In this paper, I argue that the aspectual, marginality, and concessive uses of the grading particles still and already can be reduced to the fol lowing three classes of focus sensitive-grading particles: additive particles like too, scalar particles like even, and exclusive particles like only. The meaning differences among the occurrences of still (and already) are mostly reduced to the differences among these three classes of grading particles. In turn, these differences are shown to correlate with what type of object (...) is denoted by the phrase in the scope of the particle. The proposal has repercussions also for the focus-sensitive particle again. I investigate the latter too, and I propose a parallel between the temporal and nominal domains where the contrast between still and again is analyzed along the lines of the contrast between definite and indefinite noun phrases. (shrink)

The paper develops a uniform compositional analysis of the various readings of the scalar particle still and its German counterpart noch. Noch/still is a presuppositional scalar particle that gives rise to implicatures. Interpretive possibilities arise through different choices for the scale that the particle associates with, different attachment sites in the syntax, and interaction with focus. These interpretive parameters allow for a wide range of possible sentence interpretations, which overlap, but do not coincide for still and noch. The contrastive perspective (...) allows us to examine the role of scales in the grammar. The implicatures triggered by the scalar item open an interesting perspective for the generation of implicatures in general. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

Aspectual particles (the term is due to (König 1991)) appear to come in groups, related by negation, and therefore have attracted the attention of formal semanticists. The following examples list the particles of English, German and Hebrew; they show that the system is semantically transparent in various degrees.