Claude Lefort’s characterization of democracy as the dissolution of the markers of certainty, disagree over the proper enactment of democracy. In this article, I consider the possibility of narrowing the gap by attending to the ignorance advocated by each of the two approaches – the disruptive radical route Jacques Rancière describes and the reformist approach of Richard Rorty. I highlight the attributes and shortcomings of the positive link between practices of ignorance and democracy in the (...) work of the two theorists, and explore how the practices they describe can complement each other in the enactment of democracy. (shrink)

European political theorists have argued that contemporary imaginaries of climate change are symptomatic of a post-political condition. My aim in this essay is to consider what this analysis might mean for a feminist green politics and how those who believe in such a project might respond. Whereas much of the gender-focused scholarship on climate change is concerned with questions of differentiated vulnerabilities and gendered divisions of responsibility and risk, I want to interrogate the strategic, epistemological, and normative implications for ecological (...) feminism of a dominant, neoliberal climate change narrative that arguably has no political subject, casts Nature as a threat to be endured, and that replaces democratic public debate with expert administration and individual behavior change. What hope is there for counter-hegemonic political theories and social movements in times like these? I suggest that rather than give in and get on the crowded climate change bandwagon, an alternative response is to pursue a project of feminist ecological citizenship that blends resistance to hegemonic neoliberal discourses with a specifically feminist commitment to reclaiming democratic debate about social-environmental futures. (shrink)

The article presents an introduction to the Special Issue on the French philosopher Jacques Rancière who raises a provocative voice in the current public debate on democracy, equality and education. Instead of merely criticizing current practices and discourses, the attractiveness of Rancière's work is that he does try to formulate in a positive way what democracy is about, how equality can be a pedagogic or educational (instead of policy) concern, and what the public and democratic role of education is. His (...) work opens up a space to rethink and to study, as well as to ‘re-practice’, what democracy and equality in education are about. He questions the current neutralisation of politics that is motivated by a hatred of democracy. This questioning is for Rancière also a struggle over words. Against the old philosophical dream of defining the meaning of words, Rancière underlines the need for the struggle over their meaning. The aim of the article is to clarify how and why education, equality, and democracy are a major concern throughout his work and to offer an introduction to the articles collected in the Special Issue. (shrink)

This article focuses on Jacques Rancière’s reflections on Alfredo Jaar’s The Rwanda Project in the context of wider discussions of the politics of naming the dead. Against the claim that his reflections reveal a depoliticizing, universalist commitment to naming all the dead, it contends that foregrounding the relation between naming and counting in this discussion shows Rancière’s focus to be the policing and politics of naming. In an original argument, it focuses specifically on how, for Rancière, in this context, individualized (...) proper names function politically and dissensually. To do so it explores Rancière’s analysis of the role of the mainstream media during the Rwandan genocide in perpetuating the police order which divided nameable individuals from anonymous masses, thereby constituting living and dead Rwandans as of little or no account, and his account of how Jaar’s art is able to disrupt the ‘partition of the sensible’ underpinning this count. The article concludes by considering how Rancière’s ideas about the relationship between naming and counting and between politics and police serve as a useful supplement to and extension of existing discussions of grievability. (shrink)

This article explores safety and politics of space in two ways. First, it reviews research on women’s fear and calls for safer cities, identifying four contradictions in the geography of fear discourse. Second, it elaborates on how including various forms of fear may repoliticize the contemporary depoliticized and co-opted safety discussion by focusing on sexist and racist threats rather than exclusively on the white middle classes. Here, threats to veiled Muslim women and their experiences in public spaces are, in particular, (...) emphasized as exemplifying fears that are neglected in the safety debate. The article concludes that, rather than the whole safety issue being dismissed as ‘neoliberal’, there is an urgent need to strengthen the analysis of power and illuminate experiences of pain and fear in sexist and racist violence. (shrink)

In several enigmatic passages, Paulo Freire describes the pedagogy of the oppressed as a ‘pedagogy of laughter’. The inclusion of laughter alongside problem‐posing dialogue might strike some as ambiguous, considering that the global exploitation of the poor is no laughing matter. And yet, laughter seems to be an important aspect of the pedagogy of the oppressed. In this paper, I examine the role of laughter in Freire's critical pedagogy through a series of questions: Are all forms of laughter equally emancipatory? (...) Certainly a revolutionary pedagogue can laugh, but should he or she, and what are the political (if not revolutionary) implications of this laughter? In order to shed new light on Freire's fleeting yet provocative comments, I turn to Jacques Rancière for his emphasis on the aesthetics of politics, and Paulo Virno who connects joke telling with critical theory. Overall, I argue that we need to take Freire's gesture toward a pedagogy of laughter seriously in order to understand the aesthetics of critical pedagogy and the fundamental need for a redistribution of the sensible that underlies educational relations between masters and pupils. (shrink)

