Si decidiésemos clasificar las teorías éticas en “inmanentistas” (aquellas que cifran lo éticamente aceptable en algún tipo de eventos del mundo, como por ejemplo el crecimiento utilitarista del beneficio general) y “trascendentalistas” (aquellas que ubican en algún espacio más allá de este mundo y esta vida el motivo de por qué comportarnos éticamente –por ejemplo, debido a alguna suerte de recompensa ultraterrena–), entonces el pensamiento moral del llamado “primer” Wittgenstein ocuparía un lugar especial entre ambos extremos de tal dicotomía. En (...) cierta medida, podría decirse que la propuesta ética del Wittgenstein que reflexionaba en torno a los años de composición del Tractatus guarda un delicado equilibrio que evita tanto su exclusivo sometimiento ante instancias trascendentales (fundamentos), como su asimilación total por parte de motivaciones inmanentes (provechos) a la hora de justificar el hecho de actuar de un modo correcto. En el presente artículo nos asomaremos a tal pirueta wittgensteiniana entre ambos miembros del dualismo trascendente-inmanente, y sugeriremos que el peculiar lugar en que deja lo ético, entre lo celestial y lo terrenal, acaso no sea del todo ajeno a tesis de la religión cristiana como la de la encarnación de lo divino en el mundo terreno. (shrink)

Samuel Alexander was an important figure in the rise of realism in the early twentieth century. Alongside Moore and Russell he forwarded the cause of realism in England with a systematic exposition of a realist metaphysics in his magnum opus Space, Time and Deity (1920). This volume is a collection of essays on Alexander’s philosophy, ranging from his metaphysics of spacetime, theory of categories, epistemology and account of perception, naturalism, and interpretations of reactions by R.G. Collingwood and John Anderson.

While Wittgenstein wrote unconventionally and denied that he was advancing philosophical theses, most of his interpreters have attributed conventional philosophical theses to him. But the best recent interpretations have taken the form of his writing and his distinctive way of doing philosophy seriously. The 1980s have also seen the emergence of a body of work on Wittgenstein that makes extensive use of the unpublished Wittgenstein papers. This work on Wittgenstein's method and his way of writing are the main themes of (...) this literature review.Section 1 surveys Wittgenstein's conception of philosophical method and its reception. Section 2 is a review of recent work on rule-following and the methodological issues it raises. Section 3 concerns research on the WittgensteinNachlass and its implications for the interpretation of his philosophy. (shrink)

This article explores the philosophies of Heidegger and Wittgenstein to illustrate the thesis that philosophy is a human activity exhibiting a unity of investigative and therapeutic aims. For both philosophers, the purpose of philosophical concepts is to point toward a path of transformation rather than to explain. For both, a first step on this path is the recognition of constraining illusions, whether conventional or metaphysical. For both, such illusions are sedimented in linguistic practices, and for both, philosophical investigation is a (...) way of emancipating thought and life from illusion by bringing what is already prereflectively understood into the light of thematic explicitness. And what both philosophers bring into thematic explicitness are aspects of the context-embeddedness and finitude of human existence. It is hoped that comparing the works of these two philosophers will unveil features of each that are more difficult to discern in the works of either considered in isolation. (shrink)

Rorty's assessment of the origins of the analytic/continental divide is discussed and criticized on several grounds. Rorty's plea in favour of the philosophical quietism implicit in the pragmatists' dismissal of metaphysics rests on an uncritical faith in scientific progress. To emphasize the tensions implicit in the ideal of progress a novel interpretation of the significance of Faust's encounter with Sorge (Care) is offered and compared with Heidegger's construal of Sorge in Sein und Zeit . A better understanding of the analytic/continental (...) divide is gained if we concentrate on the impact of Nazism and Fascism on the philosophical tradition with which philosophers living on the Continent had to come to terms after the Second World War. In this respect Adorno's attitude to progress in general and to philosophy in particular is very instructive and can be usefully contrasted with Rorty's dismissal of metaphysics. (shrink)

Volume 51, Issue 10, September 2019, Page 981-990.

