This essay argues that a radical, non-standard, philosophical concept of the human is one that is consistently used both towards itself and others: it is an amplified concept that applies itself non-philosophically, that is, generically. Our purpose here, consequently, is to outline how Laruelle's work can be seen as performing something other than an inflation or deflation of either side of one fixed philosophical dyad ; rather, it can be seen as unilateralising the couple, that is, expanding the meaning of (...) the two alongside the One Real that resists any lone philosophical version's attempt to commandeer that meaning. It is the performative mutation that counts, not the terms of the dyad. As such, this essay also contends that what Laruelle explicitly does with philosophy – namely its de-authorisation and democratisation – is also what must be done, by implication, in a non-standard philosophical radicalisation of the human. Nonstandard philosophy does not know what the human is, but this negative capability is precisely what allows it to expand, performatively, the meaning of the human in its ongoing search to discover what the human may be. (shrink)

This essay will strive to provide the reader with various entry points into the project of François Laruelle's non-standard philosophy and its relation to non-aesthetics, via its relation to philosophy as rigorous fiction. It is a new genre, what Laruelle also calls a philo-fiction. Via Laruelle's preoccupation with photography as a new kind of thought, we will follow his trajectory of applying non-philosophy to photography. From his concept of non-photography and continued in Photo-Fiction, a Non-Standard Aesthetics, Laruelle's practice of striving (...) to create a genre of thinking that would be akin to science fiction and use philosophy as material shows itself in the form of experimental, theoretical applications of his philo-fiction to the photo. In their performative thrust, one can begin to see the components or what he calls aspects of philosophy and quantum physics, including the use of superposition and the imaginary number, as well as conceptual personae and generic humanity. Laruelle's work has at its base a highly poetic, fictional strain that in striving to superpose philosophy and art (fiction) also has at its core a place for reducing the violence of decision and actions attempting to work within a space of radical immanence and radical passivity. A performation-withoutperformance. Laruelle will call the photo a ?weak insurrection.? This particle of Laruelle strives merely for such a poetic attempt. (shrink)