This book is a philosophical enquiry into the educational consequences of Spinoza’s political theory. Spinoza’s political theory is of particular interest for educational thought as it brings together the normative aims of his ethical theory with his realistic depiction of human psychology and the ramifications of this for successful political governance. As such, this book aims to introduce the reader to Spinoza’s original vision of civic education, as a project that ultimately aims at the ethical flourishing of individuals, while being (...) carefully tailored and adjusted to the natural limitations of human reason. -/- Readers will benefit from a succinct introduction to Spinoza’s political philosophy and from an account of civic education that is based on careful exegetical work. It draws conclusions only hinted at in Spinoza’s own writings. (shrink)

Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

I address an apparent conflict between Spinoza’s concepts of immanent causation and acting/doing [agere]. Spinoza apparently holds that an immanent cause undergoes [patitur] whatever it does. Yet according to his stated definition of acting and undergoing in the Ethics, this is impossible; to act is to be an adequate cause, while to undergo is to be merely a partial cause. Spinoza also seems committed to God’s being the adequate cause of all things, and, in a well-known passage, appears to deny (...) categorically that God is capable of undergoing. How then can God also be the immanent cause of all things, as Spinoza claims? On the basis of a close reading of the passage in question, I argue that Spinoza actually distinguishes between two senses of undergoing. An immanent cause undergoes not by being a partial cause but rather by being the metaphysical subject of its effect. While this sense of undergoing has its roots in scholasticism, Spinoza’s willingness to attribute such a capacity to undergo to God is idiosyncratic and reveals important ways in which his understanding of essence, perfection, and causation differs from the scholastic model. (shrink)

This paper offers a new interpretation of the young Spinoza’s method of distinguishing the true ideas from the false, which shows that his answer to the sceptic is not a failure. This method combines analysis and synthesis as follows: if we can say of the object of an idea which simple things underlie it, how it can be constructed out of simple elements, and what properties it has after it has been produced, doubt concerning the object simply makes no sense. (...) The paper also suggests a way in which this methodology connects to the ontology of the Ethics. (shrink)

A correspondência entre Spinoza e Johannes Hudde é, na verdade, um conjunto de três epístolas, todas de autoria de Spinoza. Os escritos originais em holandês se perderam e os únicos existentes são as versiones latinas que constam nas Opera Posthuma, da qual foram retraduzidas para o holandês a fim de compor os Nagelate Schriften. O texto latino oferecido e sobre o qual nos valemos foi o da edição crítica de Carl Gebhardt. Dentre as traduções usadas como instrumentos de cotejo destacam-se (...) a espanhola de Atilano Domínguez e a inglesa de Samuel Shirley. A intenção é, pois, oferecer ao leitor um documento de primeira ordem, tentando-se, quanto possível, conciliar a fidelidade às construções latinas, a nomenclatura conceitual da filosofia de Spinoza e uma leitura mais próxima do português do Brasil contemporâneo. (shrink)

Leibniz used Descartes’ strict notion of substance in “That a Most Perfect being is Possible” to characterize God but did not intend to undermine his own philosophical views by denying that there are created substances. The metaphysical view of substance in this passage is Cartesian. A discussion of radical substance without any sort of denial in the possibility of other substances does not indicate Spinozism. If this interpretation is correct, then the passage is neither anomalous nor mysterious. There is reason (...) to believe that the passage expresses just the beliefs that we should expect Leibniz to hold in his De Summa Rerum period. Furthermore, this interpretation indicates that while Leibniz’s metaphysics during this stage of his career is suggestively similar to Spinoza’s, there is no evidence that Leibniz accepted Spinoza’s pantheistic conclusion. (shrink)

