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  1. Radulphus Brito.Ana Maria Mora-Marquez & Iacopo Costa - 2012 - In Peter Adamson (ed.), Stanford Encyclopedia of Philosophy. Stanford Encyclopedia of Philosophy.
  • Robert Kilwardby on Negative Judgement.José Filipe Silva - 2018 - Topoi:1-11.
    In this article, I discuss Robert Kilwardby’s theory of judgement and consider its implications for his view of truth and falsity. I start by considering Kilwardby’s claim that truth and falsity are primarily found in composite thought, i.e. judgement. I then examine his distinction between two different kinds of being, namely real and conceptual, arguing that different kinds of true judgement, according to Kilwardby, have different kinds of existential import, either real or merely conceptual. Since Kilwardby develops his position by (...)
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  • Robert Kilwardby on Negative Judgement.José Filipe Silva - 2020 - Topoi 39 (3):667-677.
    In this article, I discuss Robert Kilwardby’s theory of judgement and consider its implications for his view of truth and falsity. I start by considering Kilwardby’s claim that truth and falsity are primarily found in composite thought, i.e. judgement. I then examine his distinction between two different kinds of being, namely real and conceptual, arguing that different kinds of true judgement, according to Kilwardby, have different kinds of existential import, either real or merely conceptual. Since Kilwardby develops his position by (...)
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  • Robert Kilwardby.José Filipe Silva - 2012 - Stanford Encyclopedia of Philosophy:1-35.
  • Simon of Faversham.Ana Maria Mora-Marquez - 2018 - Stanford Encyclopedia of Philosophy.
  • Conception, Connotation, and Essential Predication: Peter Auriol’s Conceptualism to the Test in II Sententiarum, d. 9, q. 2, art. 1.Giacomo Fornasieri - 2021 - Analiza I Egzystencja 1 (54):81-126.
    This paper comprises two parts. The first part is an introduction to Auriol’s moderate conceptualism, as it is presented in his Commentary on Book II of the Sentences, distinction 9, question 2, article 1. The second part is an edition of the text. In the introduction, I focus on Auriol’s use of the noetic tool of connotation. My thesis, in particular, is that connotation is a necessary prerequisite to his moderate conceptu- alism. To this purpose, the first part of this (...)
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