The modern history of verisimilitude can be divided into three periods. The first began in 1960, when Karl Popper proposed his qualitative definition of what it is for one theory to be more truthlike than another theory, and lasted until 1974, when David Miller and Pavel Trich published their refutation of Popper's definition. The second period started immediately with the attempt to explicate truthlikeness by means of relations of similarity or resemblance between states of affairs (or their linguistic representations); the (...) work within this similarity approach was summarized in the books of Graham Oddie [1986] and Ilkka Niiniluoto [1987]. During the subsequent third period, studies in verisimilitude have been actively continued, and interesting results and applications have been achieved, but not many dramatic novelties. While it is now obsolete to claim that truthlikeness with reasonable properties cannot be defined at all, there is still a lot of controversy about the best and least arbitrary approach to doing this. (shrink)

The modern history of verisimilitude can be divided into three periods. The first began in 1960, when Karl Popper proposed his qualitative definition of what it is for one theory to be more truthlike than another theory, and lasted until 1974, when David Miller and Pavel Trichý published their refutation of Popper's definition. The second period started immediately with the attempt to explicate truthlikeness by means of relations of similarity or resemblance between states of affairs (or their linguistic representations); the (...) work within this similarity approach was summarized in the books of Graham Oddie [1986] and Ilkka Niiniluoto [1987]. During the subsequent third period, studies in verisimilitude have been actively continued, and interesting results and applications have been achieved, but not many dramatic novelties. While it is now obsolete to claim that truthlikeness with reasonable properties cannot be defined at all, there is still a lot of controversy about the best and least arbitrary approach to doing this. (shrink)

Different similarity relations on sets are introduced, and their logical properties are investigated. Close relationships are shown to hold between similarity relations that are based on symmetrical difference and operators of belief contraction that are based on relational selection functions. Two new rationality criteria for minimal belief contraction, the maximizing property and the reducing property, are proposed.

I provide and defend a hyper-intensional account of verisimilitude within the truthmaker framework.

The paper sets up a general framework for defining the notion of verisimilitude. Popper’s own account of verisimilitude is then located within this framework; and his account is defended on the grounds that it can be seen to provide a reasonable structural or Pareto criterion, rather than a substantive criterion, of verisimilitude. Some other criteria of verisimilitude that may be located within the framework are also considered and their relative merits compared.

Realists regarding scientific knowledge – those who think that our best scientific representations truly describe both observable and unobservable aspects of the natural world – have special need of a notion of approximate truth. Since theories and models are rarely considered true simpliciter, the realist requires some means of making sense of the claim that they may be false and yet close to the truth, and increasingly so over time. In this paper, I suggest that traditional approaches to approximate truth (...) are insensitive to two crucial features of scientific knowledge, and that for each of these, analogies between representational practices in the sciences and in art prove useful to understanding how this situation can be remedied. First, I outline two distinct ways in which representations deviate from the truth, commonly referred to as ‘abstraction’ and ‘idealization’. Second, I argue that these practices exemplify different conventions of representation, and that for each, the conditions of approximation relevant to explicating the concept of approximate truth must be understood differently. The concept is thus heterogeneous; approximate truth is a virtue that is multiply realized, relative to different contexts of representation. This understanding is facilitated, I suggest, by considering the distinction between realistic and non-realistic representation in art. (shrink)