A.D. Smith opens his excellent paper, “Space and Sight,” by remarking, One of the most notable features of both philosophy and psychology throughout the eighteenth and nineteenth centuries is the almost universal denial that we are immediately aware through sight of objects arrayed in three-dimensional space. This was not merely a denial of Direct Realism, but a denial that truly visual objects are even phenomenally presented in depth (481). Times have changed. As Smith writes, “It is hard to think of (...) a more radical reversal in thinking than the one that separates such an outlook from that which prevails today; for this erstwhile orthodoxy is hardly given even serious consideration in our own times, at least among philosophers” (482). Even so, how could this doctrine come and go? How can there be fashion in phenomenology?1 Let me answer the question indirectly, by considering Locke’s reasons for advancing the doctrine. He writes, “When we set before our Eyes a round Globe, of any uniform colour, v.g. Gold, Alabaster, or Jet, ‘tis certain, that the Idea thereby imprinted in our Mind, is of a flat Circle variously shadow’d, with several degrees of Light and Brightness coming to our Eyes” (2.9.8).2 Adults have acquired ideas of three-dimensional objects (presumably by.. (shrink)

Michael Jacovides For Locke, the first step in inquiring into perception should be reflection: “What Perception is, every one will know better by reflecting on what he does himself, when he sees, hears, feels, etc. or thinks, than by any discourse of mine” (2.9.2). As a second step, I say, we may learn from reading him. Locke’s use of the term ‘perception’ is somewhat broad. At one point, he tells us that “having Ideas and Perception” are “the same thing” (2.1.9). (...) Elsewhere, he includes the perceiving the agreement of ideas and perceiving the meaning of signs among the varieties of perception (2.21.5). What I have to say will be about perception as psychologists classify it nowadays. I will first discuss sensation in general and then elucidate some of the subtleties of Locke’s account of the visual perception of shape. I’ll close with some remarks on Locke account of time perception. (shrink)