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Sublimity and Joy: Kant on the Aesthetic Constitution of Virtue

In Matthew Altman (ed.), The Palgrave Kant Handbook. London: Palgrave Macmillan. pp. 447-467 (2017)

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  1. The Sublime.Melissa Merritt - 2018 - New York: Cambridge University Press.
    This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' and nothing in nature can in fact be absolutely great, Kant concludes that strictly speaking what is sublime can only be the human calling to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element (...)
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  • The Masturbator and the Ban.Murat Mümtaz Kök - 2020 - Conatus 5 (2):47.
    In this paper, I will expand upon Giorgio Agamben’s argument in his defining work Homo Sacer where he accused Immanuel Kant for introducing the state of exception to modernity. According to Agamben, Kant managed to do this by introducing the form of law as “being in force without signifying.” In this line, I will argue that ‘the ban’ is indeed inherent within Kantian morality and all subjects under the law stand in “pure relation of abandonment” vis-a-vis the law. In order (...)
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  • Can there be a Finite Interpretation of the Kantian Sublime?Sacha Golob - 2019 - Kant Yearbook 11 (1):17-39.
    Kant’s account of the sublime makes frequent appeals to infinity, appeals which have been extensively criticised by commentators such as Budd and Crowther. This paper examines the costs and benefits of reconstructing the account in finitist terms. On the one hand, drawing on a detailed comparison of the first and third Critiques, I argue that the underlying logic of Kant’s position is essentially finitist. I defend the approach against longstanding objections, as well as addressing recent infinitist work by Moore and (...)
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