In the phenomenology of the consciousness of internal time, Edmund Husserl has frequent recourse to sound and melody as illustrations of the processes that give rise to immanent temporal objects. In Husserl’s analysis, there is a philosophically pregnant tension between the geometrical diagrams representing multiple dimensions of immanent time and his intuition that time-points might be no more than fictions leading to absurdities. In this paper, I will address this tension in order to motivate a complementarity approach to temporal objects (...) such as sound and melody that might illuminate the phenomenology of sound-consciousness. (shrink)

Este artigo destina-se a introduzir a conferência de Heisenberg "A doutrina goethiana e newtoniana das cores à luz da física moderna", proferida em 1941, cuja tradução é aqui publicada. Analisa-se primeiramente o projeto filosófico de uma ordenação da realidade, desenvolvido pelo físico no início da década de 1940, o qual subjaz à discussão sobre as doutrinas das cores em Goethe e Newton. No segundo momento, faz-se uma exposição de algumas das implicações filosóficas da teoria quântica, com ênfase na interpretação da (...) assim denominada escola de Copenhague. Por fim, procura-se mostrar como a querela entre Goethe e Newton é utilizada para defender as abstrações da física teórica dos ataques da assim denominada "física ariana" e, ao mesmo tempo, preservar o valor das considerações intuitivas de Goethe. This paper aims at exposing the Heisenberg's conference "The teachings of Goethe and Newton on colors in the light of modern physics", presented in 1941, whose translation is presented here. In the first place the paper analyzes the philosophical project of an ordination of the reality, developed by the physicist in the early 1940s and which is the basis for the discussion of the "Teachings of Goethe and Newton on colors". Secondly it exposes some philosophical implications of the quantum theory by emphasizing the point of view of the Copenhagen school. Finally, it shows how the dispute between Goethe and Newton is exploited to defend the abstractions of the theoretical physics against the attacks of the so called "German physicists" and, at the same time, to preserve the worth of the Goethe's intuitive analysis. (shrink)