Summary In this essay we seek to clarify the meaning and theoretical implications of the statement by Merleau-Ponty contained in his 1953 course, Le Monde Sensible et le Monde de l’Expression, according to which movement is ‘revealing of being’. This analysis takes up and comments on chapter 7 of Koffka’s Principles of Gestalt Psychology (dedicated to the issue of movement) and related experiments in particular. We will show that Merleau-Ponty’s idea of ontology of movement emerges from his examination of several (...) exemplary cases. This method of analysis brings to light an idea of similar phenomenology compatible with an experimental phenomenology. (shrink)

In Dynamis. Ontologia dell’incommensurabile, Gaetano Chiurazzi offers an account of the philosophical sense and implications of the discovery of incommensurable magnitudes in ancient thought. In his study, Chiurazzi presents the scope of the idea of incommensurability in contrast to those theories that have interpreted perception as the primary access to reality. Chiurazzi claims that the discovery of incommensurable relations, such as that of “1/square root of 2,” which expresses the relation between the side and the diagonal of a square, introduces (...) the conception of asymmetrical relations into Western epistemology and ontology. This conception finds in the modern idea of transcendental philosophy its mature formulation. In this paper, I draw on Maurice Merleau-Ponty’s proposal of a phenomenology of perception in order to critically evaluate the working assumption in Chiurazzi’s account that perception is the faculty of intuition that seizes upon the individual and therefore as “atomic” in nature. (shrink)

La noción de sistema de equivalencias adquiere en la fenomenología merleaupon-tyana un lugar central, puesto que allí subyace una función general de transposición tácita. Se trata de un principio de comprensión sin explicación analógica, una síntesis sin análisis, tal como puede observarse, por ejemplo, en la plasticidad, la transferi-bilidad y la analogicidad que caracteriza a los hábitos. Sobre esta base, este artículo seguirá un camino regresivo a fin de desvelar que el sentido de las equivalencias y transposiciones está latente en (...) "las matrices simbólicas", que ofrecen una clave para comprender que los fenómenos de expresión, que tienen lugar en el mundo a través del cuerpo, del lenguaje, de la historia y del arte, deben ser vistos como nudos, emblemas de sentido en los que se hace visible una dimensión temporal. Las matrices simbólicas son "centros organizadores" y, por lo tanto, "centros de significación" que se retoman una y otra vez. The notion of a system of equivalences comes to have in Merleau-Ponty's phe-nomenology a central place because lying under there is a general function of tacit transposition. It is a principle for understanding without analogical explanation, i.e., a synthesis without analysis, as can be seen, for example, in the plasticity, transferability, and likeliness that characterizes habits. On this basis, the article will follow a regres-sive way in order to show that the meaning of the equivalences and transpositions is latent in "the symbolic matrixes" that offer a clue to understand that the phenomena of expression, which occur in the world by means of the body, language, history, and art, should be seen as nodes or emblems of meaning in which a temporal dimension shows itself. Symbolic matrixes are "organizing centers", and thus "centers of signi-ficance" that are taken up over and over again. (shrink)

Prvním cílem předkládané studie je podat podrobnější výklad pojetí smyslového vnímání v rukopisech Jana Patočky z let 1939–1945. Druhým cílem je ukázat originální i šířeji sdílenou stránku Patočkova pojetí na základě jeho srovnání s analogickými tezemi formulovanými v přednáškách Maurice Merleau-Pontyho z roku 1953. – Východiskem Patočkovy koncepce smyslového vnímání je myšlenka předmětné a horizontové intencionality. Jejím účelem je toto pojetí intencionality deskriptivně založit a interpretativně rozvinout tak, aby umožnilo pochopit vztah a distanci prožívajícího a prožívaného. Za tímto účelem Patočka (...) koncipuje pojem bytostného zájmu jednotlivého bytí o toto bytí samo jakožto princip předmětné intencionality a počátek individuální sebeobjektivace, jíž je tělo. Vztah mezi tímto zájmem, tělem a předmětnou intencí popisuje jako poměr výrazu a vyjádření. Na základě této deskripce předkládá fenomenologickou interpretaci veškeré předmětnosti jakožto výrazu určitého života na jedné straně a intencionálního vyjádření na straně druhé. – Právě tento závěr se ve srovnání s tezemi Merleau-Pontyho ukazuje jako originální myšlenka Patočkova filosofického fragmentu. (shrink)

A distinctive feature of Merleau-Ponty’s thought is the central role he assigns style in generally characterizing embodied agents’ perceptual and cognitive functioning. Despite this, he says little to explain how he conceives style itself. This article therefore aims to clarify Merleau-Ponty’s notion of style and its significance within and beyond his work. It begins by surveying his broad application of the term and using his discussions of painting to reconstruct his conception of style, identifying two major roles Merleau-Ponty attributes it (...) in unifying intentional structures and founding conceptual meaning. His view is related to several competing philosophical conceptions of style to highlight its distinctiveness and some conceptual difficulties in adequately defining style. I then argue that Merleau-Ponty succeeds in coherently distinguishing style from rules by recognizing that style conceives pattern formation, especially the relation of general and particular, in a way contrasting with the identity-based thinking inherent in the functioning of rules. With this distinction I conclude that, although Merleau-Ponty overgeneralizes its role, his conception of style has broader philosophical significance in accurately capturing the nonmechanical cohesion of certain embodied intelligent activities (such as painting) and enabling better understanding of the variety of forms such activities can take. (shrink)

A review of the English translation of Merleau-Ponty's course notes from the Collège de France, The Sensible World and the World of Expression, 1953.

