This article seeks to explore the overlapping of theories of language and subjectivity in the writings of French psychoanalyst, Jacques Lacan. Lacan’s particular brand of psychoanalysis takes its inspiration from Sigmund Freud, but Lacan has radicalized the discipline by opening it up to areas like linguistics, anthropology and philosophy. The subject as theorized by Lacan is consequently an individual whose identity is constructed through language itself, which both ensures the individual’s socialization but simultaneously splits the subject by cutting him/her off (...) from the real order of experience. Considering this background to the development of Lacanian psychoanalytic theory, this article questions anew the relationship between psychoanalysis and literary criticism. It is my contention that the link between the two centers around the crucial position of language within Lacan’s thought. Showing how the purpose and mechanisms of the literary critic parallel those of the analyst within the situation of analysis, I will argue that the objective of both discourses is the uncovering of truth or meaning. However, both the analyst and the critic are also condemned to pursue their interpretations through language, as no metadiscourse is available. Since language in Lacanian psychoanalysis serves to disguise the unconscious, the truth cannot be found within language itself, but beyond it: in the interstices of signification, inter-dit. In this way, it becomes evident that the analysis of any piece of literature or art necessarily involves a response that is dictated primarily not by the words on the page or the paint on the canvas, but a message received by the subject which addresses the unconscious Other. (shrink)