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Stealing a Gift: Kierkegaard's Pseudonyms and the Bible

Fordham University Press (2004)

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  1. Kierkegaard's Hermeneutic.Rebecca Skaggs - 2013 - Heythrop Journal 54 (2):817-826.
  • II—John Lippitt: What Neither Abraham nor Johannes de Silentio Could Say.John Lippitt - 2008 - Aristotelian Society Supplementary Volume 82 (1):79-99.
    Though there are significant points of overlap between Michelle Kosch's reading of Fear and Trembling and my own, this paper focuses primarily on a significant difference: the legitimacy or otherwise of looking to paradigmatic exemplars of faith in order to understand faith. I argue that Kosch's reading threatens to underplay the importance of exemplarity in Kierkegaard's thought, and that there is good reason to resist her use of Philosophical Fragments as the key to interpreting the 'hidden message' of Fear and (...)
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  • Fear and Trembling’ Reconsidered in Light of Kant’s ‘Groundwork of the Metaphysics of Morals.Morgan Keith Jackson - 2021 - Philosophia 49 (4):1541-1561.
    In this study I provide a thematic comparison of Søren Kierkegaard’s Fear and Trembling and Immanuel Kant’s Groundwork of the Metaphysics of Morals to suggest that the representation of the ethical in Fear and Trembling is transparently Kantian. At times I draw on Kant’s Religion Within the Boundaries of Mere Reason, Conflict of the Faculties, and The Metaphysics of Morals to offer a comprehensive account of Kant’s ethical theory. Both philosophers hold profoundly important positions within the milieu of ethics, however (...)
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  • The Thought Experimenting Qualities of Kierkegaard's Fear and Trembling.Ingrid Malm Lindberg - 2019 - Religions 10 (6).
    In this article, I examine the possible thought experimenting qualities of Soren Kierkegaard's novel Fear and Trembling and in which way it can be explanatory. Kierkegaard's preference for pseudonyms, indirect communication, Socratic interrogation, and performativity are identified as features that provide the narrative with its thought experimenting quality. It is also proposed that this literary fiction functions as a Socratic-theological thought experiment due to its influences from both philosophy and theology. In addition, I suggest three functional levels of the fictional (...)
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