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Essays on the philosophy of music

Helsinki: Akateeminen Kirjakauppa (1988)

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  1. A narrative grammar of chopin's G minor ballade.Eero Tarasti - 1992 - Minds and Machines 2 (4):401-426.
    A new semiotic model for the generation of musical texts is introduced in this article. The idea of a generative grammar is here understood in the sense of the generative trajectory, a model elaborated by A. J. Greimas. Four levels are chosen from his trajectory for the study of musical texts, namely, those of isotopies, spatial, temporal and actorial categories, modalities and semes or figures.As an illustration, the G minor Ballade by Fr. Chopin has been examined through all these levels. (...)
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  • Contemporary Finnish Aesthetics.Arto Haapala - 2011 - Philosophy Compass 6 (1):1-10.
    This article gives an overview of Finnish aesthetics in the past forty years. I will introduce major figures who have done research in aesthetics and topics that have been investigated. I will divide the field of aesthetics in two: philosophy of art and environmental aesthetics. Especially the latter has gained a lot of prominence in Finnish aesthetics, and there are also institutional settings that have made this possible. But philosophical problems in the arts have been scrutinized intensively, too. Finnish aestheticians (...)
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