The goal of our article is to review the widespread anthropological figure, according to which we can achieve a better understanding of humans by contrasting them with animals. This originally Herderian approach was elaborated by Arnold Gehlen, who characterized humans as “deficient beings” who become complete through culture. According to Gehlen, humans, who are insufficiently equipped by instincts, indirectly stabilize their existence by creating institutions, i.e., complexes of habitual actions. On the other hand, Maurice Merleau-Ponty shows that corporeal relationship to (...) the world is already indirect because it is based on preestablished and readjusted “standards” or “norms” of interaction with the environment. Merleau-Ponty then calls these norms “institutions” and views culture as readjustment of institutions which operate already on the level of corporeal existence. The anthropological figure of confronting humans and animals thus cannot produce, as in Gehlen, a contrast between an allegedly “direct” relationship to the world in animals and a supposedly “indirect” relationship to the world in humans. The Herderian approach can be meaningfully retained only if interpreted as an invitation to confront the norms of indirect interaction with the world in animals and in people, that is, if viewed as a comparison of their respective institutions. (shrink)

This paper clarifies Merleau-Ponty’s original account of “higher-order” cognition as fundamentally embodied and enacted. Merleau-Ponty’s philosophy inspired theories that deemphasize overlaps between conceptual knowledge and motor intentionality or, on the contrary, focus exclusively on abstract thought. In contrast, this paper explores the link between Merleau-Ponty’s account of motor intentionality and his interpretations of our capacity to understand and interact productively with cultural symbolic systems. I develop my interpretation based on Merleau-Ponty’s analysis of two neuropathological modifications of motor intentionality, the case (...) of the brain-injured war veteran Schneider, and a neurological disorder known as Gerstmann’s syndrome. Building on my analysis of Schneider’s sensorimotor compensatory performances in relation to his limitations in the domains of algebra, geometry, and language usage, I demonstrate a strong continuity between the sense of embodiment and enaction at all these levels. Based on Merleau-Ponty’s interpretations, I argue that “higher-order” cognition is impaired in Schneider insofar as his injury limits his sensorimotor capacity to dynamically produce comparatively more complex differentiations of any given phenomenal structure. I then show how Merleau-Ponty develops and specifies his interpretation of Schneider’s intellectual difficulties in relation to the ambiguous role of the body, and in particular the hand, in Gerstmann’s syndrome. I explain how Merleau-Ponty defends the idea that sensorimotor and quasi-representational cognition are mutually irreducible, while maintaining that symbol-based cognition is a fundamentally enactive and embodied process. (shrink)

El propósito de este trabajo es relevar la importancia crucial de las cuestiones de la corporalidad y la percepción para la comprensión de las múltiples lecturas que Merleau-Ponty realizó de diversos aspectos de la filosofía bergsoniana. El análisis se enfoca en los cursos dictados por Merleau-Ponty en 1947-1948, donde el filósofo advierte la ausencia de una verdadera teoría bergsoniana del cuerpo percipiente, a pesar de las equívocas figuras de una percepción y memoria corporales que Bergson expone en Matière et mémoire. (...) De acuerdo con esta interpretación, estas figuras sólo reiteran en otros términos los mismos problemas del dualismo ontológico y el asociacionismo psicológico que se proponen superar. Se releva además la persistencia invariante de los mismos ejes críticos a lo largo de la entera producción intelectual de Merleau-Ponty, y la perpetuación hasta las últimas obras de Bergson del mismo modelo perceptivo “intelectualista” criticado por Merleau-Ponty. (shrink)

The paper argues that the dynamics of personal and collective individuation could be interrelated and bear ethical significance thanks to an analysis of the Lifeworld and intersubjectivity that link together the genetic and the generative perspectives of phenomenology. The first section of the paper recalls the epistemological and ontological implications of Husserl's and Stein's analysis of personal individuation in relation to what Husserl would call, later, the “Lifeworld” and the intersubjective constitution of communities. The second section of the paper turns (...) to a phenomenology of the Lifeworld through an analysis of refugees' care and the intersubjective dynamics involved in the clinic of exile. Such an example will bring to light the importance of embodiment and intercorporeity to grasp the process through which the genetic constitution of the Lifeworld constitutes itself as a collective process of individuation trying to heal the scars of historicity. Consequently, individuation will appear as a personal and collective task, rather than a static and ego-centered achievement that would be forgetful of our fundamental interdependency. Finally, the last section argues that “healing the Lifeworld” does not amount to conceive of its “horizon” as being itself a predetermined “telos” of transcendental subjectivity, as if this open structure could be itself constituted. Rather, the varieties of the Lifeworld and its paradoxical movement of appropriation and differentiation point to a relational ontology that considers the becoming of a common and meaningful world as a _limit-problem_ of phenomenology and, perhaps, its ethical and critical promise. (shrink)

