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  1. Irreconcilability in the Digital: Gender, Technological Imaginings and Maternal Subjectivity.Helen Thornham - 2015 - Feminist Review 110 (1):1-17.
    Drawing on empirical research from two focus groups, this article investigates the narratives and discourses that emerged around pregnancy, technology, birth and motherhood. In so doing, the article engages in some long-standing debates within feminism around embodied and maternal subjectivity, agency and identity. Seen here, the focus groups serve initially to remind us of the pervasiveness of gender inequality and the continual ambiguity of, and anxieties around, maternal subjectivity. The focus groups reconfigure these issues through a technological lens, which in (...)
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  • Feminisme neoliberal: un oxímoron?Maria Medina-Vicent - 2018 - Quaderns de Filosofia 5 (2):75.
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  • Quaderns de filosofia V, 2.Quad Fia - 2018 - Quaderns de Filosofia 5 (2).
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  • ‘Killing romance’ by ‘giving birth to love’: Hélène Cixous, Jane Campion and the language of In the Cut (2003).Alexia L. Bowler - 2019 - Feminist Theory 20 (1):93-112.
    Jane Campion’s work regularly revolves around women’s often complex relationship with socio-cultural discourses and their articulation in language, whether in familial and institutional structures or in cultural and creative practice. In this sense, Campion’s filmmaking continues a feminist tradition of exploration regarding female subjectivity, identity and desire as it is represented in language (cinematic or otherwise). In the Cut (2003), adapted from Susanna Moore’s novel of the same name, again places language and the (dis)articulation of the female voice at its (...)
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  • Abandoning happiness for life: Mourning and futurity in Maja Borg’s Future My Love.Anna Backman Rogers - 2016 - European Journal of Women's Studies 23 (4):353-364.
    Why do we labour so hard to sustain relationships that are fundamentally harmful to our wellbeing? That is the question which lies at the heart of Maja Borg’s poetic and alternatively distributed documentary film, Future My Love. The detrimental bonds on which the film focuses are those that maintain our connection to an economic system that has thrown us into an acute state of crisis and the stillborn emotions that keep us hopefully attached to a romantic partnership that we have (...)
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