In this paper, I reflect on Descartes' employment of the meditational genre in the weaving of the text of the Meditations. In the first part, the possible influences behind Descartes' choice of the meditational genre are examined. The second part of the paper attempts to spell out the significance of Descartes' use of the meditational form. The claim advanced here is that Descartes adopted this unique genre ultimately to further his radical philosophical project of a subject-centred theory of knowledge and (...) a new metaphysical Weltbild, with the self catapulted to the central stage and the physical world reduced to an object of the subject's act of representation. (shrink)

The aim of the present volume is to draw the balance of naturalism's success so far.

The task of this article is a two-fold approach to Augustine’s theory of knowledge, often called that of ‘divine illumination’, with particular attention to one of its seminal sources, his Soliloquia. The first approach is historical- and text-critical; we consider the text of the Soliloquia, its meaning and significance, the questions to which Augustine was implicitly responding at the time, and especially how this work broaches themes which are revisited and further developed in Augustine’s later works. In the second part, (...) we take the results of the foregoing analysis and apply to them a systematic-theological and philosophical method. First we contextualize Augustine’s theory of illumination, both in relation to his own works and beyond. We then argue for a distinction between two senses of illumination, namely ‘principal’ and ‘gradual’, which helps to account for the different ways in which illumination is applied by Augustine. Finally, we show how Augustine’s insights can be relevant to contemporary philosophy and theology, and how his ideas are implicated in contemporary debates. The upshot is an historical, philosophical, and theological consideration of Augustine’s theory of divine illumination, which aspires to strike a balance between doing justice to the text from an historical perspective and interpreting and applying it in the present day. (shrink)

Philosophical work on testimony has flourished in recent years. Testimony roughly involves a source affirming or stating something in an attempt to transfer information to one or more persons. It is often said that the topic of testimony has been neglected throughout most of the history of philosophy, aside from contributions by David Hume (1711–1776) and Thomas Reid (1710–1796).1 True as this may be, Hume and Reid aren’t the only ones who deserve a tip of the hat for recognizing the (...) importance of testimony: St. Augustine of Hippo (354–430) affirms the place of testimony in human cognition, at least in his later writings. (shrink)

The first-person perspective is a challenge to naturalism. Naturalistic theories are relentlessly third-personal. The first-person perspective is, well, first-personal; it is the perspective from which one thinks of oneself as oneself* without the aid of any third-person name, description, demonstrative or other referential device. The exercise of the capacity to think of oneself in this first-personal way is the necessary condition of all our self-knowledge, indeed of all our self-consciousness. As important as the first-person perspective is, many philosophers have not (...) appreciated the force of the data from the first-person perspective, and suppose that the first-person perspective presents no particular problems for the naturalizing philosopher. For example, Ned Block commented, “It is of course [phenomenal] consciousness rather than...self-consciousness that has seemed such a scientific mystery.” And David Chalmers says that self-consciousness is one of those psychological states that “pose no deep metaphysical enigmas.”. (shrink)