Hyppolite stresses his proximity to Merleau-Ponty, but the received interpretation of his “anti-humanist” reading of Hegel suggests a greater distance between their projects. This paper focuses on an under-explored dimension of their philosophical relationship. I argue that Merleau-Ponty and Hyppolite are both committed to formulating a mode of philosophical expression that can avoid the pitfalls of purely formal or literal and purely aesthetic or creative modes of expression. Merleau-Ponty’s attempt to navigate this dichotomy, I suggest, closely resembles Hyppolite’s interpretation of (...) Hegel’s “speculative” mode of expression. In particular, his emphasis on the “mediating” character of philosophical language, which moves between descriptive and creative expression, suggests a debt to Hyppolite. This reading provides more evidence to think that Hyppolite cannot be straightforwardly understood as an anti-humanist or post-phenomenological thinker, and paves the way for a _rapprochement_ between his work and the broader phenomenological tradition. (shrink)

This paper attempts to clarify Merleau-Ponty’s later work by tracing a hitherto overlooked set of concerns that were of key consequence for the formulation of his ontological research. I argue that his ontology can be understood as a response to a set of problems originating in reflections on the intersubjective use of language in dialogue, undertaken in the early 1950s. His study of dialogue disclosed a structure of meaning-formation and pointed towards a theory of truth (both recurring ontological topics) that (...) post-Phenomenology premises could not account for. A study of dialogue shows that speakers’ positions are interchangeable, that speaking subjects are active and passive in varying degrees, and that the intentional roles of subjects and objects are liable to shift or ‘transgress’ themselves. These observations anticipate the concepts of ‘reversibility’ and ‘narcissism’, his later view of activity and passivity, and his later view of intentionality, and sharpened the need to adopt an intersubjective focus in ontological research. (shrink)

Since Husserl, the task of developing an account of intentionality and constitution has been central to the phenomenological enterprise. Some of Merleau-Ponty's descriptions of ‘the flesh’ suggest that he gives up on this task, or, more strongly, that the flesh is in principle incompatible with intentionality or constitution. I show that these remarks, as in Merleau-Ponty's earlier writings, refer to the classical, early Husserlian interpretations of these concepts, and argue that the concept of the flesh can plausibly be understood to (...) advance a refined account of intentionality and constitution. Instead of a first-personal, unidirectional act or embodied motor project, intentionality is a latent openness to things, where the roles of subject and object are reversible. Whereas the view of constitution as meaning-bestowal is untenable, the flesh has a constitutive role, which is supported by a ‘constitutional passivity’ from the subject. On this reading, Merleau-Ponty's later work aims to develop basic tenets of his earlier thought, albeit at a critical distance, an attempt he thought was continuous with the central problems that Husserl claimed a phenomenological philosophy must grapple with, even if Merleau-Ponty's answers to these problems are not Husserl's. (shrink)

The phenomenological point of view of the body is usually appreciated for having introduced the notion of the ‘lived’ body. We cannot merely analyze and explain the body as one of the elements of the world of objects. We must also describe it, for example, as the center of our perspective on the world, the place where our sensing is ‘localized’, the agens which directly executes our intentions. However, in Husserl, the idea of the body as lived primarily complements his (...) objectivism: the body (Leib) is an objective and mental reality, a ‘double unity’, as he writes. In contrast, Merleau-Ponty’s later considerations of the body in Phenomenology of Perception tend to the idea of a circular relationship between the objective and subjective dimensions of the body – between the objective and the lived. One of the means to overcome the idea of the body as a site of the correlation between two opposite and complementary realms is, for Merleau-Ponty, the philosophical interpretation of an early neurological notion of ‘body schema’. Body schema is neither an idea nor a physiological-physical fact, it is rather a practical diagram of our relationships with the world, an action-based norm in reference to which things make sense. In the recently published preparatory notes for his 1953 courses, Merleau-Ponty dedicates much effort to further developing the notion of body schema, and interprets fresh sources that he did not use in Phenomenology of Perception. Notably, he studies various possibilities of how this practical ‘diagram’ can be de-differentiated (pathology) or further refined (cognitive and cultural superstructures, symbolic systems), which shows the fundamentally dynamic unity of the body. This paper summarizes the basic elements of Merleau-Ponty’s 1953 renewed philosophical interpretation of the notion of body schema, while contrasting it to the more traditional understanding of the body in phenomenology and in recent philosophical texts dealing with body schema. (shrink)

[In French] This paper outlines Merleau-Ponty’s interpretation of higher-order cognition as a fundamentally embodied process that is enacted by motor subject situated in natural and cultural environment. More specifically, I exemplify Merleau-Ponty’s interdisciplinary approach to cognition on his interpretations of motor intentionality, operative speech, and mathematical reasoning, which are based on neuropathology, linguistics, and gestalt psychology, respectively. In this analysis, I aim to show that the body is involved in cognition as an operator of the phenomenal structuration of the environment (...) even at the level of linguistic, rational, and abstract experience. (shrink)