Consider the much-discussed case of the distracted driver, who is alleged to successfully navigate his car for miles despite being completely oblivious to his visual states. Perhaps he is deeply engrossed in the music playing over the radio or in philosophical reflection, and as a result he goes about unaware of the scene unfolding before him on the road. That the distracted driver has visual experiences of which he is not aware is a possibility that first-order representationalists happily accept, but (...) higher-order representationalists steadfastly deny. HOR claims that perceptual states become conscious only as the object of higher-order states; perceptual states are not intrinsically conscious. According to HOR, since the driver is supposed to be completely distracted by other cognitive tasks, he cannot form higher-order representations of his visual states, with the result that those states are disqualified as experiences.1 HOR theories have come in two flavors, those that claim that the relevant higher-order representations are thought-like and those that that rely on an inner perception-like mechanism that is directed toward one. (shrink)

People can maintain accurate representations of visual changes without necessarily being aware of them. Here, we investigate whether a similar phenomenon also exists in touch. In Experiments 1 and 2, participants detected the presence of a change between two consecutively-presented tactile displays. Tactile change blindness was observed, with participants failing to report the presence of tactile change. Critically, however, when participants had to make a forced choice response regarding the number of stimuli presented in the two displays, their performance was (...) significantly better than chance . Experiment 3 demonstrated that tactile change detection does not necessarily involve a shift of spatial attention toward the location of change, regardless of whether the change is explicitly detected. We conclude that tactile change detection likely results from comparing representations of the two displays, rather than by directing spatial attention to the location of the change. (shrink)

Summary This article questions certain assumptions concerning film form made by the recent psychological film research and compares them to those of precursors of film psychology like Hugo Münsterberg and Rudolf Arnheim, as well as the principles of Gestalt psychology. It is argued that principles of Gestalt psychology such as those of ‘good form’ and good continuation are still underlying the psychological research of film, becoming particularly apparent in its approach to continuity editing. Following an alternative Gestalt genealogy that links (...) Gestalt theory with more recent dynamic models of brain activity and with accounts of brain complexity and neuronal synchronisation, the article concludes that psychological research on film needs to shift the focus from form to transformation, both in conceiving the perceptual and cognitive processing of films and in approaching film aesthetics more broadly. (shrink)

Many current neurophysiological, psychophysical, and psychological approaches to vision rest on the idea that when we see, the brain produces an internal representation of the world. The activation of this internal representation is assumed to give rise to the experience of seeing. The problem with this kind of approach is that it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness. An alternative proposal is made here. We propose that seeing is a way of (...) acting. It is a particular way of exploring the environment. Activity in internal representations does not generate the experience of seeing. The out- side world serves as its own, external, representation. The experience of seeing occurs when the organism masters what we call the gov- erning laws of sensorimotor contingency. The advantage of this approach is that it provides a natural and principled way of accounting for visual consciousness, and for the differences in the perceived quality of sensory experience in the different sensory modalities. Sev- eral lines of empirical evidence are brought forward in support of the theory, in particular: evidence from experiments in sensorimotor adaptation, visual “filling in,” visual stability despite eye movements, change blindness, sensory substitution, and color perception. (shrink)

Plausibly, any adequate theory of perception must (a) solve what Alva Noë calls 'the problem of perceptual presence,' and (b) do justice to the direct realist idea that what is given in perception are garden-variety spatiotemporal particulars. This paper shows that, while Noë's sensorimotor view arguably satisfies the first of these conditions, it does not satisfy the second. Moreover, Noë is wrong to think that a naïve realist approach to perception cannot handle the problem of perceptual presence. Section three of (...) this paper develops a version of naïve realism that meets both of the adequacy conditions above. This paper thus provides strong considerations in favor of naïve realism. (shrink)

