In this article I will explore the relationship between man and animal as presented by Ovid in some of his rape stories narrated in the Metamorphoses. The stories I will discuss are those of Actaeon and Callisto, the rape of Europa and the rape of Proserpina. Against Ovid’s background, I will examine Rembrandt’s version of these stories. In other words, I will investigate how Ovid’s textual construction of animals vs. humans relates to Rembrandt’s painterly construction of them. Accordingly, I will (...) explore how Rembrandt’s presentation of animals in his mythical images may reflect some of the prevalent attitudes of the period towards animals. My final goal is to address the question of the sublime in Rembrandt’s myths of human-animal transformation. Specifically, I will try to show that in his work the animals become agents of the sublime on a par with humans and gods. I will argue that similarly to Ovid’s reader, Rembrandt’s viewer experienced awe, amazement, even terror in front of his depictions of sublime passions, impossible disguises and transformations, his stories of violence, enacted collaboratively between man and animal. (shrink)

David Hume's most brilliant and ambitious work is entitled A Treatise of Human Nature, and it, together with his other writings, has left an indelible mark on philosophical conceptions of human nature. So it is not merely the title of Hume's work that makes discussion of it an appropriate inclusion to this volume, but the fact of its sheer influence. However, its pattern of influence – including, of course, the formulations of ideas consciously antithetical Hume's own – is an immensely (...) complex one, subtle and incredibly difficult to decode. In all probability ‘Hume's’ presence in contemporary thinking of human nature is to likened to the end product of a historiographical game of Chinese whispers, whereby ‘Hume's’ view on x and y is now inflected with interpretations his work – or, more accurately, selected parts of it – that are in turn filtered by thinkers and traditions with different focuses and interest from Hume's own. I am not equipped even to begin to trace this line of influence, a lack compounded by my relative ignorance of the present state of the debate on human nature. Nevetheless various ‘humean’ doctrines still orient debate and I guess these claims include the idea that causation is a matter of instantiating a universal regularity, that normativity can understood causally, that motivation is a matter of belief plus some independently intelligibly ‘attitude’, that a self is best conceived as a collection of independent states that combine to yield a self and so on. (shrink)

Swedish naturalist Carl von Linné (1707–1778) became known during his lifetime as a "second Adam" because of his taxonomic endeavors. The significance of this epithet was that in Genesis Adam was reported to have named the beasts—an episode that was usually interpreted to mean that Adam possessed a scientific knowledge of nature and a perfect taxonomy. Linnaeus's soubriquet exemplifies the way in which the Genesis narratives of creation were used in the early modern period to give religious legitimacy to scientific (...) activities and to taxonomy in particular. Allusions to Adam's work in the Garden of Eden thus became a way of investing the vocation of the naturalist with religious significance. (shrink)

Summary Early modern philosophers discussed the question of time in a variety of contexts; an enduring theme is the connection between time and the rational powers of the human soul. However, authors from a variety of confessional and philosophical perspectives also considered how the passions of the soul engage both humans and animals with the temporal world. This article considers a debate about the connections between time and the passions between two French physicians, Marin Cureau de la Chambre (1594–1669) and (...) Pierre Chanet (c.1603–c.1660). The article explores the extent to which their background in late Aristotelian philosophy shaped this project, and its place within the broader transformation of the philosophy of time in the seventeenth century. Cureau and Chanet belong within a well-known early modern tradition of debates about animal reasoning, but their discussion of time and the passions is a significant yet neglected episode in the vernacularisation of scholastic and Aristotelian natural philosophy. (shrink)

Summary Around 1670 the French court painter and Academician Charles Le Brun produced a series of drawings featuring naturalistic animal heads, as well as imaginary heads in which he refashioned various nonhuman animal species to make humanoid physiognomies. What were the purpose and significance of these unusual works? I argue that they show Le Brun's interest in what we today would call animal psychology: focusing upon the sensory organs and their connections with the animal's brain, Le Brun studied his animals (...) as conscious protagonists of the natural realm. One source that may have served him in this project was Marin Cureau de La Chambre's De la Connoissance des bestes of 1645, in which the physician argued that animals possess a conscious soul grounded in the senses. However, Le Brun's animal-humans have no clear place in the artist's taxonomy—nor, indeed, in any seventeenth-century understandings of species. It is rather John Locke, at his most skeptical, who offers the best parallel in the realm of natural philosophy to Le Brun's unsettling animal-humans. Probably without meaning to, Le Brun demonstrated through his eerie, boundary-crossing creatures the limits of visual classification. (shrink)