Long neglected, Schelling’s 1809 Philosophical Investigations into the Essence of Human Freedom has been the subject of renewed contemporary interest with scholars linking it to debates in ontology, psychology, and social philosophy. This paper argues, however, that its fundamental importance lies in bringing to our attention the way in which our moral categories are grounded in conceptions of metaphysics. To do so, it suggests that Schelling focuses on two questions: first, does evil have positive being? And second, why do some (...) individuals commit evil acts while others do not? In response to the first, Schelling criticises Augustine’s insistence that evil entails a privation of being by developing an original account of metaphysics and, by extension, evil that insists that being entails an autopoietic process whereby a dark, chaotic, differentiating abyss expresses itself in actual, empirical being. By associating evil with this dark abyss, Schelling holds that ‘evil’ not only has actual being but forms the differentiating foundation of actual existence. This brings him to the second question, namely, why some individuals choose to actualize this dark abyss while others do not. In contrast to Kant’s appeal to an unknowable noumenal decision that can subsequently be altered, Schelling suggests that the choice of evil is an unconscious one that cannot subsequently be changed. The paper concludes by raising two critical questions about Schelling’s analysis relating to the determinism inherent to his account of moral choice and whether it, in fact, actually explains why some moral agents choose evil and others do not. (shrink)

Schelling has been exploited for a variety of psychoanalytical projects, from Marquard’s revision of Freud, to various readings of Jung, to Žižek’s interpretation of Lacan. What we have not seen is an elaboration of the psycho-therapeutical implications of Schelling’s metaphysics on its own terms. What we find when we read Schelling as metapsychologist is a nonpathologizing theory of dissociation. Like anything that lives, the psyche dissociates for the sake of growth. The law of productive dissociation is the source of psyche’s (...) adaptive power and an explanation of the structure of its illnesses. (shrink)

Among the different interpretations of the philosophy of Schelling, there is no doubt that the ones developed by Martin Heidegger and Karl Jaspers played a prominent role within the most recent Schelling scholarship. Both Heidegger and Jaspers focused on Schelling’s discourse on freedom, pointing out the fundamental incompatibility of its key elements, i.e. ‘ground’ and ‘existence’, as well as the fallacious conception of Seynsfuge that emerges from it. Moreover, Heidegger argues that Schelling’s ontology ultimately falls back into traditional metaphysical subjectivism, (...) ignoring the question of Being as such and in fact paving the way to nihilism. Similarly, Jaspers criticizes Schelling’s arbitrary account of the relation between freedom and existential being and his misleading conception of transcendence. However, I argue against Jaspers that Schelling’s discourse on freedom must be read as a philosophy of immanence, which aims at maintaining the concreteness of the concepts and at avoiding any form of transcendence. Consequently, I also argue against Heidegger that not only does Schelling’s discourse successfully show the compatibility of ground and existence, but that Schelling’s understanding of the ‘subject’ does not comply with Heidegger’s notion of ‘metaphysical subjectivism’ and is immune to Heidegger’s criticism. (shrink)

This paper considers the problem of a narrative philosophy according to F. W. J. Schelling and narrative logic according to Franklin Ankersmit. Referring to these examples, I ask whether there is any philosophy to narrative at all. First, I discuss Schelling’s views from his unfinished work “The Ages of the World,” as well as his later dialectics of mythology of revelation from the system of the ages of the world. I focus on a dialectics of figurative and speculative order, which (...) is at the core of Schelling’s project to tell philosophy in the form of poetry and demonstrate the origins of Schelling’s narrative philosophy in his early, transcendental thought. Next, I juxtapose my findings with Ankersmit’s analysis of historians’ language. I also consider whether, and how, some of these ideas can be applied in contemporary narrative research. (shrink)