In his groundbreaking work of 1969, Spinoza's Metaphysics: An Essay in Interpretation, Edwin Curley attacked the traditional understanding of the substance-mode relation in Spinoza, according to which modes inhere in substance. Curley argued that such an interpretation generates insurmountable problems, as had already been claimed by Pierre Bayle in his famous Dictionary entry on Spinoza. Instead of having modes inhere in substance Curley suggested that the modes’ dependence upon substance should be interpreted in terms of (efficient) causation, i.e., as committing (...) Spinoza to nothing over and above the claim that substance is the (efficient) cause of the modes. These bold and fascinating claims generated one of the most important scholarly controversies in Spinoza scholarship of the past thirty-five years. In this paper I argue against Curley’s interpretation and attempt to reestablish the traditional understanding of Spinozistic modes as inhering in God and as predicated of God. I also criticize Curley’s philosophical motivation for suggesting this interpretation. In order to show that, for Spinoza, modes are predicated of - and inhere in - substance, I will proceed in the following manner. First, I will summarize Curley’s arguments against substance-mode inherence and present his alternative interpretation of the substance-mode relation. I will then present what I consider to be the most compelling arguments against Curley’s interpretation. Some of these arguments have already been suggested in the literature of the past thirty years (and by Bayle); however, as far as I know, most of the arguments I will be making are new. In the subsequent section I will respond to objections that Curley and Bayle advance against Spinoza’s view of God as the substratum in which all things inhere. Finally, I will address whether Spinozistic modes are predicated of (and not only inhere in) substance, and whether Spinoza considered modes to be particular properties (or “tropes,” in the jargon of contemporary metaphysics). Since Bayle’s claims will be used both in support of and against Curley’s interpretation, it would be appropriate to say a few introductory words on Bayle’s stance. In his Spinoza entry, Bayle criticizes Spinoza’s claim that all things are modes of God, claiming that it “is the most monstrous hypothesis that could be imagined, the most absurd, and the most diametrically opposed to the most evident notions of our mind.” Bayle, however, has no doubt that when Spinoza claims that all things are modes of God, Spinoza means that all things inhere in God. Curley embraces Bayle’s arguments against Spinoza, but uses them in order to claim that we should not ascribe to Spinoza a view which is allegedly shown by Bayle to be absurd. What we should do, Curley argues, is to reinterpret the substance-mode relation as a relation of causal dependence, which would set Spinoza free from Bayle’s hook. Interestingly, as we shall soon see, Bayle himself discusses and rejects a very similar revisionary interpretation of the substance-mode relation. (shrink)

In an article published in 1930, Lev Vygotsky refers explicitly to the seventeenth century Dutch philosopher Benedictus de Spinoza. From a close reading of Vygotsky’s remarkable piece, ‘The socialist transformation of man,’ the extraordinary parallels in the lives and philosophies of Vygotsky and Spinoza are revealed. Then the strengths and weaknesses are assessed of the analytical approach Vygotsky may have inherited from Spinoza. It is suggested that there are analytical ramifications arising from Vygotsky’s possible reliance on Spinoza’s nuanced but essentially (...) dualistic philosophy. The conclusion is that the key limitation of this methodology is the elision of radical doubting with radical unknowability. (shrink)

Zusammenfassung: Die politische Grenze, die in der Erzählung vom Goldenen Kalb schematisch gesetzt wird, ähnelt zeitgenössischen autoritären wie auch demokratischen Strategien, Macht durch gesellschaftliche Spaltungen auszuüben. In Bezug auf die Überlagerung politischer Differenzen mit moralischen und religiösen Werturteilen, die Verabsolutierung von Privilegien und die Verschleierung des Gesetzes scheint die in der Episode vom Goldenen Kalb erzählte Spaltung systematische Parallelen zu gegenwärtigen Praktiken innergesellschaftlicher Grenzziehung aufzuweisen. Die Aktualität der Berufung auf religiöse Erzählungen, rhetorische Polarisierungen oder antagonistische Symboliken macht die Kritik und (...) Analyse der politisch-theologischen Sakralisierung politischer Differenzen zu einem wesentlichen Gegenstand der Aufklärung über die religiösen Grundlagen politischer Gewalt. Der Artikel interpretiert mit Verweis auf textkritische Analysen der Erzählung die Abspaltung der Leviten vom restlichen Volk als kultisch inszenierte militärische Aktion zur Herstellung und Befestigung von Privilegien durch Grausamkeit, den Tanz um das Goldene Kalb als Strategie der Konsolidierung einer durch die Abwesenheit von Gesetz und Führung verunsicherten Gemeinschaft und die Konstruktion gesellschaftlicher Antagonismen als Kompensation für die Verschleierung des Gesetzes. Abschließend wird diskutiert, inwiefern diese Strategien auch in Demokratien zentrale Merkmale der Konstituierung kollektiver Identitäten, Privilegien und Gewaltbeziehungen sind und ob es in Demokratien auch Raum für die Neuverhandlung innergesellschaftlicher Grenzen gibt. (shrink)

