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  1. Encountering the Creative Museum: Museographic creativeness and the bricolage of time materials.Anwar Tlili - 2016 - Educational Philosophy and Theory 48 (5):443-458.
    The aim of this article is to trace some lines of thinking towards a conceptualization of the uniqueness of the creative work of museums, the mode of creativeness that belongs exclusively to museums, or at least that museums are capable of by virtue of the types of materials and forms as well as activities unique to what will be referred to as museography. This is linked to the question of what it is that constitutes the uniqueness of museum work as (...)
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  • Traces of Identity In Deleuze’s Differential Ontology.Gavin Rae - 2014 - International Journal of Philosophical Studies 22 (1):86-105.
    Deleuze’s differential ontology is a sustained attempt to think and affirm difference as opposed to the unity of identity he insists philosophical thought has tended to privilege. However, by distinguishing between three senses of identity, termed identity of the identical, same, and common, I show that, while Deleuze’s differential ontology offers a powerful critique of identity in the senses of the identical and same, at numerous points in his analysis, such as the virtual-actual movement, the transcendental conditions defining different forms (...)
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  • Moving Beyond Us and Them? Marginality, Rhizomes, and Immanent Forgiveness.Valentine Moulard-Leonard - 2012 - Hypatia 27 (4):828-846.
    Here, I offer a candid response to bell hooks's call for a testimony to the “movement beyond a mere ‘us and them’ discussion” that purportedly informs contemporary radical and feminist thought on difference. In alignment with a tradition that includes bell hooks, Audre Lorde, Gloria Anzaldúa, and Aurora Levins Morales, I offer a personal testimony to the ways in which I—a middle-class, French, immigrant, continental-philosophy-bred incest survivor—envision both that movement and its limits. To establish these alliances means forming necessary communities. (...)
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  • Weaving and Warping: Free Indirect Movements Between Theory and Art Practice.Charlotte Knox-Williams - 2012 - Deleuze and Guatarri Studies 6 (1):89-102.
    Through an exploratory interrelation of theory with fine art practice, this article sets out to address the role of memory in the transitions and transformations between smooth and striated states. The article constructs a striated, woven formation between virtual and acquired memory, and attentive and inattentive perception, before going on to investigate how its regularity is disrupted through disturbances, slippages and snags.
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  • From Perception to Subject: The Bergsonian Reversal.Messay Kebede - 2014 - Journal of French and Francophone Philosophy 22 (1):102-123.
    Regardless of the metaphysics that inspires them, theories of perception invariably end up in the trap of subjectivism. Thus, idealism argues that the world can be nothing more than a representation of the mind. As to dualism and materialism, despite fundamental differences, they share the common assumption that perception is a subjective replica of external objects. Opposed to these theories is common sense with its tenacious belief that an external world exists and that things are perceived where they are and (...)
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