Friedrich von Hayek’s Unfinished Draft of a Sketch of a Biography of Ludwig Wittgenstein was the first attempt at the task of assembling a comprehensible picture of the life of his pre-eminent cousin, Ludwig Wittgenstein. As the title might suggest, von Hayek never finished this task, his efforts being stymied by both Wittgenstein’s literary executors and Wittgenstein’s sister, Margaret Stonborough. Here, and for the first time, Christian Erbacher presents the first real publication of this draft, with accompanying commentary, and an (...) afterword by Allan Janik. Perhaps the best way to describe Erbacher’s work here is as a ‘biography of a biography’. His introduction to von Hayek’s manuscript details the story behind its creation, beginning with an outline of von Hayek’s own relationship with Wittgenstein, and the parallels between their academic careers. In doing so, Erbacher not only also describes the history of von Hayek’s sketch, but also the history of Wittgenstein-biography as a genre in itself. For what emerges from Erbacher’s extensive work in researching the von Hayek sketch is that, despite never coming to fruition itself, the work that von Hayek put into collecting the materials for writing a biography of Wittgenstein was hugely influential in all future endeavours of chronicling Wittgenstein’s life. (shrink)

Careful readers of Wittgenstein tend to overlook the significance his engineering education had for his philosophy; this despite Georg von Wright’s stern admonition that “the two most important facts to remember about Wittgenstein were, firstly, that he was Viennese, and, secondly, that he was an engineer.” Such oversight is particularly tempting for those of us who come to philosophy late, having first been schooled in math and science, because our education tricks us into thinking we understand engineering by extension. But (...) we do not. I will illustrate this common tendency to misread Wittgenstein by examining three engineering concepts that have little significance for science but played important roles in Wittgenstein’s philosophical thinking. These are: method of projection, dynamical similarity, and satisfactoriness. The upshot of this analysis will be a strong challenge to the myth of his putative fideism because neither fideism nor its contrary simply would have occurred to Wittgensteinthe-engineer. (shrink)

Wittgenstein's insistence in his later philosophy that explanation comes to an end in the explication of what it is to follow a rule provides a locus for the awakening of wonder, analogous to the mystical awe referred to in the "Tractatus". While Wittgenstein did not explore this analogy, it provides a point of entry into the examination of the relevance of his work to religious concerns. Every regular practice is built on capacities of reaction, uptake, and response which are the (...) endpoints of explanation, whose sheer givenness in their relation to our physical and social environment can bring on amazement. This wonder at the end of explanation has been explored -- from quite a different perspective -- by Stephen Gould, whose conclusions complement Wittgenstein's own. (shrink)

This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...) between bad and vacuous modern music is analogous to Schenker's distinction between the compositional fallacies of the progressive and the reactionary composers of his time. Concomitantly, Wittgenstein's philosophically problematic notion of good modern music transcended the conceptual framework of both Schenker and Spengler. In this context, I examine Wittgenstein's remarks on Gustav Mahler as well as his remark on the music of the future as monophony, which, I conclude, should be understood ultimately as an ellipsis of his much later view of musical meaning and intelligibility. (shrink)

Rush Rhees, Georg Henrik von Wright and Elizabeth Anscombe are well known as the literary executors who made Ludwig Wittgenstein’s later philosophy available to all interested readers. Their editions of Wittgenstein’s writings have become an integral part of the modern philosophical canon. However, surprisingly little is known about the circumstances and reasons that made Wittgenstein choose them to edit and publish his papers. This essay sheds light on these questions by presenting the story of their personal relationships—relationships that, on the (...) one hand, gave Rhees, von Wright and Anscombe distinct insights into Wittgenstein’s philosophizing; and, on the other hand, let Wittgenstein assume that these three former students, and later colleagues and friends, were the most capable of preparing his work for publication. Using hitherto unpublished archival material as well as information from published recollections, the essay sketches the development of the personal and philosophical bonds from which the literary heirs’ distinct ways of handling Wittgenstein’s unpublished writings grew in later years. (shrink)

On the assumption that theistic religious commitment takes place in the face of evidential ambiguity, the question arises under what conditions it is permissible to make a doxastic venture beyond one’s evidence in favour of a religious proposition. In this paper I explore the implications for orthodox theistic commitment of adopting, in answer to that question, a modest, moral coherentist, fideism. This extended Jamesian fideism crucially requires positive ethical evaluation of both the motivation and content of religious doxastic ventures. I (...) suggest that, even though the existence of horrendous evil does not resolve evidential ambiguity in favour of atheism, there are reasonable value commitments that would preclude those who hold them from satisfying extended Jamesian fideist conditions for committing themselves to classical theism. I then begin a discussion of a possible revisionary theistic alternative (in the Christian tradition) which – one might hope – may meet those conditions. An earlier, shorter, version of this paper was delivered as a keynote address at the APA Pacific 2007 Mini-Conference on Models of God. (shrink)