One of the aims of Spinoza's Tractatus Theologico-Politicus is to vindicate the view that philosophy and theology are separate forms of enquiry, neither of which has any authority over the other. However, many commentators have objected that this aspect of his project fails. Despite his protestations to the contrary, Spinoza implicitly gives epistemological precedence to philosophy. I argue that this objection misunderstands the nature of Spinoza's position and wrongly charges him with inconsistency. To show how he can coherently allow both (...) that theology and philosophy employ independent epistemological standards, and that philosophy is epistemologically superior to theology, we need to step back from the immediate disputes to which the Tractatus is a response and examine a Ciceronian distinction on which Spinoza indirectly draws. As well as enabling us to vindicate Spinoza's position, it places his alleged naturalism in a new light and portrays philosophizing as a form of piety. (shrink)

I examine the (mediated) correspondence between Spinoza and Robert Boyle concerning the latter’s account of fluidity and his experiments on reconstitution of niter in the light of the epistemology and doctrine of method contained in the Treatise on the Emendation of the Intellect. I argue that both the Treatise and the correspondence reveal that for Spinoza, the proper method of science is not experimental, and that he accepted a powerful under-determination thesis. I argue that, in contrast to modern versions, Spinoza’s (...) form of naturalism was a highly rationalist and anti-empirical one. I conclude with a brief account of the value of experience and experimentation for Spinoza’s scientific method. (shrink)

The article seeks to consider the relationship between hope and utopianism by looking at the ancient Greek myth of Pandora's Box, with its enigmatic figure of hope. It begins by considering Hesiod's influential formulation of the myth, before examining a range of modern interpretations in which diverse conceptions of hope are to be found. Using the work of Spinoza, Hume and Day an alternative conception of hope is proposed that conjoins hope with fear. This is followed by an exploration of (...) the utopian, using this time another figure associated with the myth, Prometheus. An attempt is then made to differentiate the frequently conflated concepts of hope and the utopian. Finally, in the spirit of recent post-secularism, the two concepts are brought to bear on the nature of religion. (shrink)

ABSTRACTThis paper explores similarities between the sacrilegious revaluations Nietzsche and Spinoza undertook with regards to Christianity and Judaism respectively. In both cases, these revaluations involve a devaluation of an ancestral religious tradition, followed by the infusion of alternative values posited through forms of secular salvation linked to immanent conceptions of eternity. Given the importance of the structural and phenomenological similarities the paper analyses, it is argued that if Nietzsche thought of himself as the Anti-Christ, there is a convincing case to (...) think of Spinoza as the Anti-Moses. And because both the Anti-Christ and the Anti-Moses not only devaluated their respective religious traditions, but also suggested forms of beatitude based on a valorizing notion of eternity, their efforts are profoundly religious. Accordingly, Nietzsche and Spinoza are not only arguably the greatest Christian and Jewish heretics, but also the prophets of innovative forms of secular and immanent... (shrink)

What I plan to do in this paper is to provide a survey of the ways in which Spinoza’s philosophy has been deployed in relation to early modern thought, in the history of ideas and in a number of different domains of contemporary philosophy, and to offer an account of how some of this research has developed. The past decade of research in Spinoza studies has been characterized by a number of tendencies; however, it is possible to identify four main (...) domains that characterize these different lines of research: studies of Spinoza’s individual works, of its problematic concepts, from the point of view of the history of ideas, and comparative studies of Spinoza’s ideas. (shrink)

The so-called ‘redintegration experiment’ is traditionally at the center of the comments on the supposed Boyle/Spinoza controversy. A. Clericuzio influentially argued in his publications that, in De nitro, Boyle accounted for the ‘redintegration’ of saltpeter on the grounds of the chemical properties of corpuscles and “did not make any attempt to deduce them from mechanical principles”. By way of contrast, this paper argues that with his De nitro Boyle wanted to illustrate and promote his new corpuscular or mechanical philosophy, and (...) that he made significant attempts to explain the phenomena in terms of mechanical qualities. Boyle had borrowed the ‘redintegration experiment’ from R. Glauber and used it in an attempt to demonstrate that his philosophy was superior to the Peripatetic and Paracelsian theory. Consequently, Clericuzio’s characterization of the Boyle/Spinoza controversy as a discussion between a strict mechanical philosopher and a chemist is problematic and a wider view of Spinoza’s interpretation and its context gives a fairer picture. (shrink)

