Philosophy and Literature is an internationally renowned refereed journal founded by Denis Dutton at the University of Canterbury, Christchurch. It is now published by the Johns Hopkins University Press. Since its inception in 1976, Philosophy and Literature has been concerned with the relation between literary and philosophical studies, publishing articles on the philosophical interpretation of literature as well as the literary treatment of philosophy. Philosophy and Literature has sometimes been regarded as iconoclastic, in the sense that it repudiates academic pretensions, (...) insidious jargon and institutional vogue. Dutton, who remains the editor, still writes a regular column. A distinctive feature of Philosophy and Literature was the annual Bad Writing Contest, held from 1995–98, which sought to identify (and publish) the ‘most stylistically lamentable passages’ of academic prose, often to great amusement. (shrink)

Twardowski'sOn the Content and Object of Presentations(1894) is one of the most influential works that Austrian philosophy has left to posterity. The manuscriptLogik(1894–1895) supplements that work and allows us to reconstruct Twardowski's theory of judgement. These texts raise several issues, in particular whether Twardowski accepts propositions and states of affairs in his theory of judgement and whether his theory is acceptable. This article presents Twardowski's theory, shows that he accepts states of affairs, that he has a notion of proposition, and (...) that his theory is interesting and sophisticated. (shrink)

Arthur Prior was one of the logicians who participated in the invention of the possible worlds’ semantics. The ontology, which is connected with his systems of modal logic, is unique. Prior tried to reduce the number of abstract entities as much as possible. Hence he did not elect to introduce possible worlds and possibilia into his ontology. In addition, he held a reductionist view, which is called modal actualism by Fine or modalism by Melia. Prior was inspired by various authors (...) but this paper mainly discusses the influence of two prominent sources, Wittgenstein and logicians from Warsaw School. Prior acknowledged Wittgenstein’s influence, when he discuss the view that possible worlds consist of propositions. The second important feature of Prior’s concept is the denial of the real existence of possible worlds and the denial of the existence of entities which are in them. It was probably enabled by Prior’s adoption of some systems of logic invented by logicians from the Warsaw school, especially Lesniewski’s and Łukasiewicz’s systems. (shrink)

This paper aims to clarify the connection between the logic of temporal distinctions and the temporal features of propositions. Contra Prior, it argues that the adoption of tense operators does not commit one to the view that propositions can change their truth value over time.

§1 Analytic philosophers interested in depiction have focused for the most part on two problems: first, explaining how pictures represent; second, describing the distinctive kinds of artistic value pictures can possess, or the distinctive ways in which they can embody artistic values that extend more broadly across the arts. I shall discuss the first problem here. The main concepts I shall be concerned with are depiction, resemblance, sense and reference.

In celebrating Arthur Prior we celebrate what he gave to the world. Much of this is measured by what others have made of his ideas after his death. The focus of this paper is a little different. It looks at what Prior himself thought he was accomplishing. In particular it considers Prior’s attitude to the semantic metatheory of the logics that he was interested in. The paper sets out some characteristics of the metalogical study of intensional languages in terms of (...) an indexical theory of truth conditions stated in the language of set theory. In examining Prior’s work using these characteristics, it emerges that Prior had serious reservations about this way of studying modal and tense logics. (shrink)

The paper presents an account of the concept of existence that is based on Brentano’s work. In contrast to Frege and Russell, Brentano took ‘exists’ to express a that subsumes objects and explained it with recourse to the non-propositional attitude of acknowledgment. I argue that the core of Brentano’s view can be developed to a defensible alternative to the Frege-Russell view of existence.