- Missed Revolutions, Non-Revolutions, Revolutions to Come: An Encounter with Mourning Sickness: Hegel and the French Revolution, Rebecca Comay.Rebecca Comay In Conversation With Joshua Nichols - 2012 - PhaenEx 7 (1):309-346.details
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A World of Muscle, Bone & Organs: Research and Scholarship in Dance.Simon Ellis, Hetty Blades & Charlotte Waelde (eds.) - 2018 - Coventry, United Kingdom: Coventry University.details
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A crisis of recognition: gender, race, and the struggle to be seen in pre-modernity.Hannah Dawson - 2024 - British Journal for the History of Philosophy 32 (2):319-351.details
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Representation of Violence from Imaginary to Symbolic: Identity Formation in John Banville's "The Book of Evidence".Oğuzhan Ayrım - 2023 - Bitig Journal of Faculty of Letters 3 (6):14-27.details
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Woman's Reappearance: Rethinking the Archive in Contemporary Art—feminist Perspectives.Giovanna Zapperi - 2013 - Feminist Review 105 (1):21-47.details
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Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.details
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Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy.Ashley Woodward - 2019 - Film-Philosophy 23 (3):303-323.details
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“You’ll never meet someone like me again”: Patty Jenkins’s Monster as Rogue Cinema.Michelle D. Wise - 2019 - Text Matters - a Journal of Literature, Theory and Culture 9 (9):66-80.details
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Colluding with Neo-Liberalism: Post-Feminist Subjectivities, Whiteness and Expressions of Entitlement.Karen Wilkes - 2015 - Feminist Review 110 (1):18-33.details
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Garden Hybrids: Hermaphrodite Images in the Roman House.Katharine T. Von Stackelberg - 2014 - Classical Antiquity 33 (2):395-426.details
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Women as film directors in Turkish cinema.Hulya Uğur Tanrıöver - 2017 - European Journal of Women's Studies 24 (4):321-335.details
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The Spectation of Gyges in P. Oxy. 2382 and Herodotus Book 1.Roger Travis - 2000 - Classical Antiquity 19 (2):330-359.details
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‘Miss Hepburn is Humanized’: The Star Persona of Katharine Hepburn.Janet Thumim - 1986 - Feminist Review 24 (1):71-102.details
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In Love with Inspector Morse: Feminist Subculture and Quality Television.Lyn Thomas - 1995 - Feminist Review 51 (1):1-25.details
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Aesthetic surgery as false beauty.Jacqueline Sanchez Taylor & Ruth Holliday - 2006 - Feminist Theory 7 (2):179-195.details
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Mothers, Mothering and Christianity: Exploring the Connections between the Virgin Mary, Myra Hindley and Rosemary West.Elisabeth Storrs - 2006 - Feminist Theology 14 (2):237-254.details
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Black post-blackness: the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford ; Spill: Scenes of black feminist fugitivity Alexis Pauline Gumbs; In the wake: on blackness and being Christina Sharpe. [REVIEW]Rachel Stonecipher - 2020 - Feminist Theory 21 (1):131-138.details
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Turning that shawl into a cape: older never married women in their own words – the ‘Spinsters’, the ‘Singletons’, and the ‘Superheroes’.Sergio A. Silverio & Laura K. Soulsby - 2019 - Critical Discourse Studies 17 (2):211-228.details
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Feminist Film Aesthetics: A Contextual Approach.Laurie Shrage - 1990 - Hypatia 5 (2):137 - 148.details
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The Female Subject of Popular Culture.Diane Shoos - 1992 - Hypatia 7 (2):215-226.details
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Kiki and the ‘girl’: A Moment of Reading between Deleuze and Feminism.Ritu Sen Chaudhuri - 2018 - Deleuze and Guattari Studies 12 (4):486-504.details
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Gender Studies and Film Studies in France: Steps Forward and Back.Geneviève Sellier - 2010 - Diogenes 57 (1):103-112.details
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Cinema and Fetishism: The Disavowal of a Concept.Sean Homer - 2005 - Historical Materialism 13 (1):85-116.details
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Visual Representations of Sexual Violence in Online News Outlets.Sandra Schwark - 2017 - Frontiers in Psychology 8.details
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The social organization of sexuality and gender in alternative hard rock: An analysis of intersectionality.Mimi Schippers - 2000 - Gender and Society 14 (6):747-764.details
