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  1. Hegels Auffassung von der Poesie als Endform der Kunst.Héctor Ferreiro - 2015 - In Peter Remmers & Christoph Asmuth (eds.), Ästhetisches Wissen: Zwischen Sinnlichkeit Und Begriff. Berlin: De Gruyter. pp. 133-144.
    Die Poesie ist für Hegel die Endform der Kunst, in der die Kunst im Allgemeinen durch die Religion überwunden wird. Die These, dass die Poesie den anderen Künsten, d.h. der Architektur, der Skulptur, der Malerei und der Musik, überlegen ist, spricht von einer besonderen Hierarchisierung und Periodisierung, die Hegel zwischen die verschiedenen Kunstformen einführt. Das Kriterium für diese Hierarchisierung und Periodisierung ist offensichtlich das gleiche, nach dem Hegel die Kunst wiederum als eine der Religion und der Philosophie unterlegene Form betrachtet. (...)
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  • The Question of Transcendence and Constraint in a Panartifactual Account of Being, Knowing and Making.Büke Temizler & Murat Baç - 2022 - Metaphysica 23 (2):409-425.
    Barry Allen defends a highly unorthodox and compact account of humans and their evolutionary adventure, which comprises inter alia epistemological, alethic, technological, and artistic aspects. His anthropocentric view distinguishes itself from traditional forms of realism and anti-realism by virtue of its dynamic and non-reductionist character. Allen adopts a certain perspective of techno-artistic and onto-epistemic construction, which we dub “panartifactualism,” claiming principally that nothing at all escapes the artifactualizing power of human beings. We maintain that, under closer scrutiny, various dimensions of (...)
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  • Starting from scratch: Making worlds. [REVIEW]R. Schwartz - 2000 - Erkenntnis 52 (2):151-159.
    A constructivist thesis of worldmaking is characterized and some misinterpretations of its claims are dispelled. An attempt is then made to reply to various common criticisms of the thesis. Although this defense of worldmaking takes into account general challenges to the thesis, the focus of the paper is narrower. It is aimed primarily at those critics who typically accept related pragmatic assumptions and themes, but still think it necessary to resist the idea of worldmaking.
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  • What is «Critique of Worldmaking»? Nelson Goodman's Conception of Philosophy.Lars Leeten - 2012 - Enrahonar: Quaderns de Filosofía 49:29-40.
    The contribution examines Goodman’s conception of philosophy, in particular his remark that his project can be understood as a «critique of worldmaking». It is argued that, despite dealing with epistemological questions, the general theory of symbols and worldmaking does not answer them. Rather, it can be conceived as a practical conception comparable to Kant’s critique of reason or to Wittgenstein’s critique of language games, i. e. , as a philosophy of world orientation. It is claimed that Goodman himself could not (...)
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  • M erleau‐ P onty and metaphysical realism.Simon P. James - 2018 - European Journal of Philosophy 26 (4):1312-1323.
    Global metaphysical antirealism (or “antirealism”) is often thought to entail that the identity of each and every concrete entity in our world ultimately depends on us—on our adoption of certain social and linguistic conventions, for instance, or on our use of certain conceptual schemes. Drawing on the middle‐period works of Maurice Merleau‐Ponty, I contend that metaphysical antirealism entails nothing of the sort. For Merleau‐Ponty, I argue, entities do not ultimately owe their identities to us, even though—as he puts it—their “articulations (...)
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  • The strict analysis and the open discussion.Katariina Holma - 2009 - Journal of Philosophy of Education 43 (3):325-338.
    A crucial challenge in terms of research methods in philosophy of education is that of combining philosophical ways of analyzing and arguing, with the dialogical and pluralist way of thinking needed in educational research. In this article I describe how I dealt with this challenge in my research project focusing on educational implications of the positions defended in the debate on constructivism and realism between Israel Scheffler and Nelson Goodman. The key to my methodological approach is an emphasis on the (...)
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  • Agonies of the real: Anti-realism from Kuhn to Foucault.Peter E. Gordon - 2012 - Modern Intellectual History 9 (1):127-147.
    When did historians begin to put quotation marks around the wordreal? There are many examples of this habit and some of them will be set forth as evidence in what follows. But before doing so we might ask a preliminary question: What are the quotation marksthemselvessupposed to mean? Today we find them so familiar they hardly need to be written and they are more frequently consigned to the everyday repertoire of silent gesture: two fingers on either hand clutch at the (...)
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  • Goodman’s Many Worlds.Alexandre Declos - 2019 - Journal for the History of Analytical Philosophy 7 (6):1-25.
    In this paper, I examine Nelson Goodman’s pluriworldism, understood as the claim that there exists a plurality of actual worlds. This proposal has generally been quickly dismissed in the philosophical literature. I argue that we ought to take it more seriously. As I show, many of the prima facie objections to pluriworldism may receive straightforward answers. I also examine in detail Goodman’s argument for the conclusion that there are many worlds and attempt to show how it might be supported. Eventually, (...)
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  • Goodman and Putnam on the making of worlds.Damian Cox - 2003 - Erkenntnis 58 (1):33 - 46.
    Hilary Putnam and Nelson Goodman are two of the twentieth century's most persuasive critics of metaphysical realism, however they disagree about the consequences of rejecting metaphysical realism. Goodman defended a view he called irrealism in which minds literally make worlds, and Putnam has sought to find a middle path between metaphysical realism and irrealism. I argue that Putnam's middle path turns out to be very elusive and defend a dichotomy between metaphysical realism and irrealism.
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  • A brief history of continental realism.Lee Braver - 2012 - Continental Philosophy Review 45 (2):261-289.
    This paper explains the nature and origin of what I am calling Transgressive Realism, a middle path between realism and anti-realism which tries to combine their strengths while avoiding their weaknesses. Kierkegaard created the position by merging Hegel’s insistence that we must have some kind of contact with anything we can call real (thus rejecting noumena), with Kant’s belief that reality fundamentally exceeds our understanding; human reason should not be the criterion of the real. The result is the idea that (...)
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  • Identities of Artefacts.Christoph Baumberger & Georg Brun - 2011 - Theoria 78 (1):47-74.
    In non-philosophical discourse, “identity” is often used when the specific character of artefacts is described or evaluated. We argue that this usage of “identity” can be explicated as referring to the symbol properties of artefacts as they are conceptualized in the symbol theory of Goodman and Elgin. This explication is backed by an analysis of various uses of “identity”. The explicandum clearly differs from the concepts of numerical identity, qualitative identity and essence, but it has a range of similarities with (...)
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  • Truthmaking and pragmatist conceptions of truth and reality.Sami Pihlström - 2005 - Minerva - An Internet Journal of Philosophy 9 (1).
    This paper argues for a rearticulation of the theory of truthmaking within pragmatism. The concept of truthmaking has usually been employed by metaphysical realists, but it can be reinterpreted in a pragmatist manner, following both classical and more recent pragmatists’ ideas on the “making of truth” as a process within human experience and world-categorization. Thus, a pragmatist criticism of metaphysical realism can be extended to the core areas of realist metaphysics, including the truthmaking theory.
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