In response to the growing emphasis on learning outcomes, life-long learning, and what could be called the learning society, scholars are turning to alternative educational logics that problematize the reduction of education to learning. In this article, we draw on these critics but also extend their thinking in two ways. First, we use Giorgio Agamben and Gilles Deleuze to posit two educational logics—tinkering and hacking, respectively—that suspend and render inoperative learning logics, expectations, and evaluative metrics. Second, we argue that contemporary (...) artists and designers such as Katerina Kamprani and Grupo de Arte Callejero have much to offer educational philosophers and theorists interested in practices of suspension. In conclusion, we suggest ways in which educators can tinker with and hack into the curriculum by playing with the quintessential embodiment of learning: the test. (shrink)

In his theory of the event, Alain Badiou argues that the realm of politics is particularly important. Drawing to an extent on Marx, Lenin and Mao, he argues that true politics is revolutionary, or at least 'eventmental'. Badiou's political thought places great emphasis on the role of the agent of change — the subject — but he argues controversially that subjecthood in politics as well as in other domains comes only after the event has taken place, leaving the potential subject (...) in a highly passive position before the event has taken place. He has relinquished some but not all of Marx's materialist and historical approach, in favour of a more idealist approach influenced in part by Plato, with the effect that his theory of politics is rather disjointed. Badiou's uneasy blend of idealism and materialism means that he has at times highly unorthodox things to say about the notion of democracy and has uneven positions regarding both parliamentary politics and political activism. A lonely, committed voice in contemporary France, Badiou's theory of politics nevertheless offers a rare opportunity to engage with a thinker who is attempting to offer a new philosophy of praxis. (shrink)

In this paper, I discuss three objections against climate activism often voiced in the public, namely that their practices of civil disobedience are ultimately insincere, illegal, and ineffective. The main part of my paper focuses on this last point. This is because this objection points us to a deeper conceptual problem of political protest: if one of the conditions for the success of civil disobedience is that political demands must have been first voiced via democratic channels of opinion-formation, then why (...) should we assume that a re-articulation of these demands in the course of civil disobedience leads to a different result? To answer this question, I propose a phenomenological approach to civil disobedience. Drawing on the protest practices of activist group Act Up, I argue that climate activism can escape the charge of ineffectiveness if it resorts to what I call the “aesthetic rationality of phenomenological demonstration.”. (shrink)

RÉSUMÉJe m'appuie sur Heidegger et Zwicky pour contester la notion selon laquelle sous-jacente aux perspectives divergentes d'une entité, il doit y avoir quelque chose qui est « le même » ; la mêmeté est plutôt révélée dans des ouvertures particulières. Je me concentre sur les concepts heideggériens du monde et de la vérité en tant qu'ils fondent la réflexion sur différents mondes humains. Je présente le travail de Zwicky sur le gestalt, les relations internes, la vérité comprise comme limite asymptotique (...) et les métaphores ; le concept de métaphoricité de l’Être nous aide à réfléchir à la question suivante : comment se fait-il que rien ne sous-tend les différentes perspectives d'un phénomène, et qu'il y a pourtant des limites aux ouvertures? (shrink)

Contention in the form of protests, riots, and direct action is a central political practice in contemporary democracies. It is also a staple of sociological analysis, after slowly crystallizing as a distinct object of analysis from the 1970s onward. Lately, however, it has become unclear what this distinctiveness consists of and how it may help guide studies of contention: What distinguishes contention from other practices? I argue that contention can be seen as an ontologically distinctive experience. What sets this experience (...) apart is that it expresses a potential for conflict that underlies all social formations. We can take these expressions of conflict as objects of analysis. This means asking how the conflict expressed in contentious practices is ascribed meaning. I develop this perspective theoretically and show how it may facilitate new empirical analyses of contention’s boundaries, its relation to truth, and ethical relations in contention. (shrink)

Political theorists have traditionally grappled with laughter by posing a simple, normative question: ‘What role, if any, should laughter play in the polis?’ However, the outsized presence of laughter in contemporary politics has rendered this question increasingly obsolete. What good does determining laughter’s role in the polis do when the polis itself is to a large extent shaped by laughter? The present essay argues that Kant’s aesthetic investigations of laughter in the Critique of Judgment and Anthropology from a Pragmatic Point (...) of View offer a much needed alternative to the normative discourse. Kant theorizes laughter as an intensely dialectical experience — at once an aesthetic judgment and an affect. Laughter in Kant enacts dissensus: it disrupts and transforms sensus communis, or the ways subjects see and hear the world in common that organize and structure a political community. The essay illustrates the advantages of a Kantian conception of the politics of laughter over the normative discourse by examining Dave Chappelle’s controversial 2019 stand-up comedy special Sticks & Stones. It concludes that the dissensus enacted by laughter, while not necessarily democratic, provides a privileged opening for democratic politics. (shrink)