Gottfried Wilhelm Leibniz is the self-proclaimed inventor of the binary system and is considered as such by most historians of mathematics and/or mathematicians. Really though, we owe the groundwork of today’s computing not to Leibniz but to the Englishman Thomas Harriot and the Spaniard Juan Caramuel de Lobkowitz, whom Leibniz plagiarized. This plagiarism has been identified on the basis of several facts: Caramuel’s work on the binary system is earlier than Leibniz’s, Leibniz was acquainted—both directly and indirectly—with Caramuel’s work and (...) Leibniz had a natural tendency to plagiarize scientific works. (shrink)

This volume consists of the invited papers presented at the 23rd International Wittgenstein Conference held in Kirchberg, Austria in August 2000. Among the topics treated are: truth, psychologism, science, the nature of rational discourse, practical reason, contextualism, vagueness, types of rationality, the rationality of religious belief, and Wittgenstein. Questions addressed include: Is rationality tied to special sorts of contexts? ls rationality tied to language? Is scientific rationality the only kind of rationality? Is there something like a Western rationality? and: Could (...) we genetically engineer human beings to be less wicked? (shrink)

This dissertation investigates the origin, intellectual development and use of a semantic variant of the idea of logical space found implicitly in Kant and explicitly in early Wittgenstein and van Fraassen. It elucidates the idea of logical space as the idea of images or pictures representative of reality organized into a logico-mathematical structure circumscribing a form of all possible worlds. Its main claim is that application of these images or pictures to reality is through a certain conception of self. The (...) first chapter presents a novel interpretation of Kant’s semantic theory of schemata in the Critique of Pure Reason, showing that a structure of the imagination induced by the transcendental self informs an implicit idea of logical space. The second chapter offers an intellectual history of the idea through developments in the organization of images introduced by Helmholtz and Hertz. The third chapter reveals early Wittgenstein’s idea of logical space to be his notion of the self, demonstrating how this serves to unify propositions of the Tractatus Logico-Philosophicus concerning solipsism, realism, ethics, aesthetics and mysticism with those pertaining to the picture theory of meaning. The fourth chapter provides a historical overview of the development of van Fraassen’s empiricism in relation to his adaptation of logical space, and evaluates his recent proposal in Scientific Representation: Paradoxes of Perspective that the problem of coordination in the semantic view of theories is dissolved through self-location in logical space. After identifying a number of problems this proposal creates for his empiricism, a brief suggestion is made about how van Fraassen might improve upon his conception of logical space, and how an empiricist view of scientific representation might be understood as a result. (shrink)

Wittgenstein offers three objections to the idea of aesthetics as a branch of psychology: (i) Statistical data about people’s preferences have no normative force. (ii) Artistic value is not instrumental value, a capacity to produce independently identifiable – and scientifically measurable – psychological effects. (iii) While psychological investigations may bring to light the causes of aesthetic preferences, they fail to provide reasons for them. According to Wittgenstein, aesthetic explanations (unlike scientific explanations) are poignant synoptic representations of aspects of a work, (...) and the criterion of success of an aesthetic explanation is that it satisfies the addressee. He repeatedly remarked that they resemble philosophical explanations, which also try to dispel puzzlement or confusion. The difference, however, is that whereas in philosophy we deal with general conceptual problems, aesthetic explanations typically concern individual responses to particular works of art. (shrink)

The "standard account" of Wittgenstein’s relations with the Vienna Circle is that the early Wittgenstein was a principal source and inspiration for the Circle’s positivistic and scientific philosophy, while the later Wittgenstein was deeply opposed to the logical empiricist project of articulating a "scientific conception of the world." However, this telegraphic summary is at best only half-true and at worst deeply misleading. For it prevents us appreciating the fluidity and protean character of their philosophical dialogue. In retrospectively attributing clear-cut positions (...) to Wittgenstein and his interlocutors, it is very easy to read back our current understanding of familiar distinctions into a time when those terms were used in a much more open-ended way. The paper aims to to provide a broader perspective on this debate, starting from the protagonists’ understanding of their respective positions. Too often, the programmatic statements about the nature of their work that are repeated in manifestoes, introductions, and elementary textbooks have occupied center stage in the subsequent secondary literature. Consequently, I focus on a detailed examination of a turning point in their relationship. That turning point is Wittgenstein's charge, in the summer of 1932, that a recently published paper of Carnap's, "Physicalistic Language as the Universal Language of Science", made such extensive and unacknowledged use of Wittgenstein's own ideas that Wittgenstein would, as he put it in a letter to Schlick, "soon be in a situation where my own work shall be considered merely as a reheated version or plagiarism of Carnap’s." While the leading parties in this dispute shared a basic commitment to the primacy of physicalistic language, and the view that all significant languages are translatable, there was a remarkable lack of mutual understanding between them, and deep disagreement about the nature of the doctrines they disputed. Three quarters of a century later, we are so much more conscious of the differences that separated them than the points on which they agreed that it takes an effort of historical reconstruction to appreciate why Wittgenstein once feared that his own work would be regarded as a pale shadow of Carnap’s. (shrink)

