Malebranche argues that ideas are representative beings existing in God. He defends this thesis by an inference to the best explanation of human perception. It is well known that Malebranche’s theory of vision in God was forcefully rejected by philosophers such as Arnauld, Locke, and Berkeley. However, the notion that ideas exist in God was not the only controversial aspect of Malebranche’s approach. Another controversy centered around Malebranche’s view that ideas are to be understood as posits in an explanatory theory. (...) Opponents of this approach, including Arnauld and Locke, held that our talk about ideas was not explanatory but instead merely descriptive: we use the word ‘idea’ to describe phenomena that we observe by reflecting on our own minds. This controversy has not received much attention from scholars, but in the present paper I will show that it was an explicit and important subject of concern for Malebranche, Arnauld, Locke, and Berkeley and that attention to this controversy can illuminate several aspects of these philosophers’ work. (shrink)

This paper argues that Malebranche’s semantics sheds light on his metaphysics and epistemology, and is of interest in its own right. By recasting issues linguistically, it shows that Malebranche assumes a Neoplatonic semantic structure within Descartes’ dualism and Augustine’s theory of illumination, and employs linguistic devices from the Neoplatonic tradition. Viewed semantically, mental states of illumination stand to God and his ideas as predicates stand in Neoplatonic semantics to ideas ordered by a privative relation on “being.” The framework sheds light (...) on interpretive puzzles in Malebranche studies such as the way ideas reside in God’s mind, the notion of resemblance by which bodies imitate their exemplar causes, and the issue of direct vs. indirect perception through a mechanism by which agents can see bodies by “seeing” ideas. Malebranche’s semantics is of interest in its own right because it gives a full account of the mediating relations that determine indirect reference; lays out a correspondence theory of truth for necessary judgments; defines contingent truth as based on an indirect reference relation that is both descriptive and causal but that does not appeal to body-mind causation; and within his theory of perception, works out an account of singular reference in which singular terms carry existential import, refer indirectly via causal relations, but describe their referents only in a general way. (shrink)