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White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée’s Sharp Objects.Emily Sanders - 2023 - Film-Philosophy 27 (1):98-114.details
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Participatory Filmmaking Pedagogies in Schools: Tensions Between Critical Representation and Perpetuating Gendered and Heterosexist Discourses.Matt Rogers - 2018 - Studies in Social Justice 11 (2):195-220.details
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And That I See a Darkness: The Stardom of Kirsten Dunst in Collaboration with Sofia Coppola in Three Images.Anna Backman Rogers - 2019 - Film-Philosophy 23 (2):114-136.details
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Charming from Hollywood: Glamour and femininity in the magazine Ecran.Andrea Robles Parada - 2016 - Aisthesis 60.details
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Cagney and Lacey Revisited.Jocelyn Robson & Beverley Alcock - 1990 - Feminist Review 35 (1):42-53.details
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Not Sick: Liberal, Trans, and Crip Feminist Critiques of Medicalization.Cristina S. Richie - 2019 - Journal of Bioethical Inquiry 16 (3):375-387.details
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Vertiginous Hauntings: The Ghosts of Vertigo.Kriss Ravetto-Biagioli & Martine Beugnet - 2019 - Film-Philosophy 23 (3):227-246.details
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Fixing Identity by Denying Uniqueness: An Analysis of Professional Identity in Medicine.Rachel Kaiser - 2002 - Journal of Medical Humanities 23 (2):95-105.details
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A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.Chiara Quaranta - 2020 - Film-Philosophy 24 (1):1-21.details
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El cine experimental de mujeres: antecedentes y desarrollo del cine teórico feminista de los 70 en el Reino Unido.Carmen Pérez Ríu - 2012 - Arbor 188 (758):1117-1129.details
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Women and Gender Studies, Italian Style.Veronica Pravadelli - 2010 - European Journal of Women's Studies 17 (1):61-67.details
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Women’s Cinema and Transnational Europe.Veronica Pravadelli - 2016 - European Journal of Women's Studies 23 (4):329-334.details
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Touch as Proximate Distance: Post-Phenomenological Ethics in the Cinema of Isabel Coixet.Katarzyna Paszkiewicz - 2020 - Film-Philosophy 24 (1):22-45.details
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Bad Faith in Film Spectatorship.William Pamerleau - 2020 - Film-Philosophy 24 (2):122-139.details
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Acceptable femininity? Gay male misogyny and the policing of queer femininities.Tomás Ojeda & Sadie E. Hale - 2018 - European Journal of Women's Studies 25 (3):310-324.details
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Multimodal analysis within an interactive software environment: critical discourse perspectives.Kay L. O'Halloran, Sabine Tan, Bradley A. Smith & Alexey Podlasov - 2011 - Critical Discourse Studies 8 (2):109-125.details
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The Aesthetics of Violence: Myth and Danger in Roman Domestic Landscapes.Zahra Newby - 2012 - Classical Antiquity 31 (2):349-389.details
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Reclaiming the Body of the ‘Hottentot’: The Vision and Visuality of the Body Speaking with Vengeance in Venus Hottentot 2000.Priscilla Netto - 2005 - European Journal of Women's Studies 12 (2):149-163.details
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Frozen Bodies: Disclosing Whiteness in Häagen-Dazs Advertising.Anoop Nayak - 1997 - Body and Society 3 (3):51-71.details
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Sexualisation, or the queer feminist provocations of Miley Cyrus.Kate McNicholas Smith - 2017 - Feminist Theory 18 (3):281-298.details
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Designing Women: Cultural Hegemony and the Exercise of Power among Women Who Have Undergone Elective Mammoplasty.Deanna Mcgaughey & Patricia Gagné - 2002 - Gender and Society 16 (6):814-838.details
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"Endless Possibilities" — Embodied Experiences and Connection in Social Salsa Dancing.B. McClure - 2014 - PhaenEx 9 (2):112-135.details
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Wanda Jakubowska’s Cinema of Commitment.Ewa Mazierska - 2001 - European Journal of Women's Studies 8 (2):221-238.details
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What's in a Face?: Sara Baartman, the (Post)Colonial Gaze and the Case of Venus Noire (2010).Mara Mattoscio - 2017 - Feminist Review 117 (1):56-78.details
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Modeling Work: Occupational Messages in Seventeen Magazine.Kelley Massoni - 2004 - Gender and Society 18 (1):47-65.details
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