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  1. Husserl and Wittgenstein on the “mental picture theory of meaning”.Harry P. Reeder - 1980 - Human Studies 3 (1):157-167.
  • The Anglo-American Response to Edmund Husserl: A Bibliographic Essay. [REVIEW]FranÇois H. Lapointe - 1979 - Man and World 12 (2):205.
  • Husserl’s Break from Brentano Reconsidered: Abstraction and the Structure of Consciousness.Andreea Smaranda Aldea - 2014 - Axiomathes 24 (3):395-426.
    The paper contends that abstraction lies at the core of the philosophical and methodological rupture that occurred between Husserl and his mentor Franz Brentano. To accomplish this, it explores the notion of abstraction at work in these two thinkers’ methodological discussions through their respective claims regarding the structure of consciousness, and shows that how Husserl and Brentano analyze the structure of consciousness conditions and strictly delineates the nature and reach of their methods of inquiry. The paper pays close attention to (...)
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  • Franz Brentano.Wolfgang Huemer - 2008 - Stanford Encyclopedia of Philosophy.
  • Brentano's Concept of Intentional Inexistence.Tim Crane - 2006 - In Mark Textor (ed.), The Austrian Contribution to Analytic Philosophy. London: Routledge. pp. 1--20.
    Franz Brentano’s attempt to distinguish mental from physical phenomena by employing the scholastic concept of intentional inexistence is often cited as reintroducing the concept of intentionality into mainstream philosophical discussion. But Brentano’s own claims about intentional inexistence are much misunderstood. In the second half of the 20th century, analytical philosophers in particular have misread Brentano’s views in misleading ways.1 It is important to correct these misunderstandings if we are to come to a proper assessment of Brentano’s worth as a philosopher (...)
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  • Phantasie and Phenomenological Inquiry - Thinking with Edmund Husserl.Andreea Smaranda Aldea - 2012 - Dissertation,
    This dissertation explores and argues for the import of the imagination (Phantasie) in Edmund Husserl's phenomenological method of inquiry. It contends that Husserl's extensive analyses of the imagination influenced how he came to conceive the phenomenological method throughout the main stages of his philosophical career. The work clarifies Husserl's complex method of investigation by considering the role of the imagination in his main methodological apparatuses: the phenomenological, eidetic, and transcendental reductions, and eidetic variation - all of which remained ambiguous despite (...)
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