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Ordinary self-consciousness

In JeeLoo Liu & John Perry (eds.), Consciousness and the Self: New Essays. Cambridge, UK: Cambridge University Press. pp. 101-122 (2011)

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  1. Thinking About You.Léa Salje - 2017 - Mind 126 (503):817-840.
    This paper brings into focus the idea that just as no third-personal way of thinking could capture the self-consciousness of first-person thought, no first- or third- personal way of thinking could capture the especially intimate way we have of relating to each other canonically expressed with our uses of ‘you’. It proposes, motivates and defends the view that second-person speech is canonically expressive of a distinctive way we have of thinking of each other, under a concept that refers de jure (...)
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  • Sneering, or Other Social Pelting.Lucy O’Brien - 2022 - Aristotelian Society Supplementary Volume 96 (1):245-268.
    My aim in this piece is to understand what kinds of acts sneering acts are. I aim to look at what sneering acts do and what social function they perform. In particular, I want to mark them out as acts of ‘making people feel’. I explore the grounds on which we might criticize sneering acts, and ask whether the thing that we do when we sneer is always vicious.
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  • Shameful self‐consciousness.Lucy O'Brien - 2020 - European Journal of Philosophy 28 (3):545-566.
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  • First-Person Thought.Daniel Morgan & Léa Salje - 2020 - Analysis 80 (1):148-163.
    Subjects have various ways of thinking about themselves. Here are three examples: a subject can think of herself under an appropriate description (the hiker), d.
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  • The Blush: Literary and Psychological Perspectives.W. Ray Crozier - 2016 - Journal for the Theory of Social Behaviour 46 (4):502-516.
    Literary analysis of the blush in Austen's novels identifies three themes, namely the potential ambiguity of a blush, its association with modesty, and its erotic and gendered nature, issues that scarcely figure in current psychological explanations of the phenomenon. I examine these themes and compare them with current psychological accounts which assign a central place to embarrassment and, more specifically, emphasise either unwanted social attention, exposure of the self, or the blush's signalling function. Analysis of Austen's work suggests that greater (...)
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