The social sciences are predominantly seen by their practitioners as critical endeavours, which should inform criticism of harmful institutions, beliefs and practices. Accordingly, political attacks on the social sciences are often interpreted as revealing an unwillingness to accept criticism and an acquiescence with the status quo. But this dominant view of the political implications of social scientific knowledge misses the fact that people can also be outraged by what they see as its apologetic potential, namely that it provides excuses or (...) justifications for people doing bad things, preventing them from being rightfully blamed and punished. This introduction to the special issue sketches the long history of debates about the exculpatory and justificatory consequences of social science and lays the foundations for a theory of social scientific apologia by examining three main aspects: what social and cognitive processes motivate this type of accusation, how social theorists respond to it and whether different contexts of circulation of ideas affect how these controversies unfold. (shrink)

In this article I start with Marx's transcriptions of Spinoza, and the deep significance of what he transcribed, from the Theologico-Political Treatise and the Correspondence, and in what order. I contend that this demonstrates what was of particular interest and importance to him at that time. Second, I examine the presence, even if not explicit, of Spinoza in Marx's works, and turn to the question whether Marx was a Spinozist. I think he was. Third, I turn to Ilyenkov and his (...) engagement with Spinoza, and fourth, to Ilyenkov's place in the Marxist tradition of Spinozism. Fifth and sixth, I present an analysis of Ilyenkov's instrumental deployment of Spinoza first in his Dialectical Logic and then in his The Dialectic of the Abstract and the Concrete in Marx's Capital. (shrink)

Although T.L.S. Sprigge described idealist philosophy as the stage beyond religion, his pantheistic idealism, while not itself a religion, offers a conception of God that seeks to meet the aspiration of human beings to understand their own place in the universe. While he shared with most mid twentieth century British philosophers a basic assumption of the primacy of experience, Sprigge took this strong empiricist assumption in a Berkeleyian rather than a Humean direction. This enabled him to find a place for (...) the phenomenon of religious consciousness, which he saw as the source of a yearning that can be met by absolute idealism's conception of a 'Whole' that encompasses ourselves and all aspects of our world. He describes this recognition as the faltering adumbration of a truth - one that is sometimes encountered in aesthetic experience, and sometimes more directly in the lives of mystics.The metaphysical basis for this form of absolute idealism is provided by a concept of time in which each fleeting 'now' has a fixed and permanent place, and by a theory of identity according to which personal individuality is dissolved in a unitary 'Whole'. (shrink)

I argue that the reception of Hegel in the sub-field of history and philosophy of science has been in part impeded by a misunderstanding of his mature metaphilosophical views. I take Alan Richardson’s influential account of the rise of scientific philosophy as an illustration of such misunderstanding, I argue that the mature Hegel’s metaphilosophical views place him much closer to the philosophers who are commonly taken as paradigms of scientific philosophy than it is commonly thought. Hegel is commonly presented as (...) someone who conceived of philosophy as a science that relied on the solitary genius of the individual thinker, and as a science whose propositions could not and should not be made accessible to “the common people”. Against this view, I argue that Hegel in fact thought that philosophy was a thoroughly anti-individualistic activity, and that he emphasized the importance of the intersubjective accessibility of philosophical discourse. I argue that when we carefully reconstruct Hegel’s reasons for his break with Schelling, and if we pay close attention to his explicit metaphilosophical pronouncements, we can see that he in fact adhered to what I call a “proto-modernist” conception of philosophy as a science. I conclude by pointing out how the mischaracterization of Hegel has served to obscure the existence of a strand of scientific philosophy that emerged by way of an immanent critique of Hegel, namely Marxist philosophy. (shrink)

The late 19th-century Ignorabimus controversy over the limits of scientific knowledge has often been characterized as proclaiming the end of intellectual progress, and by implication, as plunging Germany into a crisis of pessimism from which Liberalism never recovered. My research supports the opposite interpretation. The initiator of the Ignorabimus controversy, Emil du Bois-Reymond, was a physiologist who worked his whole life against the forces of obscurantism, whether they came from the Catholic and Conservative Right or the scientistic and millenarian Left. (...) Du Bois-Reymond’s doubt that scientists would ever elucidate consciousness must therefore be seen as an endorsement, and not a rejection, of his faith in reason. (shrink)

This paper attempts to reconcile two apparently opposed ways of thinking about the imagination and its relationship to literature, one which casts it as essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument of this paper is that we can locate the literary imagination’s (...) complementary power of cultural articulation in this fictional activity. The suggestion is that we should conceive of the literary imagination as expressing its interests in culture not mimetically but by producing a certain kind of meaning. This meaning is irreducibly narratological, and understanding it helps us to see the role of narrative in bringing into harmony the literary imagination’s interests in both the imaginary and the real. (shrink)

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)