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Les Cyniques grecs: fragments et témoignages

Ottawa: Presses de l'Université d'Ottawa (1975)

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  1. Scepticisme et cynisme dans l’oeuvre de Pierre de Valence.John Laursen - 2008 - Philosophiques 35 (1):187-206.
    This article explores the work of Pedro de Valencia (1555-1620) with the purpose of establishing his philosophical allegiances. On the basis of his only published work, the Academica of 1596, widely circulated and translated into French twice in the eighteenth century, some authors have assumed that he was an Academic skeptic. On the basis of his translations of Dio Chrysostome and Epictetus and other manuscripts in imitation of the literature of retirement of Greek cynicism, others have taken him for a (...)
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  • Is the Cynic Counter-Culture a Denial of Fine Arts?: A Modern Challenge Facing the Philosopher-Artist.François Gagin - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 20:247-270.
    The strangeness caused by the cynic gesture and verb is well known since ancient times regarding philosophical praxis. This paper will challenge, in cynical terms and according to his way of living and thinking, the notions of culture and beauty, but from a modern reading of such school, producing a critical thinking exercise. As a result, a current and lively mode of artistic philosophizing will be revealed, at least as written verb in a literary and philosophical way. This challenge can (...)
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  • In praise of counter-conduct.Arnold I. Davidson - 2011 - History of the Human Sciences 24 (4):25-41.
    Without access to Michel Foucault’s courses, it was extremely difficult to understand his reorientation from an analysis of the strategies and tactics of power immanent in the modern discourse on sexuality (1976) to an analysis of the ancient forms and modalities of relation to oneself by which one constituted oneself as a moral subject of sexual conduct (1984). In short, Foucault’s passage from the political to the ethical dimension of sexuality seemed sudden and inexplicable. Moreover, it was clear from his (...)
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  • Tonneau percé, tonneau habité - Calliclès et Diogène : les leçons rivales de la nature.Simon-Pierre Chevarie-Cossette - 2015 - Philosophie Antique 15:149-178.
    Comme de nombreux penseurs antiques avant et après eux et contrairement à Socrate, Calliclès et Diogène ont déclaré avoir fondé leur éthique sur l’observation de la nature. Et pourtant, les deux discours normatifs qui sont tirés d’une nature que l’on pourrait a priori croire être la même sont on ne peut plus opposés. Calliclès croit que l’homme est appelé à dominer autrui ; Diogène pense plutôt qu’il doit se dominer lui-même ; le premier est un hédoniste débridé, le second croit (...)
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  • Désirs naturels et artificiels chez Diogène et Épicure.Simon-Pierre Chevarie-Cossette - 2015 - In Daoust Marc-Kevin (ed.), Le désir et la philosophie. Les Cahiers d'Ithaque. pp. 147.
    This article contrasts Epicurus's and Diogenes the Cynic's respective views on acceptable desires. I emphasize their appeals to nature to legitimize or de-legitimize certain types of desires.
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  • Introduction.Marc-Kevin Daoust - 2015 - In Daoust Marc-Kevin (ed.), Le désir et la philosophie. Les Cahiers D'Ithaque. pp. 3-5.
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  • ¿Es la contra-cultura cínica una negación de las Bellas Artes? Una provocación moderna cara al filósofo-artista.François Gagin - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 20:247-270.
    Resumen Es bien conocida esa extrañeza que desde la Antigüedad provocan, en relación con el quehacer filosófico, el gesto y el verbo cínicos; además de convocar intelectualmente en un modo moderno a esa escuela o esa manera de vivir filosóficamente, se cuestionará la noción de cultura y la de lo bello, para así provocar un ejercicio crítico del pensamiento y revelar la figuración viva y actual de un modo de filosofar artísticamente, por lo menos desde el verbo escrito en su (...)
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