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The dual nature of picture perception: A challenge to current general accounts of visual perception

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In Margaret Atherton Heiko Hecht & Robert Schwartz (eds.), Looking Into Pictures. pp. 77--98 (2003)

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  1. The woman in the painting and the image in the penny: An investigation of phenomenological doubleness, seeing-in, and “reversed seeing-in”.Robert Schroer - 2008 - Philosophical Studies 139 (3):329 - 341.
    The experience of looking at a tilted penny involves a “phenomenological doubleness” in that it simultaneously seems to be of something circular and of something elliptical. In this paper, I investigate the phenomenological doubleness of this experience by comparing it to another case of phenomenological doubleness––the phenomenological doubleness of seeing an object in a painting. I begin by pointing out some striking similarities between the phenomenological characters of these two experiences. I then argue that these phenomenological characters have a common (...)
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  • Hume's Table, Peacocke's Trees, the Tilted Penny and the Reversed Seeing‐in Account.Robert Schroer - 2017 - Mind and Language 32 (2):209-230.
    In seeing a tilted penny, we are experientially aware of both its circularity and another shape, which I dub ‘β‐ellipticality’. Some claim that our experiential awareness of the intrinsic shapes/sizes of everyday objects depends upon our experiential awareness of β‐shapes/β‐sizes. In contrast, I maintain that β‐property experiences are the result of what Richard Wollheim calls ‘seeing‐in’, but run in reverse: instead of seeing a three‐dimensional object in a flat surface, we see a flat surface in a three‐dimensional object. Using this (...)
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