En este trabajo trato de dar respuesta a la cuestión acerca de si los conceptos formales del Tractatus Logico-Philosophicus de Wittgenstein son o no categorías ontológicas. Mi respuesta es que no. Así, después de ofrecer una definición de ‘ontología’ y diferentes lecturas sobre las proposiciones iniciales del Tractatus, presento la noción de concepto formal o lógico, así como diferentes interpretaciones en relación con el papel de esos conceptos en el Tractatus. Después, y teniendo en consideración lo dicho en las secciones (...) precedentes, presento mi propia lectura de las proposiciones iniciales en términos de expresiones conceptuales o gramaticales, la distinción tanto en extensión como en intensión de las nociones de concepto formal o lógico y categoría ontológica y la disolución de la ontología, que no de la lógica. Finalmente ofrezco unas conclusiones finales que recogen aspectos centrales de la discusión precedente. (shrink)

This paper is more than a plea for Rhees’ reading of the work of Wittgenstein (particularly of On Certainty). My interest in Rhees’ interpretation lies on its resemblance with my own reading, on the one hand, and on its being (surprisingly) unmentioned by other interpreters, on the other. The two core aims of this paper focus on Rhees’ main ideas. First, I argue that although certain facts that are accepted beyond doubt belong to the method, which in turn is included (...) in grammar, this does not mean that these facts are expressions of rules of grammar. Second, I argue that grammar is not conditioned by a certain class of facts (i.e. general facts of nature), but a language-game is possible because we do not call in question certain facts (i.e. grammar is not conditioned by something like ontology). The point is that those facts that are not called in question are beyond truth and falsity, but this does not mean that these facts must be true. The logical role these facts (and the sentences used to express them) play in a language-game is not that of being true or false. Moreover, grammar itself constitutes what is meant by ‘object’, ‘fact’, or ‘general fact of nature’. (shrink)

Name der Zeitschrift: Nordic Wittgenstein Review Jahrgang: 2 Heft: 1 Seiten: 33-56.

Wittgenstein composed five original musical fragments during his transitional middle period, in which he employs musical notation as a means by which to convey his philosophical thoughts. This is an overlooked aspect of the importance of aesthetics, and musical thinking in particular, in the development of Wittgenstein’s philosophy. We explain and evaluate the way the music interlinks with Wittgenstein’s philosophical thoughts. We show the direct relation of these musical examples as precursors to some of Wittgenstein’s most celebrated ideas (the push (...) beyond the inner/outer picture, the problem of rule-following, and aspect perception). We also show how important broad aesthetic notions such as style and composition concerning the very possibility of philosophizing were to Wittgenstein. (shrink)

This paper argues that there are three reasons why we should regard Wittgenstein's Tractatus as a forerunner of formal semantics: Wittgenstein is convinced that we can apply formal notions to natur...