I defend a view of the structure of visual property-awareness by considering the phenomenon of perceptual constancy. I argue that visual property-awareness is a three-place relation between a subject, a property, and a manner of presentation. Manners of presentation mediate our visual awareness of properties without being objects of visual awareness themselves. I provide criteria of identity for manners ofpresentation, and I argue that our ignorance of their intrinsic nature does not compromise the viability of a theory that employs them. (...) In closing, I argue that the proposed manners of presentation are consistent with key direct-realist claims about the structure of visual awareness. (shrink)

and apply it to various examples of neural plasticity in which input is rerouted intermodally or intramodally to nonstandard cortical targets. In some cases but not others, cortical activity ‘defers’ to the nonstandard sources of input. We ask why, consider some possible explanations, and propose a dynamic sensorimotor hypothesis. We believe that this distinction is important and worthy of further study, both philosophical and empirical, whether or not our hypothesis turns out to be correct. In particular, the question of how (...) the distinction should be explained is linked to explanatory gap issues for consciousness. Comparative and absolute explanatory gaps should be distinguished: why does neural activity in a particular area of cortex have this qualitative expression rather than that, and why does it have any qualitative expression at all? We use the dominance/deference distinction to address the comparative gaps, both intermodal and intramodal. We do so not by inward scrutiny but rather by expanding our gaze to include relations between brain, body and environment. (shrink)

It has been suggested that the difference between misremembering (Orwellian) and misrepresentation (Stalinesque) models of consciousness cannot be differentiated (Dennett, 1991). According to an Orwellian account a briefly presented stimulus is seen and then forgotten; whereas, by a Stalinesque account it is never seen. At the same time, Dennett suggested a method for assessing whether an individual is conscious of something. An experiment was conducted which used the suggested method for assessing consciousness to look at Stalinesque and Orwellian distinctions. A (...) visual illusion, illusory line motion, was presented and participants were requested to make judgments that reflected what they were aware of. The participants were able to make responses indicating that they were aware of the actual stimulus in some conditions, but only of the illusion in others. This finding supports a claim that the difference between the Orwellian and Stalinesque accounts may be empirically observable, and that both types of events may occur depending on task and stimulus parameters. (shrink)

Mangan's concept of fringe consciousness is too heavily based on informal introspection, and too all-embracing to constitute a coherent family. It lacks the tight operationalisation needed to identify individual examples of fringe consciousness, and to test Mangan's theoretical account against detailed findings from empirical research. I propose a more focused two-component operationalisation of the fringe. The first component addresses how we can operationalise the consciousness of the fringe; here I draw lessons from research in implicit cognition, and suggest implications for (...) the wider understanding of consciousness. The second component addresses the informational content of the fringe. (shrink)

The main idea of this book is that perceiving is a way of acting. Perception is not something that happens to us, or in us. It is something we do. Think of a blind person tap-tapping his or her way around a cluttered space, perceiving that space by touch, not all at once, but through time, by skillful probing and movement. This is, or at least ought to be, our paradigm of what perceiving is. The world makes itself available to (...) the perceiver through physical movement and interaction. In this book I argue that all perception is touch-like in this way: perceptual experience acquires content thanks to our possession of bodily skills. What we perceive is determined by what we do ; it is determined by what we are ready to do. In ways I try to make precise, we enact our perceptual experience; we act it out. (shrink)

In the introduction to the Phenomenology of Perception, Merleau-Ponty states that ‘Attention, [...] as a general and formal activity, does not exist’. This paper examines the meaning and truth of this difficult and surprising statement, along with its implications for the account of perception given by theorists such as Dretske and Peacocke. In order to elucidate Merleau-Ponty’s phenomenological account of human perception, I will present two alternative models1 of how attention might be thought to operate. The first is derived from (...) the works of the aforementioned theorists and is, I argue, based upon a largely inaccurate computational or mechanistic understanding of the mind. The second is drawn from the works of Merleau-Ponty and cognitive scientist and philosopher, Alva Noë, and takes into account recent neurological theories concerning the role of attention in human consciousness. On the basis of these models I will argue that attention is an essential, rather than incidental, characteristic of consciousness that is constitutive of both thought and perception, and which cannot be understood in terms of the independent faculty or ‘general and unconditioned power’ that Dretske et al’s account requires. I will conclude by considering two potential counterexamples to my argument, and evaluating the threat that these pose to the phenomenological model. (shrink)