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  1. Towards a Feminist Aesthetics of Melancholia: Kristeva, Adorno, and Modern Women Writers.Ewa Ziarek - 2010 - Critical Horizons 11 (3):443 - 461.
    Melancholia is a hybrid concept, deployed in feminist and philosophical theories politics and aesthetics, but ‘properly” belonging to neither. This heterogeneity of melancholia as both an aesthetic and a political category allows us to interrogate the interrelationship between gender politics and aesthetics without, however, abolishing their differences. Reinterpreted in the context of a feminist aesthetics, melancholia not only points to art’s origin in the unjust and gendered division of labor and power but also to the ethical and political task of (...)
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  • Can art become theoretical?Clinton Peter Verdonschot - 2021 - Internationales Jahrbuch für Philosophische Anthropologie 11 (1):109-126.
    Art-science, as its name suggests, combines art with science. The idea of combining art and science raises the question whether the outcome, art-scientific works, can succeed against a standard properly belonging to them. In other words: can there be such a thing as an art-scientific work, or do such works merely belong to either art or science while superficially seeming to belong to the other sphere as well? Surprisingly perhaps, these concerns overlap with a chief point of contention as regards (...)
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  • Understanding Each Other: The Case of the Derrida-Searle Debate.Stanley Raffel - 2011 - Human Studies 34 (3):277-292.
    This paper revisits the Derrida-Searle debate, an exchange that, unfortunately, did not lead to much, if any, mutual understanding. I will suggest that this failure can be traced back to key features of their respective theories. In that Searle and Derrida use their own theories of speech as resources in trying to understand each other, their unsuccessful communication can be used to reveal a great deal about the limitations of both their theories. My paper tries to draw out these limitations (...)
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  • Adorno and Mass Culture: Autonomous Art Against the Culture Industry.György Markus - 2006 - Thesis Eleven 86 (1):67-89.
    Adorno’s extended conception of ‘culture industry’ renders the usual criticism of his views as ‘elitist’ meaningless. The same expansion creates, however, logical strains and contradictions in his analysis of the character and function of the culture industry: a strain in its ‘psychosocial’ and ‘status compulsion’ interpretation. In his late work Adorno attempts to solve this contradiction, but at a heavy price, by creating a conceptual barrier between pleasure and happiness.
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  • Towards an ethical politics.Kathy Kiloh - 2017 - Philosophy and Social Criticism 43 (6):571-598.
    Jürgen Habermas’ characterization of Adorno’s project as an aestheticization of philosophy continues to influence our reading of his work. In contradiction to Lambert Zuidervaart, who suggests that in order to be understood as politically relevant, Adorno’s philosophy must be supplemented with empirical research, I argue in this article that Adorno’s work contains many of the resources we would need to theorize an ethical politics. First, it both identifies the moral debt carried by the subject and addresses the need for social (...)
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  • Theodor W. Adorno.Lambert Zuidervaart - 2008 - Stanford Encyclopedia of Philosophy.
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  • Theodor W. Adorno.L. Zuidevaart - forthcoming - Stanford Encyclopedia of Philosophy.
     
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  • Kant and Hegel on Aesthetic Reflexivity.جرج و برترام - 2018 - Journal of Philosophical Investigations at University of Tabriz 12 (24):95-113.
    The paper aims at reevaluating a conception of the aesthetic that was developed by Kant and Hegel but that has been widely neglected due to the fact that their positions in aesthetics have been wrongly considered to be antagonistic to one another. The conception states that the aesthetic is a practice of reflecting on other human practices. Kant was the first to articulate this conception, but nevertheless falls short of giving a satisfying account of it, as he doesn’t succeed in (...)
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  • Aestethic reasoning- The rehabilitation of the non-identical.Anca Curpaş - 2014 - Annales Philosophici 7:11-24.
    The approach of the present paper is settled by the premise that we can no longer pretend that the assumptions of the Enlightenment set the rules for all rationality. The original contribution of the Frankfurt School philosopher, Theodor W. Adorno is firstly examined in his critique of the “enlightened” bequeathal of exclusionary epistemologies, an analysis which culminates with his account of the alternative “aesthetic understanding”. From this moment on, the working hypothesis is that art functions as a legitimate form of (...)
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