A close investigation of Wittgenstein’s MS 104, which contains the so-called Prototractatus, has shown that the manuscript originally contained an additional folio that was later cut out and is now missing. The content of this missing folio could be partly reconstructed by a faint inverse imprint that it has left behind on page 2. The paper discusses the consequences of this discovery for the interpretation of the beginning and early formation of the Prototractatus, including the introduction and role of the (...) numbering system. The paper also provides a transcription of the deepest visible textual layers of the first conception of the picture theory. (shrink)

Wittgenstein has been considered one of the greatest philosophers of the 20th century while being one of its most popular mystics. Considering the staunch secularization of philosophy during the Enlightenment, such combination is rarely seen in philosophers of more recent times. The farthest explication of the relationship between Wittgenstein’s philosophy and his mysticism has not went as far as making a Christian nature explicit. This can be read as analytic philosophy’s identification as an heir to the Enlightenment. There has been (...) much ink spilled in the mystical aspects of his philosophy. Although there are hints of his Christian leanings, patent parallelisms have yet to be drawn properly. Exploring Christian faith and rule-following, this paper asserts that the former is how the latter is characterized in the Philosophical Investigations. Faith and rule-following both provide a way of seeing and are sufficient for action. (shrink)

My thesis is original in placing together Wittgenstein's ideas of how language works, and arguments for the philosophical significance of the embodied and relational figure of the mother. I both use and resist a Wittgensteinian therapy to overcome the problem of the forgetting of the mother in philosophy. I begin with the problem of essentialism, important to Wittgenstein and to feminist philosophy. My reading of Wittgenstein finds an ignored lacuna between language and experience. I add in to the debate the (...) type specimen approach from botany. Adopting this approach enables me to avoid a classification which requires a true inner essence to mothering, and provides a way for me to denote the significant place of the language games of mothering in language games about women. I argue for a different symbol of the mother. I agree with Wittgenstein's account of language, but add to it. I show the importance of Wittgenstein's insight that although meaning is not fixed independently of use, use does not fix meaning in that I create new meanings for the figure of the mother. I argue, through an exploration of Wittgenstein's concept of `übersichtlichen Darstellung ; that Wittgenstein can help us to see the phenomena of our life differently, in a way that makes space for understanding female difference. His concept of a form of life provides such openings. As the Wittgensteinian agent seems distinctly un-female, I bring in the philosophy of Kierkegaard in my argument for a different relational self as mother. I argue for a Kierkegaardian flexible maternal self with mobile edges. I insert the language games of the mother into Kierkegaard's writing on women. My aim is a more adequate representation of a reality. I use the work of John Wisdom to make a bridge between Wittgenstein and the narrative form, which I use throughout. Wisdom's strategy is to engage in unconventional reflection in looking for new ways of telling philosophical stories, and in finding new patterns of meaning in the familiar. I claim that the narrative form enables me to express the shifting essence of the mother and the diversity of mothers; and to acknowledge the silences which are part of the mother's story. My aim in this thesis is creative. I use Wittgenstein to create a new kind of relation to philosophy. I do not offer a correct reading of Wittgenstein or Kierkegaard. Instead, aided by the insights provided by feminist philosophy, I write in the language games of the mother to their ideas. Thus, I bring into existence through utterance a different, feminist philosophical symbol of the mother. (shrink)

In a recent paper, “One Logician’s Perspective on Argumentation”, van Benthem expressed his reservations on Toulmin’s diagnosis and abandonment of formal logic, and argued that Toulmin was wrong for leading the study of argumentation apart from formal approach. In this paper we will try to reveal two se-rious misunderstandings of Toulmin’s ideas in his discussions, and thereby make an apology for Toulmin.

The paper investigates the history of the introduction of what was later called “analytic philosophy” in October 1911–May 1912. Despite the fact that Russell and Wittgenstein were in full agreement in their antipathy towards the old-style philosophy, for example, that of Bergson, each had his own conception of the New Philosophy. For Russell, it meant “examined philosophy”, or philosophy advanced through “scientific restraint and balance” of our theoretical conjectures, and resulted in a series of logically correctly constructed theories. For Wittgenstein, (...) it resulted in syncopated, short logical-philosophical “discoveries”. In the years to come, the two conceptions of “rigorous philosophy” embraced by Russell and Wittgenstein often came in conflict. (shrink)